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51. De Officiis
- Description
- Manuscript codex., Collation: Quires of 12. No signatures or catchwords., Decoration: Lombardic capitals in same ink as text; occasional sketches in margins (pointing hand, sword). Some spaces left for initial letters that were not executed., Binding: Half parchment, covers have tan paper diapered with crescents and dots in brown. 5 sewing stations, sewn in very heavy thread., Script: Rounded semi-Gothic minuscule in brown ink, annotations in 15th c. bookhand, and some in italic cursive.
- Description
- Manuscript document, Collation: Parchment, single sheet., Decoration: Initial O of tempera and burnished gold with marginal extenders of ivy tendrils; rubrication in red, blue, and gold., Binding: Disbound., Lettering: Textura.
- Description
- Manuscript codex., Collation: In quires of 10, the last of 8. Parchment leaves enclose the first 5 and last 3 quires, and are in the middle of first 3 quires. Last parchment leaf missing. Five sewing stations. Two pages of another manuscript (same as endsheet pastedowns) used as flyleaves in back, inserted upside down, one with red initial 'N' and one with blue initial 'Q'., Decoration: None. Spaces left for large and small initials which were never executed., Binding: Contemporary polished parchment over pasteboard; creases and thong holes indicate that the parchment was previously used for a different volume. Pastedown of laid paper sheet from another manuscript (with text in two columns and blue initial 'D' on inside front cover), and same (sans initial) upside down on inside back cover. Tapered leather thongs. Headband and tailband wrapped diagonally with white and green thread over thick leather cord., Script: Cursive humanistic script in brown ink. Some paragraph signs in faded red ink.
- Description
- Manuscript codex. Orations. Publius Cornelius Sulla was implicated along with Catiline for the insurrection at the beginning of 62 BCE. Through the efforts of Cicero he was exonerated from all charges., Collation: 25 quires: 24 consisting of 10 leaves, the last of one. Vertical catchwords on last leaf of each quire. No signatures., Decoration: One full page illumination with three-quarter border of interlaced white vines set off by blue, rose, and green, with cherubs, birds, butterfly, and florets. Inside the raised gold initial 'Q' is a medallion portrait of Cicero (in blue robe and pink cowl and cap) holding a book. There are scattered clusters of dots of raised gold, outlined in extremely thin penwork. In the lower margin, there is a medallion which held a coat of arms, now obliterated. 37 large initials in gold and white vine against blue, rose, and green, at first lines of orations., Binding: 19th century parchment, gauffered gilt edges in lattice pattern. Spine title in brown ink: M. Tullii Ciceronis Opera. Pink and blue head and tail bands. One paper flyleaf at front and back., Script: Humanistic minuscule in brown ink, rubrication at chapter openings and page titles. Inconsistent use of long 's' (initial, medial, and final letter). Short ascenders and descenders., Content note: l. 1r M. Tullii Ciceronis de Lege Maniliana Oratio and Quirites incipit feliciter -- l. 7v: M. Tullii Ciceronis pro A. Licinio Poeta Oratio incipit ad iudices -- l. 11r M. Tullii Ciceronis Oratio in Catilinam incipit habita in senatu -- l. 14v M. Tullii Ciceronis in L. Catalina Oratio incipit ad quirites secunda -- l. 21r In Catilinam Invectiva IIII -- l. 24r Crispi Salustii in M. Tul. Ciceronem -- l. 24v M. Tullii Ciceronis Oratio in Crispum Salustin incipit -- l. 26v M. Tullii Ciceronis pro T. Annio Milone Oratio incipit -- l. 36r M. Tullii Ciceronis pro cn. Plancio Oratio ad iudices incipit -- l. 47v M. Tullii Ciceronis pro P. Sylia Oratio ad iudices incipit feliciter -- l. 56v M. Tullii Ciceronis pro A. Cecinna oratio incipit -- l. 68v M. Tullii Ciceronis pro C. Rabirio Posthumo Oratio ad iudices incipit -- l. 72r M. Tullii Ciceronis pro C. Rabirio Perduellione o ratio ad Quirites incipit -- l. 75v M. Tullii Ciceronis oratio pro Roscio Comedo -- l. 81r M. Tullii Ciceronis pro Q. Ligario Oratio ad C. Caesarem incipit -- l. 84r M. Tullii Ciceronis in Vatinium testem Oratio incipit -- l. 89r M. Tullii Ciceronis ad Equites Romanos pridie quam iret in exilium incipit -- l. 92r M. Tullii Ciceronis Oratio ad Qurities in Reditu suo incipit -- l. 95r M. Tullii Ciceronis Oratio ad Senatum post reditum suum incipit -- l. 99r M. Tullii Ciceronis de Provinciis Consularibus Oratio incipit -- l. 106r M. Tullii Ciceronis pro M. Caelio Oratio incipit -- l. 111v M. Tullii Ciceronis de lege Agraria Oratio ad Quirites incipit -- l. 123v M. Tullii Ciceronis de lege Agraria liber primus -- l. 126r M. Tullii Ciceronis de lege Agraria contra P. Rullum liber II incipit -- l. 140r M. Tullii Ciceronis pro M. Marcello Oratio incipit -- l. 143r M. Tullii Ciceronis pro Rege Deiotaro Oratio incipit -- l. 146v M. Tullii Ciceronis pro A. Cluentio Habito Oratio ad iudices incipit -- l. 167r M. Tullii Ciceronis pro L. Flacco ad Iudices Oratio incipit -- l. 177r M. Tullii Ciceronis pro P. Quintio Oratio incipit -- l. 185v M. Tullii Ciceronis oratio pro Domo sua ad Pontifices incipit -- l. 201r M. Tullii Ciceronis pro P. Sextio Oratio incipit -- l. 214v M. Tullii Ciceronis pro L. Cornello Balbo Oratio incipit -- l. 221r M. Tullii Ciceronis pro Sexto Roscio Amerino Oratio incipit -- l. 234v M. Tullii Ciceronis pro L. Murena Oratio incipit -- l. 241r M. Tullii Ciceronis de Responsis aruspicum Oratio incipit.
- Description
- Manuscript codex. Prologus, Genesis, Exodus, Leviticus, Numeri, Deuteronomiu, Iosue, Iudicu, Ruth, Regu I, II, III, IV. Paralip I, II. Esdras I, II, III. Tobit, Iudith, Hester, Iob, Psalms. Parabole salomonis, Eclesiastes. Cantica, Sapientie, Ecclesiasticus, Ysayis, Iherentia, Lamtatios. Baruch, Ezechihel, Daniel, Osee, Ioel, Amos, Abdia, Ionas, Micheas, Naum, Abacuch, Sophonias, Aggeus, Zachaias, Malachias, Machabeor[um] I, II. Titum, Philemone, Hebraos, Actus, Iacobus, Petrus I, II. Iohannes I, II, III. Iude, Apocalipsis, Interpretations (Hebrew Names), Concordance or Subject Index., Decoration: Illuminated with large initials in gold paint (not leaf) and tarnished silver leaf, blue, red, and green with white tracery. Designs include human faces, grotesque animals, and interlaced vines and strapwork. Capital letters in red and blue. Text pages have runner in alternating letters of blue and red., Binding: Dark green morocco over boards, blind-stamped in diagonal mesh. Gold tooled paneling with corner fleurons inside covers. Deeply tooled gilt crest with monogram TW (Theodore Williams) on front cover; armorial design on back. On six-paneled spine: 'S. S. BIBLIA LATINA. CODEX ANTIQUUS. SUPRA MEMBRANIS'. Gilt and gauffered edges. Two flyleaves of newer, heavier parchment. Text has been trimmed., Script: Minute (1 mm high) Gothic script in brown ink with rubrication. The size is typical of the 13th century, versus the large works of the 12th century (per Sir Edward Maunde Thompson (1840-1929) in Introduction to Greek and Latin Paleography). Includes corrections by another scribe. The uncrossed '7' for 'et' indicates Italian origin. However, the script also shows French influence. The appearance of some rounded letterforms points to an early date for this manuscript showing its strong Carolingian influence., Origin: On the leaf before the MS. commences is a note in a 14th c. hand, 9 lines, in red and black, giving rules for finding the date of Easter from 1350 onward. Also on this leaf the 14th c. owner's name apparently appeared, but has been erased; there remains a note that the MS. cost him 19 florins...Also a further note for finding the date of Easter occurs on the last leaf...repeating the words 'mill'io C.C.C. quinquagesimo. This shows the book is earlier than 1350 (Thomas Thorp, bookseller, London).
56. Argumenta [003]
- Description
- Manuscript codex. Justinus the historian [was] of unknown date, but not later than 300 or 400 AD. His work is taken from the Historiae Philippicae of Progus Pompeius ... writing the history of Macedonian monarchy ... Justin's work is not so much an abridgment as a selection of those parts [of Trogus' history] which seemed to him most worthy of being generally known--Edward Sandford Burgess notes., Includes two pages of written notes by Edward Sandford Burgess on Justinus and his text, and notes on the veneration of Cicero's texts by later scholars., Collation (Cicero): 50 leaves, Quires of 10 + 2 front flyleaves. No page headings, numbers, signatures. Catchwords in middle lower margin at end of quires., Collation (Justinus): 69 leaves, quires of 10 except last of 9. Catchwords in middle lower margin at end of quires. No page headings, numbers, signatures., Binding: Both works bound together in grained brown morocco over heavy boards. Spine has six panels with gold stamped letters: Argumenta Tullii, Justini Historia, M. S. in chart. Interior covers have gold fillet border with fleurons at corners. Flyleaves have watermark J. Whatman, 1833., Script: Cicero manuscript written in Humanistic minuscule in brown ink; smaller script in Justinus manuscript.
- Description
- Manuscript document. Title devised by cataloger. Two leaves from a manuscript book of hours, with illuminations depicting the tree of Jesse and the transfiguration of Jesus., Lettering: Written in an Italian humanistic bookhand., Leaf MS 113a: (r): International/Neo-Gothic style architectural frame in gold leaf, washed vermillion and grisaille. Two putti in grisaille with gold leaf wings are on the top left and right of the frame, and a final central putti in the same technique at the bottom. Each side of the frame has one grisaille child-figure. Jesse rests on a blue bed decorated in gold. Jesse is robed in gray and blue. The tree is fully in gold leaf with black outlines. There are six figures on each side, with the Virgin Mary and child at the top center. The twelve figures are variously clothed using blue, vermillion, gold leaf, and green pigments. The Virgin Mary's mandorla and crown are in gold leaf. (v): Border around text is in gold leaf with red outlines. The main text is in black, with the bottom four lines in red. The tree branch and final word Oratio are in gold leaf. Leaf MS 113b: (r): Border is fully in gold leaf, with a heavily foliated decoration in red, green, and blue. A bird can be found towards the bottom left, and a winged insect (a moth perhaps?) sits towards the bottom right corner. The illumination is further framed in an acanthus order column and arch frame in gold leaf with red borders. Christ stands center with a white rob, and his skin, halo and mandorla are in gold leaf. Moses, top left, is robed in white and blue and holds the commandments in gold leaf. Elijah, top right, is robed in black and white with gold leaf accents. The bottom three figures, John, James, and Peter (order unknown) are clothed in blue, white, and gold leaf. They are situated against a green landscape and blue skyline. The text underneath the illumination has a illuminated initial I in blue against a red and gold leaf background. The text is faded black. (v): The border around the text is gold leaf with red outlines. An illuminated O begins the text. It is blue, with a gold leaf background and a red flower in the center. The text is in a faded black. The tree branch and final four lines are in gold leaf., Binding: Disbound.
- Description
- Manuscript codex. Tractatus de militia, Leonardo Bruni (Leonardus Brunus Aretinus); Epitome of Roman History, Lucius Annaeus Florus; Epistle, Plutarch; Excerpts, Titus Livius; Excerpts, Flavius Josephus A characteristic humanistic MS., containing material of patriotic and philosophic content. Leonardo Bruni Aretino was an eminent classical historian, Chancellor of Florence, under whose direction the book was probably prepared., Collation: In quires of 10. Catchwords in middle lower margin, no signatures. Marginal headings. Folio numbers., Decoration: Decorative blue and red paragraph marks, some large initials in blue or red. Headings rubricated throughout., Binding: 18th century parchment binding, rounded spine, head and tail bands of green and white thread. Lined with 18th c. Italian figured art paper: foliage designs printed in brown and red on a background of small brown dots. Edges stained brown. 9 blank leaves besides endpapers in front and 10 leaves of index, at end 11 blank leaves and endpapers; flyleaves have a tri-lobed watermark at center Title written in brown ink on spine., Script: Gothic minuscule in brown ink.
- Description
- Manuscript codex. Prologus, Genesis, Exodus, Leviticus, Numeri, Deuteronomiu, Iosue, Iudicu, Ruth, Regu I, II, III, IV. Paralip I, II. Esdras I, II, III. Tobit, Iudith, Hester, Iob, Psalms. Parabole salomonis, Eclesiastes. Cantica, Sapientie, Ecclesiasticus, Ysayis, Iherentia, Lamtatios. Baruch, Ezechihel, Daniel, Osee, Ioel, Amos, Abdia, Ionas, Micheas, Naum, Abacuch, Sophonias, Aggeus, Zachaias, Malachias, Machabeor[um] I, II. Titum, Philemone, Hebraos, Actus, Iacobus, Petrus I, II. Iohannes I, II, III. Iude, Apocalipsis, Interpretations (Hebrew Names), Concordance or Subject Index., Decoration: Illuminated with large initials in gold paint (not leaf) and tarnished silver leaf, blue, red, and green with white tracery. Designs include human faces, grotesque animals, and interlaced vines and strapwork. Capital letters in red and blue. Text pages have runner in alternating letters of blue and red., Binding: Dark green morocco over boards, blind-stamped in diagonal mesh. Gold tooled paneling with corner fleurons inside covers. Deeply tooled gilt crest with monogram TW (Theodore Williams) on front cover; armorial design on back. On six-paneled spine: 'S. S. BIBLIA LATINA. CODEX ANTIQUUS. SUPRA MEMBRANIS'. Gilt and gauffered edges. Two flyleaves of newer, heavier parchment. Text has been trimmed., Script: Minute (1 mm high) Gothic script in brown ink with rubrication. The size is typical of the 13th century, versus the large works of the 12th century (per Sir Edward Maunde Thompson (1840-1929) in Introduction to Greek and Latin Paleography). Includes corrections by another scribe. The uncrossed '7' for 'et' indicates Italian origin. However, the script also shows French influence. The appearance of some rounded letterforms points to an early date for this manuscript showing its strong Carolingian influence., Origin: On the leaf before the MS. commences is a note in a 14th c. hand, 9 lines, in red and black, giving rules for finding the date of Easter from 1350 onward. Also on this leaf the 14th c. owner's name apparently appeared, but has been erased; there remains a note that the MS. cost him 19 florins...Also a further note for finding the date of Easter occurs on the last leaf...repeating the words 'mill'io C.C.C. quinquagesimo. This shows the book is earlier than 1350 (Thomas Thorp, bookseller, London).
60. De Oratore [004]
- Description
- Manuscript codex., Collation: In quires of 8 (except 1 of 6, 8 of 7, and last of 1). F. 8 first leaf missing. Folio numbers added in brown ink; partially cut off, indicating pages were trimmed. Two blank flyleaves of handmade paper at front and back added in 2011 rebind., Decoration: First page has elaborate illuminated initial and border on three sides with gilding over raised gesso. Large initial C in pink with architectural motif, filled with vines in wash of green, red, and blue, on a background of blue with whitework scrolls, all surrounded by gilding with tiny dotted punch-work. Along left margin, a bar in blue and gold sprouts vines and leaves on three sides. Vines in red or blue ink with painted leaves in pink, green, blue, gold, and red. Scattered raised gold dots outlined with black ink curlicues. Along top, a green acanthus leaf. Along base, a grotesque dragon in red, blue, pink, gold, and green, and a now illegible coat of arms, including red and blue. The document describes a dark brown shield ... across the center a broad fess azure; above rays gules; below, metallic brown. These details may have been more visible in the past than they are now. However, brown is not a normal heraldic color, so this may be discoloration or a bole (clay) wash under gold which has rubbed off. Above the shield are initials M. A. with red penwork flourishes. Throughout, numerous red and blue initial letters, embellished with delicate penwork in alternating purple or red., Binding: 2011 binding by Etherington Conservation Services. Dark brown calf over beveled boards. Blind-tooled in 15th century style: front and back covers have border with small rosettes; within this a frame of larger rosettes; within this a cross motif made up of small and large rosettes. Five-paneled spine with raised cords laced into boards. White linen head and tail bands. Pastedowns and 2 flyleaves of modern handmade paper at front and back. Interrupted borders of frontispiece indicate the manuscript was trimmed. The manuscript was previously bound in a 20th century velvet binding., Script: Rounded Humanistic book hand. A few lines rubricated. Long 's' throughout, short 's' at start of sentence., Illuminated letters: Leaf 33r: Initial letter 'M' in yellow and red, framed in blue, with whitework vines and leaves, on a background of red and white penwork. Green ink sprays with leaves in yellow, green, red, or blue. Leaf 84r: Initial 'I' in yellow with red highlights, on a rectangular background of blue, pink, and dark green with white highlights, and white vines and leaves in an 'X' shape. A spray of green stems with pink and blue flowers emerges from upper and lower left corners of the rectangle. Leaf 113r: initial 'V' made of two curved fish in yellow and orange wash with brown ink; outer background quartered in red and blue with white linework; inner background green with whitework vines and leaves, sprouting two sprays of leaves in green, blue, or red., Formatted Content Note: De Oratore, Libri ff. 1-115. Liber I, f. 1, begins: Cogitanti mihi sepenumero et memoria vetera repententi per beati fuisse. Quinte frater. illi videri solent... Liber II, f. 33: agna nobis pueris. Q. frater si memoria tenes... Liber III, f. 84: Institutendi mihi Quinte te frater. Orator ff. 115-150v, begins: Vtruiii Dificilius aut Maius e[ss]et (negare) tibi s[a]epius idem roganti un effice[re] id quod rogares diu multum q: Brute dubitavi. Ends: Marcii Tullii Ciceronis Oratoris Liber Explet LXXXDI-[?]XII.