Manuscript document, Collation: A single leaf, having been pasted onto a piece of paper therefore showing only its recto, introduced by 5 lines of rubrication in its left column., Decoration: Borders include variety of gilt floral and serif, as well as illustrations of the last supper of Jesus, with 13 guests, an angel displays arms of argent chevron upon azure base. Other decoration is a decorated green majuscule 'B' upon gilt square containing an image of a cloaked man praying., Binding: Disbound., Script: Much abbreviated early gothic bookhand. The 'g' is portrayed with a crossbar extending through ascenders. Contains many, less-frequent ligatures.
Manuscript document. Title devised by cataloger., Recto: The first line is the verse said before the Oratio (the oratio starts at the decorated initial on the second line) for Ecclesiasticus 24 for the Hours of the Virgin, Ad Noma (None). However, it is only part of the Oratio. “Prosanctis antiphona” on the ninth line marks the antiphonal for the “Pro Sanctis” from the Hours of the Virgin I, Vespers. Verso: Starting at the decorated initial O on the fourth line is the second section of the Oratio for Pro Sanctis from the Hours of the Virgin I, Vespers. It is cut off after “omnibus”, with the catchword “fidelibus” in the lower margin., Collation: single sheet., Origin: France., Lettering: Written in a bastard secretary hand., Decoration: Contains 3 illuminated initials with burnished gold; inner fill of blue with a flower or other foliate design; framed by a red and white border. On verso, there is a red cross (used as linefill?) with blue dots in each quadrant. Text is in black and red ink., Binding: disbound.
Manuscript document, Collation: A single leaf, having been pasted onto a piece of paper therefore showing only its recto, introduced by 5 lines of rubrication in its left column., Decoration: Borders include variety of gilt floral and serif, as well as illustrations of the last supper of Jesus, with 13 guests, an angel displays arms of argent chevron upon azure base. Other decoration is a decorated green majuscule 'B' upon gilt square containing an image of a cloaked man praying., Binding: Disbound., Script: Much abbreviated early gothic bookhand. The 'g' is portrayed with a crossbar extending through ascenders. Contains many, less-frequent ligatures.
Manuscript document. Title devised by cataloger., Recto: The first line is the verse said before the Oratio (the oratio starts at the decorated initial on the second line) for Ecclesiasticus 24 for the Hours of the Virgin, Ad Noma (None). However, it is only part of the Oratio. “Prosanctis antiphona” on the ninth line marks the antiphonal for the “Pro Sanctis” from the Hours of the Virgin I, Vespers. Verso: Starting at the decorated initial O on the fourth line is the second section of the Oratio for Pro Sanctis from the Hours of the Virgin I, Vespers. It is cut off after “omnibus”, with the catchword “fidelibus” in the lower margin., Collation: single sheet., Origin: France., Lettering: Written in a bastard secretary hand., Decoration: Contains 3 illuminated initials with burnished gold; inner fill of blue with a flower or other foliate design; framed by a red and white border. On verso, there is a red cross (used as linefill?) with blue dots in each quadrant. Text is in black and red ink., Binding: disbound.
Manuscript document, Collation: A single leaf, having been pasted onto a piece of paper therefore showing only its recto, introduced by 5 lines of rubrication in its left column., Decoration: Borders include variety of gilt floral and serif, as well as illustrations of the last supper of Jesus, with 13 guests, an angel displays arms of argent chevron upon azure base. Other decoration is a decorated green majuscule 'B' upon gilt square containing an image of a cloaked man praying., Binding: Disbound., Script: Much abbreviated early gothic bookhand. The 'g' is portrayed with a crossbar extending through ascenders. Contains many, less-frequent ligatures.
Manuscript document. Title devised by cataloger., Recto: The first line is the verse said before the Oratio (the oratio starts at the decorated initial on the second line) for Ecclesiasticus 24 for the Hours of the Virgin, Ad Noma (None). However, it is only part of the Oratio. “Prosanctis antiphona” on the ninth line marks the antiphonal for the “Pro Sanctis” from the Hours of the Virgin I, Vespers. Verso: Starting at the decorated initial O on the fourth line is the second section of the Oratio for Pro Sanctis from the Hours of the Virgin I, Vespers. It is cut off after “omnibus”, with the catchword “fidelibus” in the lower margin., Collation: single sheet., Origin: France., Lettering: Written in a bastard secretary hand., Decoration: Contains 3 illuminated initials with burnished gold; inner fill of blue with a flower or other foliate design; framed by a red and white border. On verso, there is a red cross (used as linefill?) with blue dots in each quadrant. Text is in black and red ink., Binding: disbound.
Manuscript document. Title devised by cataloger., Recto: The first line is the verse said before the Oratio (the oratio starts at the decorated initial on the second line) for Ecclesiasticus 24 for the Hours of the Virgin, Ad Noma (None). However, it is only part of the Oratio. “Prosanctis antiphona” on the ninth line marks the antiphonal for the “Pro Sanctis” from the Hours of the Virgin I, Vespers. Verso: Starting at the decorated initial O on the fourth line is the second section of the Oratio for Pro Sanctis from the Hours of the Virgin I, Vespers. It is cut off after “omnibus”, with the catchword “fidelibus” in the lower margin., Collation: single sheet., Origin: France., Lettering: Written in a bastard secretary hand., Decoration: Contains 3 illuminated initials with burnished gold; inner fill of blue with a flower or other foliate design; framed by a red and white border. On verso, there is a red cross (used as linefill?) with blue dots in each quadrant. Text is in black and red ink., Binding: disbound.