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91. Working Out
Working Out
Description
A visual design consisting of eleven separate six-by-six foot panels--each reflecting different sporting activities, and all created with acrylic paint, charcoal and color conte. Each panel is constructed of ¼ inch birch plywood backed and supported by a one-by-two-inch fir framework., Clint Brown; Working Out; Installation: OSU Dixon Rec. Center; 2006, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
92. Recovery
Recovery
Description
This stylized drawing depicts a series of bridges over a ravine labeled with dates and insets containing a map of the state of Oregon, a clock, a teepee, and a compass., Recovery; D.L. Cunningham; india ink on acetate; OEM; 2002, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
93. Untitled (Backstrand)
Untitled (Backstrand)
Description
A black and white rendering of a man with his back to the viewer in mid-air. The background is comprised of modulated tonal values, and several deliberate black lines intersect the picture plane. Second in a series of three., 2 of 3; Jay Backstrand; Capitol, http://www.laurarusso.com/artists/backstrand.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
94. Lee's Ferry II
Lee's Ferry II
Description
A mixed media art piece featuring a green and blue curvy river, reducing in size as it retreats to the background. Surrounding the green and blue river are planes of reds and a little bit of purple. There is a small black bird on the left side of the piece., Lee's Ferry; Ken Weeks; 1991; Mixed Media on Paper; 36 x 40 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
95. Ebeltoft
Ebeltoft
Description
This pen-and-ink drawing depicts a view through an arched doorway that reveals the interior of a villa contianing the entrance to a dwelling with a car parked in front. Areas of the drawing are highlighted iwth brown and red prismacolor., ink, prismacolor pencils; 1986, http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
96. For Lillian/Frank
For Lillian/Frank
Description
A transformational image: color rendering of what appears to be a human with a buck's head., For Lillian/Frank; pastel and graphite on paper; 40 x 26, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
97. All Six Drawings together
All Six Drawings together
Description
An installation view of Mike Pease's six drawings. Clockwise from the top left: Ebeltoft; Korcula; Willamete Valley Farm; Aegina; Land's End; and Arhus., http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
98. Fall Bouquet
Fall Bouquet
Description
This drawing is comprised of geometric divisions of space and color that provide a blue and yellow atmosphere for two vases: a patterned, purple one that holds a collection of twigs and a fluted, white one that holds what appear to be seed pods., K.C. Joyce; Fall Bouquet; U of O Science Complex, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
99. 1996-#16
1996-#16
Description
An oil crayon drawing of a tree with numerous branches bunched together near the roots. There are two more trees in the background such as the one in the foreground. The green ground contains dark shadows from the tree trunks and branches., # 16; 1996; oil crayon on paper; (9 x 12 inches); Inv. #07, http://pnca.edu/programs/bfa/faculty.php, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=248, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
100. Constellation of Drawings - Memory
Constellation of Drawings - Memory
Description
This artwork is composed of 20 framed drawings, each 20 x 16 inches, hung as a single piece. Inside each frame presents one different solid black, geometrical shape., Paul Sutinen; Constellation of Drawings--Memory; graphite acrylic; 1990; 80x80 inches; 20 fr drawings; ohsu movable, (1991) Born 1949 in Portland, Oregon. Attended Portland State University 1967-1971. Assistant Chair of the Art Department of Marylhurst College, Marylhurst, Oregon, since 1980. Art critic for Willamette Week newspaper 1974-1983. National Endowment for the Arts Art Critic's Fellowship 1979. Member of the Board of Directors of Portland Center for the Visual Arts 1983-1986., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
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