This view presents a preliminary drawing of a hawk form for Jere and Ray Grimm's Bas Relief Animals., Bas Relief Animals; Jere and Ray Grimm; OSU Vet Med Bldg; 1979, For another image of this artist's work, please view: http://www.modernegallery.com/pages/gallery_profile/masterworks_show/masterworks_14.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/
This charcoal drawing depicts a teeming pack of dogs. The drawing appears to reveal evidence of a motion study, where the forms have been sketched, erased, and then sketched again, emphasizing the dynamic energy of the subject matter., Hounding; Charcoal; (92 x 44 inches); 1993, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
In this charcoal drawing, a skeleton clad in black robes holds a sickly man in his arms. Double-headed dogs circle the skeleton anxiously while a group of gray human figures with their backs turned to the audience form a background for the scene., Forsaken; Charcoal; (44 x 66 inches); 1993, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This view presents a detail of a goose harassing three other geese that are part of the Bas Relief Animal series., Bas Relief Animals; Jere and Ray Grimm; OSU Vet Med Bldg; 1979, For another image of this artist's work, please view: http://www.modernegallery.com/pages/gallery_profile/masterworks_show/masterworks_14.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/
An oil painting of a dark human figure playing a stringed instrument with a bow, riding a large horse with a red and green tussle hanging from each side of it's mouth. Behind the human figure is a large orange leopard-like cat with large teeth on top of the horse as well., Ile Goree; (54 x 72 inches); oil/canvas; 1997, “Most of my art, in some way or another, tries to answer the question, ‘Who am I?’” says Smith, looking at a particularly aggressive piece that he painted in 2006 called “The Lower 9th.” The large oil-on-canvas features a pastiche of what he calls “derogatory caricatures” (including Aunt Jemima and “black-face” characters) surrounded by images of forgotten souls swept away in Hurricane Katrina. “I’d hate to think that my history began with slavery,” says Smith. “To me, that is a lie. But the remnants still exist today, especially in the way we have been depicted in culture. This is what I try to explore in my work.” (excerpt from online biography at http://www.pnca.edu/exposure/stories/216/arvie-smith), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This view details the top portion of Jere and Ray Grimm's brick-relief mural, Tree of Life. Two birds fly past a coniferous tree while a cat clings to a branch in the tree., R&J Grimm; Tree of Life; OSU Vet Med addition, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This brick-relief mural depicts a dog expectantly looking up at a cat clinging to a branch of a coniferous tree. Two birds fly past the top of the tree, and a group of flowers stands in the foreground., R&J Grimm; Tree of Life; OSU Vet Med addition, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This view presents preliminary drawings of bird forms for Jere and Ray Grimm's Bas Relief Animals., Bas Relief Animals; Jere and Ray Grimm; OSU Vet Med Bldg; 1979, For another image of this artist's work, please view: http://www.modernegallery.com/pages/gallery_profile/masterworks_show/masterworks_14.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/
This view presents a preliminary drawing of a horse form for Jere and Ray Grimm's Bas Relief Animals., Bas Relief Animals; Jere and Ray Grimm; OSU Vet Med Bldg; 1979, For another image of this artist's work, please view: http://www.modernegallery.com/pages/gallery_profile/masterworks_show/masterworks_14.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/
This view details a hawk form that is part of the Bas Relief Animals series., For another image of this artist's work, please view: http://www.modernegallery.com/pages/gallery_profile/masterworks_show/masterworks_14.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/