Accordion fold format; The Class: Matthew Barclay, Debbie Barlay, Katrina Boldt, Dianna Lutz, Rick Miller, Kristen Myers, Peter Nies, Jennifer Pollock, Sherri Sellers, David Stairs, Laela Wilding --P. [26]; Binding was performed by all members of the class with invaluable help and instruction from Sandy Tillcock [i.e. Tilcock] --P. [26]; Printing was done on one of two Vandercook letterpress machines using handset metal and wood types --P. [26]
Poetry, calligraphy, photography and book design by Kazuko Takeuchi of Osaka, Japan, completed in the Spring of 1970 while a graduate student at Lewis and Clark College, Portland, Oregon. Printed in the Fall of 1970 in an edition of 300, of which this is no. 186 --p. [65]
Poems; Sei esercizi tipografici composti e stampati in 50 esemplari da Gino Castiglioni e Alessandro Corubolo sul loro torchio che ora tocca i centoquarant'anni di vita --Colophon
Acrylic on paper; May 1993 --P. [4] of cover;Accompanied by a xeroxed typewritten sheet which explains the content of the book and is signed, the poet Walt Curtis, Apr. 15, 1996.
Text and photographs by Marcia Wilson in Keaau, Hi. on April 19, 1989 of her daughter Diana and her three grandchildren: Julia, Esme, and Simon, who had been born two days earlier in Hilo, Hi. --T.p. verso; This book was published in an edition of 100 copies by the author, in April, 1993. It was modeled after a one-of-a kind book that she had created in 1989 with rubber stamps and original snapshots. She took the photographs in 1989 with a Minolta 4000 camera and reproduced them in September 1995 at Fuji color photo in Hackensack, N.J. The text was composed on her Macintosh SE computer in Monaco Typeface and reproduced by photocopy on 100% rag, 24 lb. paper, also at the Staples store --Colophon;U of O Rare Books has copy 11/100, signed by the author/artist, Signed by the author/artist
Limited ed. of 500 copies, 100 copies handbound in boards, numbered and signed by the author; This book was designed, printed and handbound by C. Christopher Stern & Jules Remedios Faye. The frontispiece woodcut in the hardcover edition is by C. Christopher Stern --P. following colophon; The type for this book was composed and cast by the printers in Bodoni 375, with handset titling in Bodoni 175 --Colophon;U of O Rare Books has a printed paper cover copy which does not include the illustration, UO Rare Books has a printed paper cover copy which does not include the illustration
Cover title; Leaves are accordion folded; ... letterpress printed with Goudy and Garamont types on Rives Lightweight and folded into covers of Kuzuryu Green, an endsheet of olive dyed paper, and a label printed on Hagakure Brown. Text, design, and reduction linoleum cuts by Catherine Michaelis. One hundred seventy-five copies printed and bound --Colophon; Rare Books has copy 33, signed by the author/artist, Signed by the author/artist
Artist's book; Title, author, and date of publication from accompanying sheet; Includes poem; Cyanotype, watercolor, Kozo graphic handmade Japanese paper, Teton text heavyweight paper --Accompanying sheet; 1 of 94 numbered copies; UO Rare Books' copy is no. 4/94, numbered on accompanying sheet, Numbered on accompanying sheet
The text was assembled from e-mail between Susanna Bergtold and myself during late summer and early fall, 1996. The color page 15 was a Gocco silkscreen --Colophon;Edition of 100 numbered copies, signed by the author; U of O Rare Books has number 90, signed by the author/artist, Signed by the author/artist