This part of the process shows four unidentified men working on the cement statue: two men working on the front, and two on the back. The man on the far right is working on an eagle's wing that the white life-size statue seems to be touching with his right hand., Promises; '88; P. Buckner; Eastern Oregon Correctional Institution, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
Three unidentified men continuing to work on the life-sizedwhite male sculpture. The view is from the right side of the sculpture, where you can see that the statue's right hand is placed on an eagle's head., Promises; '88; P. Buckner; Eastern Oregon Correctional Institution, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A colored photograph of showing a pathway covered by orange and brown fall leaves. The path is surrounded by tall deciduous trees on both sides. To the path's right sits a wooden bench, grayed with time and the elements. A few leaves rest on the darkened bench, highlighting the contrast between the bright orange of fall and the black of winter. Behind the bench is a paved road, with a short wooden fence seen further in the background. The entire landscape is grayed with fog., The Place; Deborah Dewit; photograph; 23 x 30 images; Eastern Oregon Correctional Institution, Deborah DeWit was born in 1956 in Portland. Oregon. Four weeks after her birth, her mother returned with her to South America to re-join the rest of the family. She grew up traveling with her family and living in such places as the Philippines, New York, Minnesota, South Carolina, Florida, El Salvador, Colorado, Scotland and finally ended up in Portland in 1979. Photography was never a career choice and she entered Cornell University as an Agronomy major. After two years she decided to give her hobby, photography, more serious attention and moved to Colorado where her parents were living at the time. In order to finance her endeavors, she cheffed in restaurants for two years and in her spare time roamed the mountains outside Denver looking and experimenting with her camera. In 1978 she left for Scotland, where she worked on a farm, driving tractors, hoeing turnips and moving cattle from field to field. It was here that her real passion developed. The skies and the hills and the wildnes, Deborahdewitmarchant@verizon.net, http://www.dewit-marchant.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A life-size white cement sculpture in process, being worked on by an unidentified man attired in a brown coat and jeans. The man is working on the statue's top right shoulder. The statue's face is turned slightly towards the left and has his back facing towards the man. There is another unidentified man watching this process, standing to the right., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
