A black and white photograph depicting what appear to be some sort of grasses bent by the wind over either water or sand., Claire Trotter, Calligraphy, Photography, 8 x 10 inches mounted, 14 x 18 inches, Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
A black and white photograph of the tip of a snowy peak viewed from what appears to be the remains of a clearcut. The snowpeak is framed by mountain shadows and wisps of white and black clouds. There is a distinct contrast between the sharpness of the clearcut and the muted snowcap in the background., Born: Decatur, Michigan 1949 Education: Western Michigan University 1967-1972 Photography: Self Taught, My interest in photography began on my 10th birthday when my parents gave me a Kodak Brownie camera. I took pictures of family and friends through high, edwardvliek@yahoo.com, http://artistsregister.com/artists/OR12, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
This photographic construction creates the illusion of a rootless tree viewed from below., Ron Paul Finne; The Six Directions; copyright 1988; cibachrome print; 15 x 17 inches; for Science Complex, UO, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This photographic collage presents a gridded combination of what appears to be goldfish swimming beneath the surface of water and plant forms., Ron Paul Finne; Duckweed Goldfish Brocade; copyright 1988; cibachrome print; 15 x 17 inches; for Science Complex, UO, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A black-and-white photograph depicting an older man wearing a rain jacket and a dirty face, sitting in a space cordoned off by a string of chain. Another, younger man sits in the background, slightly out of foucs., Carrasco has photographed in Oregon, Mexico and Europe; she has photographed Chicano, Indian and Russian families. She was the editor of a US government newspaper for migrant farmworkers, many of whom were Mexicans, in Oregon. She felt very strongly about, http://www.americanartco.com/page.aspx?cid=207&id=424, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A black-and-white photograph of a young African-American girl who wears a set of keys on a chain around her neck and hides her eyes from the camera with her arm. A shadow of the girl and the person attempting to capture her on film is visible on the sidewalk in the background., tilgerfoto@mac.com, http://www.stewarttilger.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A color photograph of an urban environment at night., Washington H.S.; Ryan Bond; color photograph; 16 x 18 inches; 1986, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An historic photogravure print of a Native Ameican man fishing with a long net., Born in 1868 in rural Wisconsin, Edward Sherrif Curtis moved with his family to Southern Minnesota before he reached the age of five. Photography was then a very new technology and an even more nascent art form, and Curtis was fascinated by it from a very early age. By the time he reached his teens he had built his own camera. By his mid-teens, Curtis had spent a great deal of time reading about and experimenting with photographic techniques and ideas. At the age of seventeen, he moved to Saint Paul, where he spent more than a year as an apprentice photographer. In 1887, his father's failing health caused the family to move to the Northwest. This move would later turn out to be a major factor in Curtis' subsequent interest in the American Indian. Thus, although he was large self-taught, Curtis was not only well-versed in the fundamentals of photography, but also was a serious and dedicated practitioner by the time he was twenty years old. During his lifetime, Curtis was widely acknowledged as a skilled portrait photographer, master printmaker, film-maker, lecturer, adventurer and mountaineer. Today, however, Curtis is primarily known as a master photographer and ethnographer of the North American Indian. This is undoubtedly as it should be, for he left us a photographic and ethnographic record unparalleled in the history of publishing. This massively ambitious undertaking entitled "The North American Indian" was the principal vehicle Curtis used to communicate his passionate obsession with recording the image, history, culture and spiritual life of the American Indian. This photo-ethnographic study compresses over two thousand original photographic prints (photogravures) as well as approximately six thousand pages of text. The project ultimately cost Curtis his family, his financial security, and his health. Nevertheless, he single-mindedly pursued his intense and powerful vision with an extraordinary sense of mission and thereby left us with an irreplaceable record which, after decades of obscurity, is once again appreciated as an extraordinary artistic and historical achievement. The fact that Curtis was able to make such an intimate record during the very period when the American Indian's way of life was being destroyed by the White man, makes his accomplishment all the more remarkable. (1987, Christopher Cardozo, Guest Curator for a Curtis exhibition as the Minnesota Museum of Art), http://www.edwardscurtis.com/curtisbio.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This is a long rectangular black and white photograph featuring a mountainous and rocky landscape. In the foreground is a stream flowing around and over rocks, moving towards a fork. The moving white water exhibits soft edges, a sharp contrast to the dark and craggy terrain. In the background are plateau tops and monotone dark clouds., Dallas Mountain Road (sic), http://www.historycooperative.org/journals/ohq/105.3/toedtemeier.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
This black-and-white landscape photograph depicts a view from below a complex rock formation., Terry Toedtemeier; Arch in Pillow Basalt; State Office Building Portland (Geology), http://www.historycooperative.org/journals/ohq/105.3/toedtemeier.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/