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1. Royal with Baskets

Description: A photo-realistic rendering of a can of Royal brand baking powder sitting next to a stack of wicker baskets on a black background., Royal with Baskets, The paintings of Sally Haley are much loved in the Northwest, partly at least because she often (but not always) has painted familiar domestic objects-bread, eggs, bottles, fruit, dishes, the simple, reassuring, eternal things. And she paints them with mastery so admirable that our response is a combination of delight and awe. They appear in a variety of settings and con-formations: a loaf of bread may almost fill its small canvas; a stemmed glass containing, quite surprisingly, five eggs, and standing alone, with mysterious iconic overtones, in a vast dark space; or a group assembled on a table in Haley's own subtle version of the still life. But there is a great deal more to her art than the masterly rendition of familiar objects. Many of her canvases, entirely bare of objects, are seen from, as one might say, a much wider angle; they are interiors divided into austere geometric shapes which suggest corridors, walls, windows, doors. This artist is certainly drawn by the basic architectural features of interiors, and to their meanings: the universal vertical and horizontal planes of wall and floor, the advance of corridors, the promise of doorways, the rectangles of sky disclosed by windows. She makes her own perspective, often puzzling, sometimes disquieting. In most of her painting there is…a sense of something, withheld or barely suggested, of questions unanswered, though: everything in the painting exists under the most unequivocally revealing light. Yet the surreal hovers near, is waiting in the wings, so to speak, and is sometimes evoked. At any rate, on feels , http://www.laurarusso.com/artists/haley.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

2. Untitled diptych

Description: A gray monochrome expression of linear pattern. Shown in context at the State Capitol., Untited diptych; Bill Hoppe; portland, whoppe@cocc.edu, http://whoppe.cocc.edu/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

3. A Mystery Desired and Sought I-X (I)

Description: A geometric composition that utilizes thick brush strokes to create wavy lines and texture in the surface of the paint. This piece is rendered in pink, red, orange, yellow, blue, and green, with some black outlining. Predominant shapes inclue a skinny, green rectangle, a red triangle, and a blue triangle., James B Thompson; 1992; A mystery desired and sought I, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

4. A Mystery Desired and Sought I-X (II)

Description: A geometric composition that utilizes thick brush strokes to create wavy lines and texture in the surface of the paint. This piece is rendered in pink, red, yellow, blue, purple, brown, and black. Predominant shapes include squares, triangles, rectangles, and trapezoids., James B Thompson; 1992; A mystery desired and sought II, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

5. A Mystery Desired and Sought I-X (VII)

Description: A geometric composition that utilizes thick brush strokes to create wavy lines and texture in the surface of the paint. This piece is rendered in blue, purple, green, red, and yellow. Predominant shapes include triangles and rectangles., James B Thompson; 1992; A mystery desired and sought VII, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

6. A Mystery Desired and Sought I-X (VI)

Description: A geometric composition that utilizes thick brush strokes to create wavy lines and texture in the surface of the paint. This piece is rendered in blue, purple, green, red, pink, orange, and yellow. Predominant shapes include triangles, rectangles, and a circle., James B Thompson; 1992; A mystery desired and sought; VI, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

7. Building

Description: A colorful rendering of what appears to be an architecture-inspired composition. Varying shades of blue and purple as well as reddish-orange, green, and yellow define geometric shapes that comprise the piece. Variations between duplicate images directly relate to original source materials., 36"x48"; acrylic on canvas, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=228, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

8. Portland

Description: A mixed media art piece of a photograph situated from the top of a building, and looking towards a landscape beyond that. Acrylic and colored pencil were used to create a sketchy look and to make it more abstract., Porland; MaryAnn Johns; Photography; 11 x 14 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

9. Union Hill Oats I

Description: A landscape piece that presents a view of patchwork agricultural space presented in dark green, light brown and dark bown. Highlights are emphasized with thick black strokes, and the sky is presented in variegated blue and white., http://ghc.ctc.edu/library/archives/2007Winter/shullstatement.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

10. Carbuncle

Description: An acrylic painting of a circle, shown in shades of blue in front of a yellow and black shaped oval. In the background is a large red circle. Further back are more layers of shapes and colors., Lucinda Parker received her M.F.A. from the Pratt Institute in New York in 1968 and started work as a professor at the Pacific Northwest College of Art in Portland in 1974. Her work has been exhibited in numerous one-person shows throughout the west as well as several exhibitions nationally, including the David Findly Gallery and Sue Ellen Haber Gallery in New York, the Seattle Art Museum, the Corcoran Gallery in D.C., and the First Western States Biennial, that traveled to San Francisco, Denver, and Washington D.C. Lucinda Parker's public commissions can be seen in Portland: "Riversong" for the Oregon Convention Center, "Talking Leaves" for the Multnomah Co. Midland Library, and "City Rose & Rose City" for the renovated Portland City Hall. The Portland Art Museum honored her with a mid-career retrospective in 1995.<br>http://www.pnca.edu/exposure/stories/18/embodying-exuberance, http://www.laurarusso.com/artists/parker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

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1. Royal with Baskets

2. Untitled diptych

3. A Mystery Desired and Sought I-X (I)

4. A Mystery Desired and Sought I-X (II)

5. A Mystery Desired and Sought I-X (VII)

6. A Mystery Desired and Sought I-X (VI)

7. Building

8. Portland

9. Union Hill Oats I

10. Carbuncle