An acrylic painting of a autumn landscape. The deciduous trees vary in colors of red, orange, and green against a light blue sky. The grass in the foreground is light brown with orange and yellow tints., Mark Clarke; Landscape; justice, http://zeekgallery.com/exhibits/clarke.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A very realistic drawing of two rock forms, one showing a round rock, and the other a slim wedge which leans on the rounder rock. Both of the rocks have shadows pointing to the lower right corner of the piece on which they are sitting, which is a round flat platform. The rock shadows indicate that the left corner of the piece is the location of the light source., Ebony pencil; o/rag paper; 30x22 inches; 1985-86; Light Wedge; justice bldg Salem; K. Caprario, caprariok@lanecc.edu, http://caprarioart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A black and white photograph of a sandy landscape, hence the name "Eroded Dunes." In the background is a cluster of trees, in dark contrast to the white, billowy clouds in the sky. The trees and shadows diagonal from the lower left portion of the photograph to the middle right also provide contrast with the rest of the piece., Goodwin Harding; Eroded Dunes; justice, http://www.okartinst.org/gallery/quartzmountain/index.cfm?a_id=17&im_id=40&imx=1, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
2 p. Dyann Alkire's 1988 exhibition list, I like etching because I like to draw. Things such as deep sea life, insects, birds, fish, and architectural structures appeal to me, and I combine them in my compositions. Each piece has a certain theme that just evolves as I work on the plate, rather than having a set idea from the beginning. (Alkire, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A detailed photograph of a textile art piece. In this detailed version, there are mutliple yellow rectangles, repeating in different shades. To the left of the yellow section are four blue rectangles, and to the right are black rectangles., Ann Williamson Hyman; Ascension detail; justice building, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A color photograph of a snowy landscape. The snow shadows and what may be tuffs of grass amidst the mounds of snow look like sea waves. In the background are the silhouettes of trees, along with dark ominous clouds., Deborah De Wit; Sea of Snow; photograph; justice, Deborah DeWit was born in 1956 in Portland. Oregon. Four weeks after her birth, her mother returned with her to South America to re-join the rest of the family. She grew up traveling with her family and living in such places as the Philippines, New York, Minnesota, South Carolina, Florida, El Salvador, Colorado, Scotland and finally ended up in Portland in 1979. Photography was never a career choice and she entered Cornell University as an Agronomy major. After two years she decided to give her hobby, photography, more serious attention and moved to Colorado where her parents were living at the time. In order to finance her endeavors, she cheffed in restaurants for two years and in her spare time roamed the mountains outside Denver looking and experimenting with her camera. In 1978 she left for Scotland, where she worked on a farm, driving tractors, hoeing turnips and moving cattle from field to field. It was here that her real passion developed. The skies and the hills and the wildnes, Deborahdewitmarchant@verizon.net, http://www.dewit-marchant.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An watercolor print primarily utilizing blue/green coloring with some white, red, and brown. The two large birds, which may be cranes, are the only images colored brown. There are also fish, a praying mantis, and various plants, in tones of white, some of which are painted in red., Dyann Alkire; Venezia; justice, I like etching because I like to draw. Things such as deep sea life, insects, birds, fish, and architectural structures appeal to me, and I combine them in my compositions. Each piece has a certain theme that just evolves as I work on the plate, rather than having a set idea from the beginning. (Alkire, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A painting of a wooden dwelling with vertical and horizontal siding. There is smoke blowing out a chimney stack. In the foreground are long dark brown plant leaves. The white window frame on the wooden building may have an orange shade or the color may reflect the warm fire within. The shaded portion of the building reveals damaged areas or those about to be repaired, such as the missing soffit to the left of the chimney., Robert Weller; The Winter Repairs; justice building, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A color photograph featuring the reflection of thin tree trunks in a blue lake. In the lake, near the top of the photograph, are tuffs of white grass, and leaves floating, and perhaps falling into, the lake surface., Deborah De Wit; Lily Lake; photograph; justice, Deborah DeWit was born in 1956 in Portland. Oregon. Four weeks after her birth, her mother returned with her to South America to re-join the rest of the family. She grew up traveling with her family and living in such places as the Philippines, New York, Minnesota, South Carolina, Florida, El Salvador, Colorado, Scotland and finally ended up in Portland in 1979. Photography was never a career choice and she entered Cornell University as an Agronomy major. After two years she decided to give her hobby, photography, more serious attention and moved to Colorado where her parents were living at the time. In order to finance her endeavors, she cheffed in restaurants for two years and in her spare time roamed the mountains outside Denver looking and experimenting with her camera. In 1978 she left for Scotland, where she worked on a farm, driving tractors, hoeing turnips and moving cattle from field to field. It was here that her real passion developed. The skies and the hills and the wildnes, Deborahdewitmarchant@verizon.net, http://www.dewit-marchant.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html