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991. Draw Bridge
Draw Bridge
Description
Ariworks Studio started from a simple joy of making kites in 1976 and has expanded to working with the themes of flight and air in our sculptural works. The aerial sculptures include the aerial acrobatics of colorful and kinetic mobiles, wind blown sail forms, delicate suspended structures, banners, arching bridge forms, wind activated works and installation sculptures. George Peters has a thirty year history of working with aerial forms from gallery works to installation sculpture, kites, mobiles, wind sculpture and banner works. He has completed over sixty national and international commissioned works for private, corporate and public institutions. He attended Art Center School of Design in Los Angeles and has worked in various art fields as a visual artist, sculptor, craftsman, fiber artist, environmental and installation sculpture, graphic arts, illustration, photography, film animation, digital imaging, architectural modeling, theater set and costume design. Since creating Airworks Studio, Inc. with artist, Melanie Walker in 1999, their joint works have won national and international public art commission awards. Melanie Walker has an exhibition history that spans more than thirty years. She received a BA from San Francisco State University and an MFA from Florida State University. She is a mixed media artist and is invested in ideas. Her approach to materials includes photographic media, digital art, sculpture, installation, fiber art, printmaking, costume design and public art. She has exhibited her work both nationally and internationally and has work in a number of permanent collections including the Los Angeles County Museum of Art, San Francisco Museum of Modern Art and the Center for Creative Photography in Tucson. She has also taught as a professor of art teaching photography and alternative photographic processes at the University of Colorado, Boulder., airworks@concentric.net, http://www.airworks-studio.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Central. You may view their website at http://www.racc.org/
992. Vet Med Fence
Vet Med Fence
Description
In this functional sculpture, three different- colored metal components repeat to form a fence on top of a concrete retaining wall. A brown section intertwines with a green section while variations in height in a gold section forms an undulation across the bottom of the fence., David Thompson; osu magruder hall; forged fence and gate; 2005, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
993. Millennium Trail Project
Millennium Trail Project
Description
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts Council. You may view their website at http://www.racc.org/
994. Millennium Trail Project
Millennium Trail Project
Description
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts Council. You may view their website at http://www.racc.org/
995. Space Time Tuition Differential
Space Time Tuition Differential
Description
Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
996. Space Time Tuition Differential
Space Time Tuition Differential
Description
Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
997. Space Time Tuition Differential
Space Time Tuition Differential
Description
Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
998. Space Time Tuition Differential
Space Time Tuition Differential
Description
Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
999. Animal Totem
Animal Totem
Description
Exterior brick carving of domesticated animals in a totem pole like form., 1734 NW Aspen, Portland, Oregon, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Central. You may view their website at http://www.racc.org/
1000. Animal Totem
Animal Totem
Description
Exterior brick carving of domesticated animals in a totem pole like form., 1734 NW Aspen, Portland, Oregon, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Central. You may view their website at http://www.racc.org/
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