74 p. of stiff paper covered recto and verso with mixed media collage; bound in paper covered, collage-decorated boards; Coptic-stitch binding sewn with black thread. Issued in collage-decorated slipcase.
"If you believe in love, but find it difficult to explain-- this is for you"--P. [2] of jacket. A commercially printed reproduction of papercut text and illustrations. Hardback, bound in cloth with a paper dust jacket.
Consists primarily of b&w linocuts of places with hand-carved linocut text identifying location on opposite pages; some linocuts interleaved with guardsheets; col. ill. on lining papers. Bound in brown cloth with black letterpress landscape image on the front board, spine and some of the back. Similar design used to create a blind embossed area on the back cover. End sheets have a river map and title 'Many waters'. Seven blank pages provided for notes. The colophon page is a linocut of a cemetary with headstones.
Diamond shaped pattern with alternating rows of portaits of Michelle and Barack Obama in one row and Naadu and John Atta Mills in the other. In each row the portraits are separated by crossed flags of the United States of America and Ghana. A row of crossed flags run along the top and bottom of the cloth with the text "JULY - 2009"
Square cloth divided diagonally into two triangles with the same design in each triangle. In the upper right and lower left coner is a portrait of Obama and Mills with the text "OBAMA & MILLS" above and "JULY 2009" below. Two of the edges are bordered by an American flag motif and the other two sides are bordered by a Ghanaian flag motif.
Handprinted block prints on library checkout cards, gouache, mulberry paper, brads, type. Bound in found vintage cover. Each book in the edition varies with the discarded library cards used. Slipcased in a manila folder. Orange overdue book card in pocket, numbered and initialed by the artist. Jacket is from a copy of: The world of the viruses / Stewart M. Brooks. Arist Statement: Drawings of people reading made during my daily commute are translated into block prints and hand-printed onto discarded and collected checkout cards. The commuters engaged in their own private world intersect with book titles and signatures of past readers. The office materials used to construct each book imply tasks workers are bound for. The nostalgia of the old cards suggest a history of the changing methods of reading.
16 leaves. Publication information from 23 Sandy Gallery website: Photography, drawings and collages with text (some text on panels and plastic strips); boards covered in black cloth, sewn together with red string in accordion-fold format.
12 p. folded. Book consists of panels with black and white photographs interspersed with white text on green background accordion folded strips with highway grids on the reverse. Front and back cover are maps.
72 p. Commercially produced hardcover book, bound with grey book cloth, containing text and artists' stamps, inspired by postage stamps. Each artist contributed a perforated sheet of stamps, which are layered between two sheets of vellum paper. The image, without perforation, is reproduced on the following page.
72 p. Commercially produced hardcover book, bound with grey book cloth, containing text and artists' stamps, inspired by postage stamps. Each artist contributed a perforated sheet of stamps, which are layered between two sheets of vellum paper. The image, without perforation, is reproduced on the following page.