A contextual view of inlaid butterflies and gate in the courtyard at the Helen Gordon Child Center., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A still-life painting of a colorful quilt in red, white, blue, and yellow patterns and shapes. There are a few sticks standing upright above the quilt on a white table with fabric draped over them. The quilt is arranged in a way that suggests the representation of a figure or figures., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An interaction occurs in the window bay of the skylight between the surface of the window bay, which is painted in blue with white rounded forms outlined in a neutral tone and the suggestions of paper forms made from transparent white material, which are suspended in the window bay., Cloud Chambers; 1997; Skylight B; Afternoon - Flying Papers, Melanie Walker received a B.A. from San Francisco State University and an M.F.A. from Florida State University. She has taught at the Media Arts Department at the University of Colorado in Boulder, Colorado specializing in Historic Photographic Processes, Digital Imaging, Costume Design, Puppetry and Public Art., melanie.walker@colorado.edu, Peters and Walker: http://www.airworks-studio.com/ <br>Melanie Walker: http://www.colorado.edu/arts/photo/walker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Regional Arts and Culture. You may view their website at http://www.racc.org
Photographs abstract time and manipulate space. The monocular view through the camera lens collapses deep space onto a 2 dimensional picture plane. Often this collapse renders a powerful physical experience of place quite impotent when translated to the photographic surface. Maps are also an abstraction of space, as well as a code or language that describes the place to those that know the language. These two abstracted views are combined to give multiple readings of the same place - an edge overlooking Big Indian Gorge seen through a curtain of Mountain mahogany. (Warpinski), Strategies. (At the edge…); mixed media collage; (30 x 22 inches); 1994; [no.] 7, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., http://www.uoregon.edu/~tlw/; http://www.terriwarpinski.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A mixed media art piece featuring a green and blue curvy river, reducing in size as it retreats to the background. Surrounding the green and blue river are planes of reds and a little bit of purple. There is a small black bird on the left side of the piece., Lee's Ferry; Ken Weeks; 1991; Mixed Media on Paper; 36 x 40 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An installation view of Mike Pease's six drawings. Clockwise from the top left: Ebeltoft; Korcula; Willamete Valley Farm; Aegina; Land's End; and Arhus., http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This photocollage consists of a layering of hand-colored and torn sections of landscape imagery that collectively depict a logical landscape view., Photo collage; 15 x 22 inches I, 22 x 30 inches f; 1991, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., http://www.terriwarpinski.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This view presents a detailed section of the mural, A Legend of Multnomah Falls., Ruth Brockmann; Multnomah Falls detail; kiln-cast glass, fused glass, colored cement; 1992; Ptld. State Office Bldg.;, http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Ancient Landscape uses shades of deep reds and brown/blacks to depict an abstract, mythical space., Christine Rutledge; Ancient Landscape; 18x24 inches; monotype; ohsc nurses unit remodel, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
According to the artist, "Strivings" represents the desire to achieve success. This view is a detail of the image., N. Cushwa-Blake; strivings; state printing plant; mixed media; $200.00; 25x33 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html