View of a primarily smooth and carved or etched granite sculpture, segmented by round stainless steel platforms., Michihiro Kosuge; Pagoda (Commission); Dept. Motor Vehicles; Salem, OR; granite, stainless steel; '95; KosM002, http://www.laurarusso.com/artists/kosuge.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A dimensional granite and textured stone sculpture in its contextual setting., Michihiro Kosuge; Emerging (Commission); Dept. Motor Vehicles; Salem, OR; granite, stainless steel; ' 95; KosM004, http://www.laurarusso.com/artists/kosuge.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This piece consists of ten inscribed metal panels and five inscribed stone benches that honor Dr. Stephen Epler, a founder of Portland State University., Margot Voorhies Thompson; Memorial Inscription; PSU Epler Plaza; 7 granite benches, 10 etched metal panels, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This view presents a contextual view from above of the black letter forms with white inscriptions., L. Kirkland 1988; Oregon St. Univ.; Engineering College; Maxwell's EQ, The symbols scattered around the atrium form a kind of puzzle which reflects the scientist's focus on the ingredients of a solution, rather than the final solution. Hanging aluminum rods represent a sound wave, as on an oscilloscope. A steel X sculpture outdoors represents a vector field. The stone pieces indoors represent the symbols E, D, B, H, Delta, a point and an equal sign. Some of the sandblasted quotes are whimsical, as in Samuel Butler's "A hen is only an egg's way of making another egg." Kirkland's favorite is from a T. S. Eliot poem: "Where is the knowledge we have lost in information? Where is the wisdom we have lost in knowledge?" Kirkland said he is pleased with his effort in stone and the way it relates to the people who will see it. "I think that a public commission needs to be responsive to the people, to a specific audience." (1988), 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A black, three-dimensional "d" form, bearing white inscriptions. The one that is entirely discernable is from T.S. Eliot, and it reads, "Where is the knowledge we have lost in information? Where is the wisdom we have lost in knowledge?" The other inscription visible in this view is somewhat occluded by shadow and reflection, however the phrase, "In dreams begin responsibilities" can be made out., L. Kirkland 1988; Oregon St. Univ.; Engineering College; Maxwell's EQ, The symbols scattered around the atrium form a kind of puzzle which reflects the scientist's focus on the ingredients of a solution, rather than the final solution. Hanging aluminum rods represent a sound wave, as on an oscilloscope. A steel X sculpture outdoors represents a vector field. The stone pieces indoors represent the symbols E, D, B, H, Delta, a point and an equal sign. Some of the sandblasted quotes are whimsical, as in Samuel Butler's "A hen is only an egg's way of making another egg." Kirkland's favorite is from a T. S. Eliot poem: "Where is the knowledge we have lost in information? Where is the wisdom we have lost in knowledge?" Kirkland said he is pleased with his effort in stone and the way it relates to the people who will see it. "I think that a public commission needs to be responsive to the people, to a specific audience." (1988), 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This view documents the inscription on the top portion of the black "b" form. It reads, "A smell of burning fills the startled air, the electrician is no longer there!" It appears that the author of this quote is inscribed beneath the text, but the font size is too small to be legible in this view., L. Kirkland 1988; Oregon St. Univ.; Engineering College; Maxwell's EQ, The symbols scattered around the atrium form a kind of puzzle which reflects the scientist's focus on the ingredients of a solution, rather than the final solution. Hanging aluminum rods represent a sound wave, as on an oscilloscope. A steel X sculpture outdoors represents a vector field. The stone pieces indoors represent the symbols E, D, B, H, Delta, a point and an equal sign. Some of the sandblasted quotes are whimsical, as in Samuel Butler's "A hen is only an egg's way of making another egg." Kirkland's favorite is from a T. S. Eliot poem: "Where is the knowledge we have lost in information? Where is the wisdom we have lost in knowledge?" Kirkland said he is pleased with his effort in stone and the way it relates to the people who will see it. "I think that a public commission needs to be responsive to the people, to a specific audience." (1988), 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A view of the installation process of the granite rock sculpture. A truck has lowered the biggest rock to the ground, and three unidentified men are putting it in place., For more images of this artist, please visit: http://www.imagesofseattle.org/Puget_Sound_Artists/Brian_Goldbloom.HTML, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This view details an inscrpition that reads, "Do not lay over more than 1 night in the same place or 1 day in 7.", Bill Will; Archives, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Aluminum rods of varying length, hung in varying distances from the ceiling., L. Kirkland 1988; Oregon St. Univ.; Engineering College; Maxwell's EQ, The symbols scattered around the atrium form a kind of puzzle which reflects the scientist's focus on the ingredients of a solution, rather than the final solution. Hanging aluminum rods represent a sound wave, as on an oscilloscope. A steel X sculpture outdoors represents a vector field. The stone pieces indoors represent the symbols E, D, B, H, Delta, a point and an equal sign. Some of the sandblasted quotes are whimsical, as in Samuel Butler's "A hen is only an egg's way of making another egg." Kirkland's favorite is from a T. S. Eliot poem: "Where is the knowledge we have lost in information? Where is the wisdom we have lost in knowledge?" Kirkland said he is pleased with his effort in stone and the way it relates to the people who will see it. "I think that a public commission needs to be responsive to the people, to a specific audience." (1988), 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A large, outdoor sculpture piece comprised of three main parts. The base, a tall, skinny cone shape, supports the second part that resembles an upside down Nike swoosh. Extending from the thicker part of the second shape is the third shape, a long, skinny, needle-like spear., Twin Cones; Jonathan Bonner; copper and granite; 11 x 20 x 2 feet; Western Oregon State College; 1989, Bonner has pursued a dual interest in biology and weather vanes, many of his pieces being based on forms discovered in nature. Of this piece he says, "I guess I see it basically as a fish with its mouth wide open. It could be a seabird, like a skimmer." Spare and Elegant, this weathervane can be observed expressing the wind in all kinds of weather. ("A Collection of Art," Oregon Art Commission, 1989), http://www.jonathanbonner.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html