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101. Casting the Pacific
Casting the Pacific
Description
This outdoor sculpture depicts a linear, metal representation of a human figure casting a net toward a school of fish., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/
102. Casting the Pacific
Casting the Pacific
Description
This view details a section of fish that are part of Jeff Whyman's outdoor sculpture, Casting the Pacific, still in the studio prior to installation., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/
103. Casting the Pacific
Casting the Pacific
Description
This outdoor sculpture depicts a linear, metal representation of a human figure casting a net toward a school of fish., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/
104. Pisces
Pisces
Description
Two fish forms are presented along with a coiled snake form over the top of what appears to be collaged shreds of hand-written documents. The written text reads, " The two fishes are one not two and all three things are contained in them. Cook these together and they will become a vast ocean.", Pisces #2; 15.5 x 15.25 inches; mixed media; 1998, My recent works on paper are inspired by alchemical manuscripts. The alchemists documented their labors in enigmatic texts in which chemical procedures, cosmology and myths are woven together into fantastic allegories. Similarly in my paintings I use imagery of birds, beasts, plants and minerals as symbols of the process of transformation, As an artist I view alchemy as a metaphor for the creative process in which there is progressive transformation and refinement of materials, imagery and ultimately consciousness. In alchemy and art alike the creative imagination is the vital agent of change. The alchemists described their labors as an "art". Like the alchemist I attempt to use physical processes as a mirror of inner experience. The materials become "transmuted" from their initially inert state through creative and chaotic struggle into a new synthesis. In my painting I use physical processes of dissolution, evaporation, heat and gravity which remind me of the alchemist's use of the elements of water, air, fire and earth. Humor is an important element of my work. Likewise humor and paradox were not unknown to the alchemist. The texts abound with cryptic riddles meant to befuddle the literal-minded and catalyze intuitive insight. Hermes, the Greek god of wisdom, was the patron of alchemists and also the trickster who could lead his followers on a search to find "fools gold". Anyone who embarks on a potentially quixotic search to find the elixir of immortality should have plenty of humor and humility to sustain themselves! The homunculus, a human-like creature nurtured in a glass vessel was reputed to have been created in the alchemical laboratory. In the novel "Frankenstein" the renegade doctor studies the writings of Paracelsus, the swiss alchemist, before creating his monster. I see the homunculus as a metaphor for modem technology with all its wonders and potential horrors. The series of "Homunculus" sculptures which utilize remnants of household appliances and found objects explores this theme in a whimsical fashion. The alchemist searched for the "gold of the philosophers"-philosophical wisdom. In their pursuit of nature's secrets they combined scientific experimentation with a mystical quest for illumination. Their holistic view of the universe viewed matter and consciousness as a continuum, anticipating recent developments in physics. Alchemy is the ancestor of modem science; perhaps there is something that can be learned from its legacy? I am inspired artistically by the beauty of the texts and their insights into the mysteries of creation. Hopefully my own fanciful creations convey something of the spirit of that tradition. (Nez, 1998), http://www.augengallery.com/Artists/nez.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
105. Tarpon
Tarpon
Description
A bronze rectangular sculpture with a tarpon fish in the middle. The rest of the bronze has some patterns and textures inscribed in it., Devin Lawrence Field; Tarpon; Bronze; 15x8 inches; 92, http://www.devinlaurencefield.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
106. Casting the Pacific
Casting the Pacific
Description
This outdoor sculpture depicts a linear, metal representation of a human figure casting a net toward a school of fish., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/
107. Oregon Vignette
Oregon Vignette
Description
A profile view of a large, red fish occupies the right side of this piece. A bundle of yellow wheat hovers above rocks and water on the left side., Oregon Vignette; Suzanne Duryea; oil/canvas; 4 x 3 feet; 1988, "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
108. Aquatic Life
Aquatic Life
Description
Aquatic Life plays with the interior/exterrior motif. The interior of the room is decorated with seascapes, coinciding with the oceanic view outside the window., R. Keaney Rathbun; Aquatic Life; 1985; 3/35; 13x18 inches; silkscreen; ohsc nurses unit remodel, http://www.waterstonegallery.com/dynamic/artist.asp?artistid=20, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
109. Pip Tide King
Pip Tide King
Description
This black-and-white print appears to convey a narrative about fishing by dividing the picture plane's main area of focus with five square insets that amplify certain characters., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
110. Sea Air
Sea Air
Description
This is a handcolored etching depicting fishes and birds freeflowing amongst man-made building structures. The etching reveals a playful, imaginary landscape., Dyann Alkire; Sea Air; 4/50; 20x25 inches; handcolored etching; ohsc nurses unite remodel, I like etching because I like to draw. Things such as deep sea life, insects, birds, fish, and architectural structures appeal to me, and I combine them in my compositions. Each piece has a certain theme that just evolves as I work on the plate, rather than having a set idea from the beginning. (Alkire, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
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