A mixed media art piece featuring two black and white photographs, both of children, set against a square grid background. The square grid background is in brown with koi fish colored in blue and beige. Below the two photographs are six fortune cookies., Horatio Hung-yan Law; Made in Chinatown U.S.A.; 1994; Collagraph with Photolitho Chine Colle and Fortune Cookies; 22x30 inches, Born in Hong Kong, at age 16 Law immigrated with his family to New York City, where he stayed through high school. He then moved to Baltimore to study pre-med. “Molecular biology was the rage at Johns Hopkins, and I was just so bored,” he says with a laugh. “I could not connect with that at all, but I was obligated to finish it.” He returned to New York and got a research job at Columbia University, where he could take classes for free. “When I took my first painting class, it was like a light bulb turned on. I wasn't sure what was happening, I just knew it was important, so I kept taking art classes, and soon I was doing like three art classes at night and doing a full-time job, helping out my family business in Chinatown.” He quit the day job and went on to earn his BFA from the School of Visual Arts in New York, a printmaking diploma from Il Bisonte International School of Graphic Arts in Italy, and his MFA from Washington University in St. Louis. A residency brought Law to Portland in 1994; he then taught briefly at the University of Oregon and considered a move to the Bay Area, but found it a difficult place for artists. “I love Portland. I think it’s the kind of city that is very open to young artists, and a city that really cares about its citizens,“ he says. “It’s easier to survive here. It has the amenities of a big city but also it doesn’t have the grittiness…it’s a nice combination of things.” (see biography at http://www.pnca.edu/exposure/stories/21/horatio-hung-yan-law), horatiolaw@gmail.com, http://www.horatiolaw.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Regional Arts & Culture. You may view their website at http://www.racc.org/
An acrylic painting of a green and blue seascape, below a sky in various shades of brown., Kay French; Sea Change; acrylic on wood; 14x27 inches, Kay French grew up in the Midwest which perhaps explains her fascination with storms and flat land. She moved to Portland in 1977. Kay has a degree in art history from Kent State University and a degree in painting from the Pacific Northwest College of Art. Her work has been exhibited in various shows in regional galleries and museums. She was awarded a WESTAF/NEA Regional Fellowship for Visual Artists in Painting in 1994. She has also been represented by the Pulliam Deffenbaugh Gallery in Portland, OR. (Oregon Arts Commission), http://pulliamdeffenbaugh.com/Artist-Detail.cfm?ArtistsID=162, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
A monoprint of a Chinese woman wearing a blue head piece with white tassles and a blue, red and orange top. Behind her is what looks to be her child in a red hat with white round shapes bordering the edge near the face. There are three different backgrounds, the one on the left is of red rectangles, the middle one is green with white stars and lines, and the one on the right is off-white with some splotches of paint., Carmen Fidalgo-Kasrawi; Women in color series-Chinese Pai; M/M Monoprint; 24x18 inches; 1994; Photo by Phil Harris, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
A monoprint of a stream surrounded by green plants, leaves, and orange, blue and white flowers., Cie Goulet; Stream (#574); monotype; 38x49 inches; 1994; GouC94082612, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
2 p. Allan Stephenson's 1995 exhibition list., Allan Stephenson is an artist who draws his inspiration from the natural landscape particularly that of his native British Isles and also that of the Pacific Northwest where he now makes his home. *I am always looking for and attempting to communicate with the viewer that special sense of place that infuses some areas of the natural world with meaning, wonder and beauty. I hope my work can provide some escape from the sometimes frenetic world we all live in. I am a traditionalist. I don't see the art I produce as breaking any kind of new ground but rather I apply myself to existing forms and attempt to inject perhaps fresh content. I am currently enjoying the medium of pastel for it's direct hands-on quality that allows me to blend and sculpt the pigment using my fingers and hands rather than the intermediary of a brush.* (excerpt from artist's exhibition list), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
2 p. Jon Jay Cruson's 1987 exhibition list., Jon Jay Cruson is a N.W. artist who grinds, draws, etches, and pulls his own prints from the lithographic stone - on a hand cranked late 1800's press. He is one of the few lithographic printmakers that has his own studio - and does the complete printing process by himself. He is also noted on the West Coast for his paintings. (Unknown, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Beyond what has been provided herein, we have no additional information regarding this artwork., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
1 p. Ruza Erceg's 1995 exhibition list., Ruza Erceg In 1961, Ruza Erceg said to her daughter, Helen, "If I have paint brush, I start to make painting." Helen relayed this message to her brother Joseph, a graphic designer, who, that same day, bought her watercolors, brushes and paper. She immediately began to produce delightful, colorful images. Ruza was born in the fanning village of Imotski, Yugoslavia in 1898 and came to this country in 1922. She and her husband first settled in Pennsylvania then moved to Oregon. Ruza Erceg paints images of her past in Yugoslavia. They are soft and colorful images of rural scenes (farms, fields and farm houses), villages, white buildings with red tile roofs and an occasional painting of a sailboat or of a larger city. Her images are of no particular site but rather of a collective spirit of the land she left so long ago. Numerous paintings are surrounded with delightful painted borders which suggest a painted frame to contain the image., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
1 p. Peggy Ohlson's 1995 exhibition list., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/