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41. Tools of the Trade
Tools of the Trade
Description
The image shows an unidentified man contemplating the piece "Tools of the Trade." This is an artwork etched into a glass window. The top piece features two houses set in front of a cityscape. Between the houses and the cityscape is a stick (perhaps a paddle) with what looks like a calculator at the end of it. The other end may be the handle of a shovel. Both sections are surrounded by a round border or dimensional circular platform at the bottom. Below the cityscape is a howling coyote, flanked by a map of the state of Oregon, and a few plant-like etchings. To the far right are words, a phrase or a quote, which cannot be discerned from this rendering., Tools of the Trade; etched glass; 1990, http://www.pdxcontemporaryart.com/main/shows/savinar_sept06.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
42. Tulips in Vase
Tulips in Vase
Description
A still-life rendering of a square, glass vase containing at least eight red tulips, which rests on a table covered with two different cloths. A black cloth with a red and green floral pattern is gathered around the vase that sits on the table, and it gives way to reveal a gray-and-white striped cloth underneath. What appears to be a photography or a postcard of woman also rests on the table, slightly obscured between the two cloths., S. Wolf; Tulips in Vase; etch; 40x32 inches; 1990; ohsu movable, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
43. Sea Air
Sea Air
Description
This is a handcolored etching depicting fishes and birds freeflowing amongst man-made building structures. The etching reveals a playful, imaginary landscape., Dyann Alkire; Sea Air; 4/50; 20x25 inches; handcolored etching; ohsc nurses unite remodel, I like etching because I like to draw. Things such as deep sea life, insects, birds, fish, and architectural structures appeal to me, and I combine them in my compositions. Each piece has a certain theme that just evolves as I work on the plate, rather than having a set idea from the beginning. (Alkire, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
44. Constructing Layers of Time (Triptych)
Constructing Layers of Time (Triptych)
Description
This view depicts a detail of the left panel in the triptych, Constructing Layers of Time. It presents a minimalist human figure rendered in black line atop a wedge of red. Thin, vertical black lines define an amorphous form directly behind the human form, and additional thin, black lines define other peripheral forms in the red section., http://www.uoregon.edu/~prentice/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
45. Victor
Victor
Description
A still life of various objects and colors. There is a black and white dog (similar to the Victor Phonograph dog) in the middle, surrounded by a partially peeled orange, a balloon, a vase with flowers, pears, a teacup, a fan, and other objects set on a blue tablecloth. The blue tablecloth and all of the figures are sitting on another cloth, a floral tablecloth which recedes off into the top left side of the print., © 1992; Sherrie Wolf; Victor; 30x38 3/4 inches; etching edition 30; corrections print project, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
46. Memorial Inscription
Memorial Inscription
Description
This piece consists of ten inscribed metal panels and five inscribed stone benches that honor Dr. Stephen Epler, a founder of Portland State University., Margot Voorhies Thompson; Memorial Inscription; PSU Epler Plaza; 7 granite benches, 10 etched metal panels, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
47. Hodge Podge
Hodge Podge
Description
Hodge Podge depicts a fantastical world where human/plant figures are hunted by animals. The figures appear to be of Japanese influence., Sheryl Funkhouser; Hodge Podge; 7/20; etching; ohsc nurses unit remodel, http://www.luciadouglas.com/artists/artists_list/funkhouser.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
48. Water garden II
Water garden II
Description
Water Garden II depicts various floral forms in a pond. The vignetting in the background near the bridge provides depth., Sherrie Wolf; Water Garden II; 30x22 inches; 6/150; color etching; ohsc nurses unit remodel, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
49. Venezia
Venezia
Description
An watercolor print primarily utilizing blue/green coloring with some white, red, and brown. The two large birds, which may be cranes, are the only images colored brown. There are also fish, a praying mantis, and various plants, in tones of white, some of which are painted in red., Dyann Alkire; Venezia; justice, I like etching because I like to draw. Things such as deep sea life, insects, birds, fish, and architectural structures appeal to me, and I combine them in my compositions. Each piece has a certain theme that just evolves as I work on the plate, rather than having a set idea from the beginning. (Alkire, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
50. MCMLXXVII
MCMLXXVII
Description
This piece is composed in black and white, with the addition of a few minor red accents and a neutrally toned square shape at the upper left corner of the piece. The central focus of the piece lies with the two triangles stacked along the left side of the piece that are next to a large, irregualarly shaped form in the middle of the piece. The background is orchestrated with choppy, black lines and the red accent. Variation between duplicate images directly relate to original source materials., Etching & chine colle; 20 x16 inches, http://www.luciadouglas.com/artists/artists_list/funkhouser.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
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