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31. Near Wilkesboro
Near Wilkesboro
Description
An acrylic painting of a landscape with three barn houses in the backgrround, in front of multiple trees. In this image, the skyline is a washed-out white. In the foreground is what looks like a hedge of bushes in front of a light brown field. There is a distinction between the left and right side of the field, with, perhaps a harvested crop field in the middle., Near Wilkesboro; Robert Weller; E.O.C.I.; acrylic on gesso panels, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
32. Grazing
Grazing
Description
This impressionistic painting combines reds, oranges, and blues to create an atmosphere for two forms walking toward each other. The three-quarter view of another individual is visible in the bottom, right corner., http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=243, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
33. A Mystery Desired and Sought I-X (V)
A Mystery Desired and Sought I-X (V)
Description
A geometric composition that utilizes thick brush strokes to create wavy lines and texture in the surface of the paint. This piece is rendered in pink, red, yellow, orange, and black. Predominant shapes include triangles and rectangles., James B Thompson; 1992; A mystery desired and sought; V, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
34. Mixed Metaphor #19
Mixed Metaphor #19
Description
This photorealistic acrylic painting depicts a view from directly above a still-life table setting. White flowers, a red-and-white plate, and a red-and-white saucer and teacup sit on an ornate neutral and black Victorian-patterned tablecloth. The silver surrounding the place setting consists of a knife, two spoons, and a red pipe wrench., Acrylic/Canvas; 24 x 36 inches, yes@lclark.edu, http://www.lclark.edu/~yes/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
35. Toccata
Toccata
Description
An abstract acrylic painting of what appears to be a large leaf floating atop water painted in blue, green, and yellow., Toccata; acrylic on canvas; (49 x 45 inches); '96; ParL96032601, Lucinda Parker received her M.F.A. from the Pratt Institute in New York in 1968 and started work as a professor at the Pacific Northwest College of Art in Portland in 1974. Her work has been exhibited in numerous one-person shows throughout the west as well as several exhibitions nationally, including the David Findly Gallery and Sue Ellen Haber Gallery in New York, the Seattle Art Museum, the Corcoran Gallery in D.C., and the First Western States Biennial, that traveled to San Francisco, Denver, and Washington D.C. Lucinda Parker's public commissions can be seen in Portland: "Riversong" for the Oregon Convention Center, "Talking Leaves" for the Multnomah Co. Midland Library, and "City Rose & Rose City" for the renovated Portland City Hall. The Portland Art Museum honored her with a mid-career retrospective in 1995.<br>http://www.pnca.edu/exposure/stories/18/embodying-exuberance, http://www.arcticrefugeart.org/parker/par_vita.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
36. Spring #6-10
Spring #6-10
Description
This piece is one of four seasonally-related collagraph prints. Green, blue, and yellow textured paper with white dotted lines are highlighted throughout the piece. One dark blue triangle is on the left side and one light blue triangle is located on the right side. In the middle on the left side is a black and white abstract image., Four Seasons Spring; #6-10; 1991; 30x40 inches; collagraph print with mixed media; James B. Thompson, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
37. Cityscape #2
Cityscape #2
Description
A mixed media art rendering of a cityscape photograph. Acrylic and colored pencil were used to create a sketchy look and to make it more abstract. This is the second of two images of the same artwork. In this piece, compared to the duplicate, the objects are more apparent and detailed., Cityscape #2; MaryAnn Johns; Photography; 11 x 14, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
38. Horizons
Horizons
Description
This painting presents a nude human figure with longish black hair in profile. The figure stands against a backdrop of three bands of color: white at the top, light blue in the middle, and dark blue at the bottom., Michele Russo; Horizon; oil on canvas; 69 x 60.5 inches; 1991, Michele Russo was born in Waterbury, Connecticut in 1909. In 1930, he enrolled at Yale University and received a B.F.A. degree in painting in 1934. During the depression years he was employed at a muralist through a Works Progress Administration project and in this capacity executed murals in several Connecticut schools. In 1937, Russo left Connecticut to accept a fellowship to study with Boardman Robinson and George Biddle at the Colorado Springs Fine Arts Center in Colorado Springs, Colorado for one year. During the next ten years he was a social activist and worked for the Federal Education project in Connecticut. In the fall of 1947, Russo moved to Portland and was hired by the Museum Art School the following year to teach painting and art history, remaining on the staff until he retired in 1974. During his tenure at the Museum Art School he became known as Portland's most articulate voice of artists' political, social and artistic rights. In the 1950's, along with friends, he started a co-op op professional artists called Artists Equity. In recent years Russo has been active in various organizations to make art a more visible part of the cultural life in the Northwest; he was one of the original founders of the Portland Center for the Visual Arts. In 1975, he was Chairman of the Oregon Committee for Art in Public Places. In 1977, he was appointed to the Metropolitan Arts Commission; the first artists so honored. (Unknown, 1995), http://www.aaa.si.edu/collections/oralhistories/transcripts/russo83.htm; http://www.laurarusso.com/artists/russo.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
39. Untitled Head (Yes)
Untitled Head (Yes)
Description
This piece presents a three-dimensional, black head and neck form. A mask of orange, red, and white paint covers the face. Thin, white vertical lines extend down the forhead, but they are contained by a horizontal bisector. Eyebrows are suggested by two rows alternating white dots. Another row of alternating, light orange dots bisects the area extending from the middle of the nose, and thin lines similar to the ones on the forehead extend down over the rest of the face. Two orange circles, bordered with alternating white and red dots and covered in thin white lines. The orange lips are outlined in red., Phyllis Yes; Untitled Head; 1989; mixed media; U of O Science Complex, http://www.lclark.edu/~yes/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
40. Inverness
Inverness
Description
An acrylic painting of a landscape with yelllowed hills, In the foreground are a few cattail plants., Inverness; Douglas Campbell Smith; 1992; Public Service Building, http://www.campbellsmiths.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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