An oil crayon drawing of a tree with numerous branches bunched together near the roots. There are two more trees in the background such as the one in the foreground. The green ground contains dark shadows from the tree trunks and branches., # 16; 1996; oil crayon on paper; (9 x 12 inches); Inv. #07, http://pnca.edu/programs/bfa/faculty.php, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=248, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
An oil crayon drawing of the outdoors with a large river as the lower portion of the art piece. In the water are two islands, on both the left and right side of the piece with multiple trees growing on the islands. Where the river ends at the side, are more trees, which may be a forest, in front of a mountainous scape. The rest of the piece, which is most of it, contains the blue sky and white clouds., # 7; 1996; oil crayon on paper; (9 x 12 inches); Inv. #16, http://pnca.edu/programs/bfa/faculty.php, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=248, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
Beyond what has been provided herein, we have no additional information regarding this artwork., The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This drawing presents what appears to be an entryway to a dwelling. A mirror hangs on the wall above a small table next to a door. Below the mirror coats, hats, and scarves hang on hooks. A pair of birds carry mittens in their beaks., Nancy Coffelt; A Woman's Apartment; OHSU Medical Records, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A geometric composition with a black trapezoidal form isolated on three sides by a series of four white shapes. The upper right-hand corner is defined by a right triangle. Variations between duplicate images directly relate to original source materials., Charcoal, chalk, collage; 19 x 19 inches (30 x 30 inches framed); 1978, Via's work... ranges from simple pencil or ink sketches to finished oil paintings and includes landscapes, cityscapes, human figures and pure abstraction. (Data provided by Bob Keefer at http://www.bkpix.com.), http://www.bkpix.com/writing/via.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/
A geometric composition with a black trapezoidal form isolated on three sides by a series of four white shapes. The upper right-hand corner is defined by a right triangle. Variations between duplicate images directly relate to original source materials., Charcoal, chalk, collage; 19 x 19 inches; 1978, Via's work... ranges from simple pencil or ink sketches to finished oil paintings and includes landscapes, cityscapes, human figures and pure abstraction. (Data provided by Bob Keefer at http://www.bkpix.com.), http://www.bkpix.com/writing/via.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/
This drawing highlighted with watercolors depicts a panoramic view of a densely packed section of light-colored, flat-topped builidngs. Some of the buildings have awnings in red or mauve, and green foliage breaks up the architecture., graphite pencil, watercolor; 1987, http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
An installation view of Mike Pease's six drawings. Clockwise from the top left: Ebeltoft; Korcula; Willamete Valley Farm; Aegina; Land's End; and Arhus., http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A pastel drawing of a few flowers in a long thin vase. The upper left corner of the piece is shaded in orange with a little bit of blue and red. In the middle of the piece are words written in German., Rich Bartow; Die Jugenfrische/Amaryllis; pastel & graphite on paper; 50x39 inches; 1995; BarR95031139 (inv. 1728), The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
A whimsical set of drawings that reflect the spirit of sports and sportsmanship., Adams; Anna Paploski- woman of adventure- outfitted and ready to go; Mar./18/05, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/