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1. Astral Projections

Description: A wall piece comprised of white, folded paper forms arranged in a pattern over a background of pinks and reds., astral projections; 1982; detail; 1 of 12 panels; news, Nexus is a design group specializing in textile collaboration, including works in paper. 1986 group members include Susanna Campbell Kuo, Marie Lyman and Alice Van Leunen.<br>The paper relief sculptures are based on traditional Japanese origami., Alce Van Leunen: avanleunen@msn.com, For more information and images of Alice Van Leunen, please visit: http://www.alicevanleunen.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

2. view 2; detail of work in progress

Description: This detailed view shows the construction of Bonnie Bronson's red square piece. The steel depicted are in its original color., Bonnie Bronson; 1984; SOSC Ashland OR; McNeil Pavilion; work in progress, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

3. view 1 (of 5)

Description: This view depicts the artist, Lilli Ann Killen Rosenberg, aiding in the installation process of the sidewalk inlay she co-created with Marvin Rosenberg., Lilli Ann Rosenberg lends a hand during the installation of her and Marvin Rosenberg's sculpture installation gracing the main entrance at the new OSP Headquarters in Central Point., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

4. Untitled (Simonis)

Description: An outdoor sculpture comprised of curved, silver-colored metal forms attached to the top of two metal supports, offset in height., Obie B. Simonis; 1981; oregon arts comm; 15x6x6 feet; stainless steel; southern oregon state college, simonis@erols.com, For more information and images, please visit: http://www.newtonopenstudios.com/artists-page.asp?a=403, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

5. view 4

Description: Bonnie Bronson plays with the composition and orientation of red square pieces. The vibrant red accentuates the building exterior and brings a splash of life to the surrounding environment., Bonnie Bronson; 1984; SOSC Ashland OR; enamel on steel; 9x13 ft, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

6. Seven Seeds

Description: This view details one of seven cast stone seed forms that adorn the curved retaining walls in front of the Center for the Visual Arts., Anne Storrs; Seven Seeds; Center for the Visual Arts; Southern Oregon University; Ashland, OR; 2000, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

7. Junction

Description: A close-up view of one wall covered in signs. Most of the signs are yellow, diamond-shaped and have a fork symbol on them. One indicates a warning: "bridge out." There are two blue rectangles with white arrows and a white rectangle with the word "by-pass" on it., Junction; SOSC; 1993; Jerry Mayer, mayerj@imagina.com, http://www.4culture.org/publicart/registry/plans/plans_artist.asp?ArtistID=10, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

8. The Drawing Lesson

Description: A cut-out of a light yellow suit jacket on a hanger. The jacket is decorated with multiples of two different hands: one holds a pencil and writes a word in cursive while the other hand holds an eraser., R.E. Beans; the drawing lesson, Larry Knodel is also known as R. E. Beans, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

9. view 1

Description: Bonnie Bronson plays with the composition and orientation of red square pieces. The vibrant red accentuates the building exterior and brings a splash of life to the surrounding environment., Bonnie Bronson; 1984; SOSC Ashland OR; enamel on steel; 9x13 ft, Bonnie Bronson was born in 1940 in Portland Oregon. She attended the University of Kansas, the University of Oregon and, from 1959 to 1961, studied at the Museum Art School (now the Pacific Northwest College of Art). More than most artists, Bronson resisted labels and did not want to be associated with one style, technique or medium. although she painted, she was not simply a painter. Her tapestry designs notwithstanding, she could not be classified as a textile artist. And, while she is best known for her public commissions, many of which are large sculptures, sculpture is not the backbone of her work. A brilliant colorist, Bronson often left her metal surfaces unpainted or used monochromatic finishes., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

10. view 5

Description: This view presents one of the vertical panels of concrete inlay containing depictions of fish., Seattle Filmworks Call 1-800-FILMWORKS; Print 15 Rolle 61816708 26Jan98, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

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1. Astral Projections

2. view 2; detail of work in progress

3. view 1 (of 5)

4. Untitled (Simonis)

5. view 4

6. Seven Seeds

7. Junction

8. The Drawing Lesson

9. view 1

10. view 5