Personal Finances. Correspondence, largely from the State of Oregon Board of Higher Education, about Gertrude Bass Warner financial donations to the University as well as other miscellaneous personal business correspondence. Receipts for personal purchases including 1928 receipts for lantern slides bought in Japan which would become part of the collection that she later gave to the University
Letters of Introduction. Letters written on Gertrude Bass Warner’s behalf to introduce her to foreign dignitaries and institutions as the director of the University of Oregon’s Fine Art Museum
American Association of University Women; Correspondence, membership cards, invoices, and publications; Material relating to an Oriental Art study group held at the museum for the organization’s members
General Normann Munthe; Correspondence, notes, expense lists, and invoices for objects obtained by Gen. Munthe and shipped to Gertrude Bass Warner in Eugene
Charity donations. Thank you letters for donations to various charities including a 1921 letter of thanks for a donation of photographs of the Panama-Pacific Exposition at San Francisco made to The Smithsonian Institution National Museum
America-Japan Student Conference; Second America-Japan Student Conference in Portland Oregon-Conference subject list, itinerary, and letter arranging a visit to Eugene for the Japanese students specifically to see the Murray Warner Collection at the Museum of Fine Art
Address Book & Business Cards. Collected business cards from individuals and businesses in China, Japan, and the United States. An address book of Gertrude Bass Warner’s marked with a return address for San Francisco or Paris. Red wallet embossed with the initial GERTRUDE BASS WARNER: Calling cards from China
Clara Foster Bass (Gertrude Bass Warner’s Mother), Correspondence with Clara and her caregivers--Adele Breaux and Lillie Tallon, Papers about Clara Foster Bass estate
Chinese Associations; Chinese play bill; Correspondence, publications, and invoices from The China Society, Associated Boards for Christian Colleges in China, China Institute in America, and the Chinese Art Council
Correspondence with art dealers (1924-1939); List of Museum property (1929); Miscellaneous lists from the museum documenting the acquisition, movement, and use of objects within the collection; Sample museum information cards; Correspondence regarding the gift of a Japanese gill-net from the Department of Fish Culture in Portland. (1929); Correspondence with Robert J. Otto, the local photographer hired to take photographs of museum pieces.
