Search
You searched for:
Start Over
Ethnographic Term
fringe
Remove constraint Ethnographic Term: fringe
Topic
Moccasins, Beaded-Floral
Remove constraint Topic: Moccasins, Beaded-Floral
1 - 4 of 4
Number of results to display per page
Search Results
- Description
- Three Native American men, identified as Young Chief, Whirlwind, and Chief No-shirt, are mounted on dark-colored horses on a plain in front of four tipis. Each man carries a staff with ermine, eagle feathers, or other decoration, and Young Chief holds a second, shorter staff with long fringe. All wear headdresses with ermine hanging down, and eagle feather trails, and two have horned headdresses. The men wear beaded moccasins and beaded pants. One wears a cloth vest, one a cloth shirt, and one a buckskin shirt. The pants of two men are visible and seem to be cloth with strips of geometric beading. The horses have beaded bridles, martingales, masks, and reins, and Young Chief's horse shook its head as the photo was taken. Chief No-shirt's horse has a striped saddle blanket; the saddle has a long strip of fur hanging down from the saddle horn, nearly to the ground. All men wear jewelry. In the background at the right of the picture, the four tipis are lined up. In the background at the left, other people and part of a horse can be seen, and at the very left it looks as though someone were holding a flag.
- Description
- Seven men, three sitting, four standing, are grouped in a studio before a backdrop which has tipis painted on it. Two of the standing men are white men, identified as John McBain and Lee Moorhouse. Both wear suits and ties and McBain wears a felt hat while Moorhouse wears a high top hat. Both men have moustaches. Moorhouse holds a long pipe and flat geometrically beaded bag with fringe in his right hand, and his left hand is on the shoulder of the man seated in front of him, identified as Young Chief of the Cayuse. A Native American man, identified as Chief Sho-o-way of the Cayuse, stands in the back, also wearing a suit. He has a top-coat with furred lapels over it, and a conspicuous watch chain and medal. He wears no hat, and his gray or white hair hangs to his shoulders, where it is curled. The fourth man in the back row, identified as Chief Wolf, does not seem to be wearing headgear, but the middle section of his dark hair is pulled back from his forehead and puffed up above his head, and there seem to be feathers or other ornaments in it. The hair on the sides hangs at least to his shoulders. He wears a choker necklance and buckskin shirt, with a blanket across his left shoulder to the right side of his waist. He appears to be holding a large white feather or wing with dark spots in his right hand. The three Native American men seated in front are all wearing headgear. The man on the left, seated on a wooden chair, is identified as Chief Peo of the Umatilla. He wears a stand-up bonnet of feathers over his shoulder-length hair, and seven rows of necklaces, and his shirt is decorated with shells or teeth along its v-neck, with a stiff fringe below the shoulders. His hands are crossed on his lap, and the lower hand rests on a patterned blanket hanging between his legs. His upper, right, arm, is crossed over, and he has another blanket draped over it, and a ring on his hand. His pants have wide strips of beading down the outside of the legs. He seems to be wearing plain moccasins. The man in the center has been identifed as Chief Homily of the Walla Walla. He seems to be wearing a military cap, ornamented with beading, feathers, and fringe. His buckskin shirt has rectangular areas of beading on the sleeves and a row of ermine across the chest and shoulders.He seems to be wearing plain buckskin chaps over his pants, and beaded moccasins. His hands are in his lap and in his right hand he holds a pipe, from which a beaded bag dangles. The third seated man, Young Chief, wears a straw or felt hat with a hatband and an ornament standing up in the front, out of which emerge plumes of feathers which curve over the top of his hat. He has dark shoulder-length hair, and an earring is visible. He too wears loops of beads around his neck. He seems to be wearing a military jacket with chevrons at the wrist over a plaid shirt. The jacket is decorated with fringe at the shoulders which depends lower than his elbows. He has a patterned blanket over both legs and rolled in his lap, with patterned trousers underneath and floral beaded moccasins. His hands in his lap grasp a hatchet-style pipe, which has a flat beaded bag with streamers hanging from it. The area beneath the men is covered with a very hairy rug or mat, which is slightly rolled up at the right side of the photograph.
- Description
- Three Native American girls, of the Umatilla Tribe, are standing on top of the gate of a small wooden dam over a river. The young woman on the left has a pendleton blanket wrapped around herself. She is wearing a headdress with feathers and her hair is loosely tucked under the blanket. The young woman in the middle also has a pendleton blanket wrapped around herself. She has two long braids and is carrying a woven bag over one arm. The design on the bag is of a deer and two flowers. The young woman on the right is wearing a buckskin dress with a belt and a woven cornhusk hat. The dress has two tiers of beaded fringe. She has two arm band style bracelets on her wrist and forearm; the one on her forearm is copper. All three girls are wearing beaded moccasins. The dam spans an inlet between the bank and a sandbar. There is a pile of rocks on the sand on both sides of the dam. The background of the image shows more of the river, a wooden dock or platform, and some shrubs and deciduous trees., Umatilla Indian girls 1904 [Three Umatilla girls in regalia, standing by irrigation flume. One wears bear claw circlet, one has cornhusk bag with deer, one wears cornhusk hat and shoulder-beaded dress with dangles.]
- Description
- A young Native American woman identified as Nellie Parr, a Walla Walla woman, sits in a room in front of a backdrop made of a plain blanket draped over a rack. On the walls behind and to the right hang a jumble of feathered headdresses, tomahawks, and other items; it appears she is in a photographer's studio. The woman wears beaded moccasins on her feet, which are resting on a small coiled cedar root mat. She wears leggings and a beaded buckskin dress, with beads in the fringe at calves, thighs, and arms. On her arms are metal bracelets, and around her neck are hung a number of necklaces including two that seem to be made of animal claws, long strings of beads, and a necklace with a medal. She wears a cornhusk basket hat with geometric designs and feathers on one side over her braided hair. She holds a bow and arrows with her right hand; the bottom of the bow rests on the mat. Her left hand is closed over the handle of a bag. Covering the object on which she sits is a blanket with bold geometric designs. A striped blanket can be seen tossed over something in the bottom right of the photograph., [Nellie Parr, Walla Walla woman, wearing beaded buckskin dress, leggings, moccasins, cornhusk hat, necklaces. She holds a bow and rests feet on cedar mat. In Moorhouse studio; curio collection visible on wall.]
