An oil painting of a carnival during the night. The left side of the painting is of a very colorfully lighted ride with three different chairs that hold two people each. There is also a ferris wheel in the background, along with a target arcade game., #3 Night Games; oil; (36 x 48 inches); 1995, George Johanson attended and taught at the Museum Art School in Portland, Oregon. He divides his time between painting and printmaking. In 1992, he received the Governor's Award for the Arts. (Data provided at http://www.kpchr.org/public/sawardart/apps/Johanson.htm. Reviewed on 04/07/07., http://www.kpchr.org/public/sawardart/apps/Johanson.htm; http://www.hareinthegate.com/portfolio_pages/equivalents.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This black-and-white print presents a succession of alternating linear forms., Title Page, Unclassified Reflections, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A black and white photograph from inside a cave featuring different forms and patterns caused by erosion. There are also crystals growing up from the ground., Heart; 1995; [no.] 3, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
An acrylic painting featuring three human figures set against a hand-made brown background with lines of color., Dialogue; [no.] 2; 1993, Angelita Surmon is an Oregon artist who received her B.S. in 1972 and her BFA in 1977, from Oregon State University. She has continued her education at Vermont Studio School, the Sitka Center, and in Papua, New Guinea. (Oregon Arts Commission, 1995), http://www.angelitasurmon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A blue and white print of large trout-like fish underneath a human figure wearing a patterned toga, holding a pole with a fish at the top of it. Flying over the human figure are more fish., Salmon Prince; 1997; (mm 30 x 22 inches); Quartersaw Gallery; 528 NW 12th PDX 97209, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A tall steel sculpture with a round platform.The majority of the sculpture is rectangular shapped with an upsidedown moon shape at the top. The steel is covered in gold leaf., Naga; 1997; gold leaf over steel; (62.5 inches high, 2 parts); Elizabeth Leach Gallery, 207 SW Pine St., Portland, OR 97204, (503) 224-0521; fax: 224-0844, http://www.pnca.edu/exposure/stories/19/lee-kelly-59, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=129, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This print divides the main picture plane from the surrounding decorative border of images geometrically. The main picture plane, a vertical rectangle, occupies the center of the piece, and it depicts a landscape scene over a body of water. Cliffs line either side of the water, while trees form a horizon line. A fisherman stands on one of the cliffs on the right side, and two fish and a dragon fly occupy the space above the water. Two horizontal rectangles flank the upper and lower sections of the piece, and the main picture plane is flanked by a series of squares and rectangles. The shapes that create the border around the main picture plane contain a conglomeration of natural and geometric forms., The Same But Different; linocut print; (46 x 22 inches(image)); edition of 20; 1996, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A colorful print of a long black and white vase containing red and pink flowers against a half orange/pink and half blue/green colored background. The vase is atop a green, yellow, white, and pink painting with a shadow of the vase pointing towards the lower left of the art piece., In France; 1995; monoprint; (30 x 22 inches); [no.] 9, http://www.augengallery.com/Artists/nebeker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A black and white photograph from inside a cave. The photograph is of crystals growing on the walls, ground, and ceiling., Saddle; 1995; [no.] 2, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This painting depicts a woman with red hair, looking off to the left of the picture plane and wearing a blue sweater that appears to be pieced together over or with areas of blue sky. A total of nine colorful birds share the picture plane with her., September-The Call; Alkyd (oil); (34 x 46 inches ); from the series Saint Eve Book of Days, Katherine Ace was born in Chicago and received a degree in ceramics from Knox College in 1975. She is a self taught painter working in alkyd/oil on canvas. Her work hangs in private, corporate and public collections. Katherine has participated in numerous regional and national individual and group shows. (Unknown, 1995), kat@katherineace.com, http://www.katherineace.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This black and gray print on neutral paper presents a repetative, geometric pattern. Numbers and symbols emerge from the overall noise of the pattern., Unclassified Reflections E, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This black print on neutral paper presents a repetative, geometric pattern., Unclassified Reflections A, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A photograph of dark basalt rocks emersed in fast-paced water, or perhaps a small waterfall., Basalt Clastics, Ecola State Park; 1994; gelatin silver print; (24.75 x 18.75 inches); Elizabeth Leach Gallery, 207 SW Pine St., Portland, Oregon 97204; (503) 224-0521, http://www.historycooperative.org/journals/ohq/105.3/toedtemeier.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This painting depicts a coastal landscape scene in exaggerated tones of blue, turquoise, and ochre. Gentle waves moving toward the shore are outlined with white and thin lines of red., Fog Bank; oil; (24 x 36 inches), http://www.ramsterevents.com/PaulGunn.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This pair of paintings is united by elements of line, color, and design. They share a light yellow background that, in both paintings, supports bold black shapes and thin, energetic black lines. The piece on the left contains a large, black "C" with a bright yellow halo in the middle that is flanked on the top by a thick, horizontal black line with a blue halo and on the bottom by a horizontal row of black dots. Another shorter thick, vertical black line with a pink halo occupies the lower right hand corner. The piece on the right contains four thick, vertical black lines. The fattest of the four sits on the left side of the painting. Two slightly skinnier ones sit side by side toward the right. The skinniest one sits even farther to the right, and it is broken up by swatches of gray. Above the the vertical lines on the right, in the upper right corner, sits a grid of nine black dots. Linear washes of orange and green create contrast with the painting on the left while a small square of pink in the painting on the right unifies them., Symbiosis 1& 2; (29 x 35.5 x .5 ea.); 8-96; dry pigment, enamel, gold leaf, varnish on aluminum, Tom Anderson was born in 1951 in Salt Lake City, the son of a jazz musician. By the time the family settled in Vancouver, Washington, Anderson's formative years has been shaped by syncopated rhythm and life on the road (39 states by the age of four). He earned an Associate of Arts degree from Clark College in 1971. part of his education included three months of travel in Europe, where he studied firsthand the works of the great masters. In the autumn of 1971, he enrolled at The Evergreen State College in Olympia, Washington. There, in addition to his Asian art and Philosophy studies, Anderson made some meaningful contributions to the first years of the experimental college's development. He initiated the use of the 16mm animation facilities, helped to establish the FM Radio station KAOS, co-created the four-story library mural, and worked as an assistant graphic designer, developing the College's catalogs and visual identities. He graduated in 1973 with a Bachelor of Arts degree. That same year, Anderson co-founded Mansion Glass Studios in Olympia. This collaboration won recognition locally and nationally for their design and fabrication of Architectural Art Glass commissions, as well as for their restoration projects. Anderson first attended the highly esteemed Pilchuck Glass School in 1986, as a teaching assistant to Henry Halem. He returned in 1987, on a scholarship with Susan Stinsmuhlen-Amend, and again in 1988 and 1989 as a teaching assistant in the advanced graduate program, specializing on glass casting and enamel kiln firing. In 1990, Anderson established his own studio in Olympia. Over the past eight years he has continued his work painting, metal fabrication, mixed media constructions, and printmaking. He is represented by galleries in Oregon, Washington, Florida, New Mexico, and California. In addition to commissions, Anderson exhibits regularly and his work can be found in over 400 public and private collections including the Oregon Arts Commission, the Washington State Arts Commission, Delta Airlines, the city of Olympia, Hewlett Packard, and US Bank. (Uknown, 1995), artist402@comcast.net, http://www.thomasandersonart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This black print on neutral paper presents a repetative, geometric pattern that becomes increasingly complex with the addition of a grayscale within the defined pattern, which ascends from the bottom left toward the top right., Unclassified Reflections C, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A tall steel sculpture with a round platform.The majority of the sculpture is rectangular shapped with an round shapes and a three leaf clover shape at the top. The steel is covered in gold leaf., Naga; 1997; gold leaf over steel; (62.5 inches high, 2 parts); Elizabeth Leach Gallery, 207 SW Pine St., Portland, OR 97204, (503) 224-0521; fax: 224-0844, http://www.pnca.edu/exposure/stories/19/lee-kelly-59, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=129, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A stainless steel sculpture hanging on a wall. The sculpture looks to be in two long rectangular parts on top of one another. The sculpture is in neutral colors and curves in and out., Summertime II; 1994; (24 x 13 x 3 inches); press formed stainless, polished, burnished, heat, From 1997 - 2005, Bruce West was Head of the Sculpture Department and Senior Lecturer at Lewis & Clark College in Portland, Oregon., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts
This painting depicts a scene of a person clad in yellow, carrying a yellow umbrella walking hunched over an architecturally ornamented bridge. Dark trees and a gray sky that suggests a city skyline occupy the background. A yellow streak runs through the foreground on the left., Equinox; Oil; (28 x 28 inches); 1996; [no.] 2, Kay Lamoreux Buckner's work has been included in exhibits at the University of Maryland; Seattle Art Museum; St. John's College, Annapolis; Eastern New Mexico University; New Orleans Art Association; Salisbury State University, Maryland; Mercyhurst College, Pennsylvania; University of Washington; Austin Peay State University, Tennessee; Marietta College, Ohio; and Seattle Center. She has had One-woman shows at the Frye Art Museum, Seattle; University of Oregon Museum of Art; University of Idaho; Rockford College, Illinois; and Oregon State University. Her work is in public collections throughout the Pacific Northwest. She has an MFA degree from Clarement Graduate School. (Oregon Art Commission), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This abstract piece depicts what appear to be yellow seed pods on a variegated red background. The upper left corner contains a collection of pink dots., Pink Hat; oil on birch; (24 x 24 inches); 1996, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/