Manuscript codex. Jami, the last classic poet of Persia. Beharistan is in prose & verse similar in character and arrangement to the Gulistan (Rose Garden) of Sa'di, and embedded with themes of Sufi mysticism., Collation: 8vo in quires of 8 except I_, XI^__, Final_., Decoration: f1v: headpiece of rectilinear gilt panel upon blue base, with highlights of black, red, white, purple, green and light blue, in floral pattern on gold vines., Binding: Carnelian morocco, edge paneled in a pattern of embossed circles, center medallion on front & rear cover, with two additional embossments repeated above & below., Script: Nasta' liq in black ink, Content Note: Jami, the last classic poet of Persia. Beharistan is in prose & verse similar in character and arrangement to the Gulistan (Rose Garden) of Sa'di, and embedded with themes of Sufi mysticism.
Manuscript codex. Jami, the last classic poet of Persia. Beharistan is in prose & verse similar in character and arrangement to the Gulistan (Rose Garden) of Sa'di, and embedded with themes of Sufi mysticism., Collation: 8vo in quires of 8 except I_, XI^__, Final_., Decoration: f1v: headpiece of rectilinear gilt panel upon blue base, with highlights of black, red, white, purple, green and light blue, in floral pattern on gold vines., Binding: Carnelian morocco, edge paneled in a pattern of embossed circles, center medallion on front & rear cover, with two additional embossments repeated above & below., Script: Nasta' liq in black ink, Content Note: Jami, the last classic poet of Persia. Beharistan is in prose & verse similar in character and arrangement to the Gulistan (Rose Garden) of Sa'di, and embedded with themes of Sufi mysticism.
Summary: Includes Ghazal 164 and possibly Ghazal 46., Manuscript document. Title devised by cataloger., Lettering: Written in Nasta'liq script., Collation: disbound sheets.
Summary: Includes Ghazal 164 and possibly Ghazal 46., Manuscript document. Title devised by cataloger., Lettering: Written in Nasta'liq script., Collation: disbound sheets.
Summary: Includes Ghazal 164 and possibly Ghazal 46., Manuscript document. Title devised by cataloger., Lettering: Written in Nasta'liq script., Collation: disbound sheets.
Summary: Includes Ghazal 164 and possibly Ghazal 46., Manuscript document. Title devised by cataloger., Lettering: Written in Nasta'liq script., Collation: disbound sheets.
Summary: Includes Ghazal 164 and possibly Ghazal 46., Manuscript document. Title devised by cataloger., Lettering: Written in Nasta'liq script., Collation: disbound sheets.
Rich collection of old Indian folk-lore and fables preserved in the Persian versions of Kalilah and Dimnah, originally in Sanskrit., Manuscript codex. Title devised by cataloger., Collation: Catchwords at foot of each leaf; no signatures or numbers., Script: Shekasteh Nasta'liq style or broken Nasta'liq (developed in Iran in the 14th and 15th c. CE), in black with occasional rubricated characters and lines. Occasional English words of translation penciled on margin., Decoration: None., Binding: Brown marbled calf. Spine has 5 pairs of horizontal gold lines. Four flyleaves at beginning, two at end.
Rich collection of old Indian folk-lore and fables preserved in the Persian versions of Kalilah and Dimnah, originally in Sanskrit., Manuscript codex. Title devised by cataloger., Collation: Catchwords at foot of each leaf; no signatures or numbers., Script: Shekasteh Nasta'liq style or broken Nasta'liq (developed in Iran in the 14th and 15th c. CE), in black with occasional rubricated characters and lines. Occasional English words of translation penciled on margin., Decoration: None., Binding: Brown marbled calf. Spine has 5 pairs of horizontal gold lines. Four flyleaves at beginning, two at end.
Rich collection of old Indian folk-lore and fables preserved in the Persian versions of Kalilah and Dimnah, originally in Sanskrit., Manuscript codex. Title devised by cataloger., Collation: Catchwords at foot of each leaf; no signatures or numbers., Script: Shekasteh Nasta'liq style or broken Nasta'liq (developed in Iran in the 14th and 15th c. CE), in black with occasional rubricated characters and lines. Occasional English words of translation penciled on margin., Decoration: None., Binding: Brown marbled calf. Spine has 5 pairs of horizontal gold lines. Four flyleaves at beginning, two at end.