Pottery: black-figured dinos (wine-bowl) and stand, incorporating the fragments 1978.6-6.1 and 2, and 1978.6-7.1 to 3. It shows the Wedding of Peleus and Thetis, above friezes of real and imaginary animals. Peleus receives the wedding guests at his house; among them Dionysos, Hebe, and the centaur Cheiron. Between the columns of Peleus' house is the artist's signature "Sophilos painted me". The first chariot in the procession carries Zeus and Hera, the second Poseidon and Amphitrite, the third Hermes and Apollo and the fourth Ares and Aphrodite. Between the chariots walk groups of Fates, Graces and Muses, one of whom plays the pipes. Athena and Artemis ride in the last chariot, and are followed by Thetis' grandfather, the fish-tailed sea-god Okeanos, his wife Tethys, and Eileithyia, goddess of childbirth. Hephaistos brings up the rear, seated side-saddle on a mule. --The British Museum, H.A.G. Brijder, Siana Cups II, The Heidelberg Painter, 8, Amsterdam, Allard Pierson Museum, 1991
Black-figured pottery amphora. Under each handle, two patterns of spirals. (a) Achilles slaying Penthesilea: Achilles steps to right, bearded, with long tresses, fully armed, high-crested helmet and short striped chiton, and has beaten down the Amazon queen Penthesilea on one knee, and plunges spear into her throat. She has a high-crested helmet with cheek-pieces and serpent in relief, short diapered chiton, over which is a pardalis (leopard skin), sword and shield, and looks back at him, thrusting vainly with spear; a stream of blood gushes from her wound. In front of Achilles is inscribed: ΑΧΙΛΕΥΣ; in front of Penthesilea: ΠΕΝΘΕΣΙΛΥΑ. On the left is inscribed: Έχσηκίας έπτοίησε; on the right: Όνητορίδης καλός. (b) Dionysos and Oinopion: Dionysos to left (facing left), bearded, with hair looped up and wreathed with ivy, long white chiton and embroidered himation, holds in left hand vine-branches, and with right gives a cantharos to his son, Oinopion, who stands facing him, nude and beardless, his hair looped up with a myrtle wreath, holding an oinochoe in right hand. In front of Dionysos is inscribed: ΣΟΣΝΟΙΔ (retr.), Διόνυσος; above Oinopion: OINOΠION; behind him: Όνητορίδης καλός, as on (a). --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
Pottery: red-figured covered kantharos, with closed-in top, at one side of which is an aperture 3.2 cm long by 1.9 cm, communicating with the centre of the bottom by means of a shaft walled off from the interior. The lid is painted black and decorated with concentric mouldings: in its centre is a moulded Gorgon mask (3.2 cm diameter) painted white with black hair and red tongue. (a) Odysseus and Nausicaa. On the left Odysseus, nude, with rough hair and beard, stands as if in astonishment, holding a long beaded fillet (the credemnon) in both hands: he gazes at Nausicaa, who sinks away on the right, looking back at him; she wears a Doric chiton with apoptygma, and her hair is knotted behind with a fillet wound thrice round it. Beside Odysseus is inscribed his name, ΟΔΥΣΕΥΣ, Όδυσεύς. Beside Nausicaa, KAΛΕ, καλή. (b) Oedipus and the Sphinx. On a high rock on the left, drawn in purple outline, the Sphinx is seated to right, her long hair knotted behind with a fillet, which has a vertical piece over the forehead: her fore and hind legs join on to her body like the arms and legs of a woman. In front of her stands Oedipus, beardless, en face, but looking towards her, his left hand on his hip, his right holding two spears: he wears a chlamys, fillet, a petasos hanging at his back, and high endromides. Purple inscriptions, fillet, belt, and rock. Brown markings. Eye in profile. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
Attic Black Figure pottery lip cup with added plaster and one handle restored; interior: reserved band around top of rim and glazed black below; reserved tondo with small black central circle (marked with small pits, which were part of ancient repair); exterior: narrow black band around rim and below offset of lip; handle black, reserved on inside; on lip between handles (sides A and B), black figure decoration consisting of Odysseus (added red hair and beard; head, neck, shoulder, buttocks with incised arc, legs from below knee and feet protruding) bound by two cords under ram (faded added white horn, red neck, and red mark on haunch), to left; lower part of bowl glazed black with reserved band; stem and foot glazed black; concave edge and underside of foot reserved; several ancient repair holes (3 on lowest part of bowl, 1 through centre of tondo, 4 at top of stem). --The British Museum, Villing, Alexandra, Naukratis: Greeks in Egypt, London, BM, 2012; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926; Möller, Astrid, Naukratis, Trade in Archaic Greece, Oxford, Oxford University Press, 2000; Venit, M.S., Painted Pottery from the Greek Mainland found in Egypt, 640-450 BC, PhD New York University, UMI, 1982
Pottery: black-figured dinos (wine-bowl) and stand, incorporating the fragments 1978.6-6.1 and 2, and 1978.6-7.1 to 3. It shows the Wedding of Peleus and Thetis, above friezes of real and imaginary animals. Peleus receives the wedding guests at his house; among them Dionysos, Hebe, and the centaur Cheiron. Between the columns of Peleus' house is the artist's signature "Sophilos painted me". The first chariot in the procession carries Zeus and Hera, the second Poseidon and Amphitrite, the third Hermes and Apollo and the fourth Ares and Aphrodite. Between the chariots walk groups of Fates, Graces and Muses, one of whom plays the pipes. Athena and Artemis ride in the last chariot, and are followed by Thetis' grandfather, the fish-tailed sea-god Okeanos, his wife Tethys, and Eileithyia, goddess of childbirth. Hephaistos brings up the rear, seated side-saddle on a mule. --The British Museum, H.A.G. Brijder, Siana Cups II, The Heidelberg Painter, 8, Amsterdam, Allard Pierson Museum, 1991
Pottery: black-figured dinos (wine-bowl) and stand, incorporating the fragments 1978.6-6.1 and 2, and 1978.6-7.1 to 3. It shows the Wedding of Peleus and Thetis, above friezes of real and imaginary animals. Peleus receives the wedding guests at his house; among them Dionysos, Hebe, and the centaur Cheiron. Between the columns of Peleus' house is the artist's signature "Sophilos painted me". The first chariot in the procession carries Zeus and Hera, the second Poseidon and Amphitrite, the third Hermes and Apollo and the fourth Ares and Aphrodite. Between the chariots walk groups of Fates, Graces and Muses, one of whom plays the pipes. Athena and Artemis ride in the last chariot, and are followed by Thetis' grandfather, the fish-tailed sea-god Okeanos, his wife Tethys, and Eileithyia, goddess of childbirth. Hephaistos brings up the rear, seated side-saddle on a mule. --The British Museum, H.A.G. Brijder, Siana Cups II, The Heidelberg Painter, 8, Amsterdam, Allard Pierson Museum, 1991