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41. Three Magic Wands II
Three Magic Wands II
Description
Three black smudge forms set up a tension between the left and right portions of the picture plane. Beneath the black smudge form on the left are three long, skinny, pink horizontal forms. Near the center there are three vertically oriented strips, one in green, one in black that resembles the smudge forms, and one in pink. Right above sits a yellow triangle and a light blue square., Three Magic Wands II; Joan Ross Bloedel; Capitol, http://www.seattleprintarts.org/memberspgs/jsr/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
42. Seal Beach Super Scene
Seal Beach Super Scene
Description
This is one of two images of the same piece. Irregularities between the pieces may reflect a difference in the source material.<br><br>A color rendering of what appears to be the repeated mirroring and fragmentation of a beach scene. The piece is formally divided into nearly half. Below the meridian of the piece is a blue section with what appears to be the silhouette of the mirrored beach scene. Above the meridian of the piece is a skyscape with clouds and a pink line running through six rectangles of varying sizes and orientations that contain ghosted fragments of the same beach scene in the lower portion of the piece., Seal Beach super scene; L. Matoush; litho-intalgio, Internet resources on Lyle Matoush: Mail Tribune Online (4/28/00 issue) http://archive.mailtribune.com/archive/2000/april/042800n4.htm <br>Southern Oregon University: http://emeritus.sou.edu/News.asp?NewsID=26, http://emeritus.sou.edu/News.asp?NewsID=26; http://archive.mailtribune.com/archive/2000/april/042800n4.htm, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
43. Crow VI
Crow VI
Description
A black and white lithograph exhibiting a large black crow/raven facing towards the left. There is a roman numeral number six at the upper right corner. In the background is a silhouette sketch of the crow. In addition to the raven are black ink marks, mostly dotted lines and curves that outline the main character., R.E. Bartow; 1991; lithograph; Crow VI; 22x30 inches; correction print project, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
44. Nahkeeta
Nahkeeta
Description
A mostly monochromatic bluish-purple landscape composition whose horizon line breaks the monochrome color scheme with a hint of pink. The scene depicts the silhouette of a stand of coniferous trees reflected in a body of water with mountains in the backgound. Two water fowl fly side by side across the sky., Nahkeeta; Valerie Wilson; intaglio; Pendelton State Office Building, http://valeriewillson.com/index.htm, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
45. Rain Water and Tusche Dried
Rain Water and Tusche Dried
Description
This print is divided into three main parts. In the center, a rectangular form contains a blue, purple, and white abstraction that appears to evoke clouds or water. The rectangular form is bordered on three sides by pink and white diagonal stripes. The top portion bordering the rectangular form contains movement depicted through the arrnagement of various blue and purple lines., Rain Water and Tusche Dried; Karen Blakely; Capitol, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
46. Refuge
Refuge
Description
Beyond what has been provided herein, we have no additional information regarding this artwork.l, http://www.baasartgallery.com/artists/barbara_eiswerth.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
47. Another Flying Dream
Another Flying Dream
Description
According to Oregon Arts Commission-provided materials, this woodcut print consists of two parts to be placed in relationship, according to the provided acetate overlay, so that they touch in one place. The paper is handmade using a traditional weatern hand mould and a shaped deckel Abaca fiber was used n the base sheet and cotton fiber colored with pigments was used to create the colored pulp image. Dan Smith relief black ink was used. The red box was hand-colored with acrylic paint., prentice@oregon.uoregon.edu, http://www.uoregon.edu/~prentice/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
48. Remnants of Landscape
Remnants of Landscape
Description
A traditional landscape scene, with a blue sky and an earthtone foreground creates the setting for a nested grouping of shapes. The top of the outer most shape appears to represent geographic formations. Its cross-section gives way to a pentagonal shape, whose cross-section gives way to a dark, convex shape., Ken Paul; remnants of landscape; state capital vol II, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
49. Folkdancers
Folkdancers
Description
A black-and-white rendering of a young couple, dressed in what may be Renaissance garb, locked in an embrace and caught up in the motion of a dance., Folk Dancers; Kathy Lyon; woodcut; Pendelton State Office Building, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
50. Rock Wall, Escalante Wilderness
Rock Wall, Escalante Wilderness
Description
According to Greg Pharr, the art piece was made with white ground and aquatint etching that was burnished and scraped on a copper plate. The copper plate was chromed before editioning. The edition was then printed on arches paper., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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