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1. Stillaguamish Spring
Stillaguamish Spring
Description
An aerial, color photograph of a fallow field with a homestead area carved out in the middle. A house is surrounded by trees and vehicles, and a short, dirt road leads to an outbuilding area., Mark Abrahamson was born in Seattle, Washington in 1944. He received a BA degree in chemistry from Whitman College, Walla Walla, WA. in 1966 and a DDS degree from the University of Washington in 1970. In 1987 he received a grant from the Seattle Arts Commission, in 1991 and 1995 he was awarded GAP Grants from Artists Trusts, and also in 1995 a Washington State China Relations Council Travel Grant. (Unknown, 1995), http://www7.nationalacademies.org/arts/Mark_Abrahamson.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
2. The Potato Farm
The Potato Farm
Description
A watercolor painting of what may be a potato farm. There is a multi-windowed dwelling in the middle of geometrical shapes (planting patches) surrounded by a black picket fence. At the painting's top is a light brown hill with red and orange bushes lining the hill. Each geometrical shape is a different color., Ruza Erceg; Potato Farm #287; watercolor; 1986; unframed 8x10 1/2 inches; framed 17x21 inches; ohsu movable, Ruza Erceg In 1961, Ruza Erceg said to her daughter, Helen, "If I have paint brush, I start to make painting." Helen relayed this message to her brother Joseph, a graphic designer, who, that same day, bought her watercolors, brushes and paper. She immediately began to produce delightful, colorful images. Ruza was born in the fanning village of Imotski, Yugoslavia in 1898 and came to this country in 1922. She and her husband first settled in Pennsylvania then moved to Oregon. Ruza Erceg paints images of her past in Yugoslavia. They are soft and colorful images of rural scenes (farms, fields and farm houses), villages, white buildings with red tile roofs and an occasional painting of a sailboat or of a larger city. Her images are of no particular site but rather of a collective spirit of the land she left so long ago. Numerous paintings are surrounded with delightful painted borders which suggest a painted frame to contain the image., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
3. Home
Home
Description
An image of an unidentified man contemplating the piece, "Home." He is looking at stained wood panels in blue, green, and red, featuring the white outlined exterior of a house and black sketches of an interior of a house. There are four words at the top of the house: "seed," "wind," "crop," and "blade." Between the seed and wind panel is a large blue letter "H.", Home; stained wood, http://www.pdxcontemporaryart.com/main/shows/savinar_sept06.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
4. Home
Home
Description
This is a dark photograph showing a detail view of the artwork "Home." Here is a wood panel featuring the words "seed, wind, crop, and blade" in beige at the top of the panel. There is a large 'H' in blue between the panels of seed and wind. Starting at the word wind, the bottom third of the panels are green, while the upper portion is stained blue. There is a white exterior sketch of a house on the paneling., Home; stained wood, http://www.pdxcontemporaryart.com/main/shows/savinar_sept06.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
5. Home
Home
Description
This is a dark photograph showing a detail view of the artwork "Home." Here is featured the red stained wood panels with black sketches of an interior of a house, depicting couches and a bookshelf. There is a yellow square in the middle of two of the three red panels, housing a light blue 'E' in calligraphy., Home; stained wood, http://www.pdxcontemporaryart.com/main/shows/savinar_sept06.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
6. Home
Home
Description
This is a dark photograph showing a detail view of the artwork "Home." Here is featured a black sketch of the interior of a house on blue, green and red stained paneling. There are four words in a yellowish color on the bottom; "cup, curtain, book, and chair.", Home; stained wood, http://www.pdxcontemporaryart.com/main/shows/savinar_sept06.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
7. Clearwater, Jacob, Farmhouse (Springfield, Oregon)
Clearwater, Jacob, Farmhouse (Springfield, Oregon)
Description
The 1874 Jacob and Missouri Benner Clearwater House is locally significant under National Register Criterion C, in the area of architecture. The Clearwater family, including sons Jacob and James, participated in the western migration of the mid-to-late 1800s to Oregon, traveling the Oregon Trail, like so many before them. The family settled on 320 acres outside of Springfield, Oregon, along the Middle Fork of the Willamette River in the Willamette Valley, in 1865. They proceeded to clear the land and begin farming the land on which the Jacob Clearwater Farmhouse is still located. Jacob married Missouri Benner in 1888 and the couple and their family resided at this location, engaging in row crop cultivation, dairy and beef cattle ranching, and hop farming. Prior to his marriage, Jacob and his father constructed the house known as the Jacob and Missouri Benner Clearwater Farmhouse today. The house is an excellent, rural example of the Gothic Revival style in Lane County. It is one of only four previously identified, remaining single-family residences built before 1874 in Springfield. Although the style and type were once relatively common, the Clearwater Farmhouse is the only example of the centered gable subtype of the Gothic Revival style extant in Springfield today. The house retains good integrity, and clearly conveys its historic significance, evident in its appearance and style, including its massing, materials, and overall design, National Register of Historic Places (Listed, 2017), This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
8. Clearwater, Jacob, Farmhouse (Springfield, Oregon)
Clearwater, Jacob, Farmhouse (Springfield, Oregon)
Description
The 1874 Jacob and Missouri Benner Clearwater House is locally significant under National Register Criterion C, in the area of architecture. The Clearwater family, including sons Jacob and James, participated in the western migration of the mid-to-late 1800s to Oregon, traveling the Oregon Trail, like so many before them. The family settled on 320 acres outside of Springfield, Oregon, along the Middle Fork of the Willamette River in the Willamette Valley, in 1865. They proceeded to clear the land and begin farming the land on which the Jacob Clearwater Farmhouse is still located. Jacob married Missouri Benner in 1888 and the couple and their family resided at this location, engaging in row crop cultivation, dairy and beef cattle ranching, and hop farming. Prior to his marriage, Jacob and his father constructed the house known as the Jacob and Missouri Benner Clearwater Farmhouse today. The house is an excellent, rural example of the Gothic Revival style in Lane County. It is one of only four previously identified, remaining single-family residences built before 1874 in Springfield. Although the style and type were once relatively common, the Clearwater Farmhouse is the only example of the centered gable subtype of the Gothic Revival style extant in Springfield today. The house retains good integrity, and clearly conveys its historic significance, evident in its appearance and style, including its massing, materials, and overall design, National Register of Historic Places (Listed, 2017), This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
9. Clearwater, Jacob, Farmhouse (Springfield, Oregon)
Clearwater, Jacob, Farmhouse (Springfield, Oregon)
Description
The 1874 Jacob and Missouri Benner Clearwater House is locally significant under National Register Criterion C, in the area of architecture. The Clearwater family, including sons Jacob and James, participated in the western migration of the mid-to-late 1800s to Oregon, traveling the Oregon Trail, like so many before them. The family settled on 320 acres outside of Springfield, Oregon, along the Middle Fork of the Willamette River in the Willamette Valley, in 1865. They proceeded to clear the land and begin farming the land on which the Jacob Clearwater Farmhouse is still located. Jacob married Missouri Benner in 1888 and the couple and their family resided at this location, engaging in row crop cultivation, dairy and beef cattle ranching, and hop farming. Prior to his marriage, Jacob and his father constructed the house known as the Jacob and Missouri Benner Clearwater Farmhouse today. The house is an excellent, rural example of the Gothic Revival style in Lane County. It is one of only four previously identified, remaining single-family residences built before 1874 in Springfield. Although the style and type were once relatively common, the Clearwater Farmhouse is the only example of the centered gable subtype of the Gothic Revival style extant in Springfield today. The house retains good integrity, and clearly conveys its historic significance, evident in its appearance and style, including its massing, materials, and overall design, National Register of Historic Places (Listed, 2017), This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
10. Clearwater, Jacob, Farmhouse (Springfield, Oregon)
Clearwater, Jacob, Farmhouse (Springfield, Oregon)
Description
The 1874 Jacob and Missouri Benner Clearwater House is locally significant under National Register Criterion C, in the area of architecture. The Clearwater family, including sons Jacob and James, participated in the western migration of the mid-to-late 1800s to Oregon, traveling the Oregon Trail, like so many before them. The family settled on 320 acres outside of Springfield, Oregon, along the Middle Fork of the Willamette River in the Willamette Valley, in 1865. They proceeded to clear the land and begin farming the land on which the Jacob Clearwater Farmhouse is still located. Jacob married Missouri Benner in 1888 and the couple and their family resided at this location, engaging in row crop cultivation, dairy and beef cattle ranching, and hop farming. Prior to his marriage, Jacob and his father constructed the house known as the Jacob and Missouri Benner Clearwater Farmhouse today. The house is an excellent, rural example of the Gothic Revival style in Lane County. It is one of only four previously identified, remaining single-family residences built before 1874 in Springfield. Although the style and type were once relatively common, the Clearwater Farmhouse is the only example of the centered gable subtype of the Gothic Revival style extant in Springfield today. The house retains good integrity, and clearly conveys its historic significance, evident in its appearance and style, including its massing, materials, and overall design, National Register of Historic Places (Listed, 2017), This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
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