A pinkish-orange background, divided by a gray grid, supports a rectangle in the middle of the piece that is outlined in blue. Additional, multicolored squares are presented in the middle of the blue-outlined rectangle. Smudges of maroon congregate toward the bottom of the piece, and several sections of the grid pattern are filled in with blue, yellow, and pink. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Mixed media; 1979, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=21, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This abstract piece combines layers of color, texture, and geometric shapes that appear to address systems of chaos and order., Karen Guzak; Elements I; watercolor and crayon; 30 x 32 inches; 1989; State Office Building- Portland (Geology Dept.), http://www.angelarmsworks.com/karen/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This abstract, geometric painting presents an ordered compilation of forms that range from linear to curvilinear. The mostly pastel color scheme is broken up by dark shades near the bottom and top portions of the image., Hausser; Short Cuts; 1984; wc; 20.5 x 13.5 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An abstract, geometric composition that orchestrates orange, yellow, pink, and gray. There is a red "x" in the lower left corner. ', Clint Brown; Right side / left side series; OSU elec and Computer; 22 x 30; mixed media on paper, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This black and gray print on neutral paper presents a repetative, geometric pattern superimposed with large, curvy lines., Unclassified Reflections F, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A geometric glass composition executed in monochromatic gray shades. Some of the sections appear to resemble marble texturing while the others appear to represent a motif that resembles circuitry or machinery parts., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
An acrylic painting of a circle, shown in shades of blue in front of a yellow and black shaped oval. In the background is a large red circle. Further back are more layers of shapes and colors., Lucinda Parker received her M.F.A. from the Pratt Institute in New York in 1968 and started work as a professor at the Pacific Northwest College of Art in Portland in 1974. Her work has been exhibited in numerous one-person shows throughout the west as well as several exhibitions nationally, including the David Findly Gallery and Sue Ellen Haber Gallery in New York, the Seattle Art Museum, the Corcoran Gallery in D.C., and the First Western States Biennial, that traveled to San Francisco, Denver, and Washington D.C. Lucinda Parker's public commissions can be seen in Portland: "Riversong" for the Oregon Convention Center, "Talking Leaves" for the Multnomah Co. Midland Library, and "City Rose & Rose City" for the renovated Portland City Hall. The Portland Art Museum honored her with a mid-career retrospective in 1995.<br>http://www.pnca.edu/exposure/stories/18/embodying-exuberance, http://www.laurarusso.com/artists/parker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This piece consists of a gold, inverted cornucopia shape that is suspended from the ceiling and a round, inlaid piece in the floor that relates to what appears to be representation of items that might be found in the cornucopia., Clark Wiegman; cornucopia, http://artifacture.org/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
This impressionistic painting combines reds, oranges, and blues to create an atmosphere for two forms walking toward each other. The three-quarter view of another individual is visible in the bottom, right corner., http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=243, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A geometric composition that utilizes thick brush strokes to create wavy lines and texture in the surface of the paint. This piece is rendered in pink, red, yellow, orange, and black. Predominant shapes include triangles and rectangles., James B Thompson; 1992; A mystery desired and sought; V, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html