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- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- Constructed ca. 1892, the Lewis C. and Emma Thompson house is located in unincorporated Yamhill County on land once part of Glenbrook Farm. While three generations of the Thompson family are associated with the listed property, it was Lewis C. Thompson, a farmer and businessman, and his wife Emma, who stylistically revised this house. The couple incorporated Craftsman Style features onto the house’s initial Stick Style design, resulting in a replacement of the old style with the new. Significantly, the Thompson house represents the transition from nineteenth century Victorian era design motifs, which focused on verticality, applied ornamentation, and complex rooflines, to the early-twentieth century modern approach to residential design, which focused on horizontality, open floorplans, and ornamentation that revealed and celebrated structural elements. This change is well captured in the Thompson House and is a stark representation of one of the greatest shifts in American domestic architectural history., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Dr. Robert R. and Mary Helen Mooers House, constructed in 1959, is a single-story, side-gabled mid-century modern residence. It was designed by architects Raymond Kermit Thompson and Polly Povey Thompson, combining elements of the popular Ranch Style with design elements associated with the architect-driven Contemporary Style, and demonstrating the influence of the Northwest Regional style. The house is locally significant under Criterion C, in the area of Architecture and its period of significance is 1959, the date of construction of the house. The Mooers House is significant as an outstanding example of the blending of the form and spatial arrangement of the widely popular Ranch Style with several elements of the architect-driven Contemporary style, and incorporating several design elements generally associated with Northwest Regionalism, a design approach developed by prominent architects working in the unique climate and setting of the Pacific Northwest. The house is unique in Roseburg, a city long dominated by extractive industries and other blue collar pursuits. While the Ranch house was the ubiquitous building block that populated most post-war neighborhoods, including several in Roseburg, the Contemporary style and Northwest Regionalist approaches were generally the realm of professional architects, and, due to the challenges associated with funding construction of non-traditional forms through the Federal Housing Administration, generally not suited to construction at the neighborhood scale., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The 1890 Shute-Meierjurgen Farmstead is located in the heart of the original Edward and Brazilla Constable “Five Oaks” donation land claim (DLC), approximately 3.3 miles northeast of downtown Hillsboro. The Shute-Meierjurgen Farmstead is locally significant under Criterion C in the area of Architecture as an excellent and increasingly rare example of a late 19th-early 20th century farmstead within the immediate vicinity of the City of Hillsboro (within the current Urban Growth Boundary) which has maintained good integrity of setting, location, design, association, materials, workmanship and feeling. The house, reflecting the typical cross-wing form of the late-nineteenth century farmhouse combined with Classical and Queen Anne stylistic ornamentation popular at the time, indicates the somewhat elevated economic status of the Shutes, mostly due to the diversified income developed by Shute. The barn is a largely intact, fine example of an early twentieth century hay and livestock barn, and the garage is an almost completely intact, purpose-built pre-1920 automobile storage building. Together, the farm buildings well represent the last identified collection of primary farm buildings of a late-nineteenth and early twentieth century farmstead within the UGB around Hillsboro, and is increasingly rare in the larger vicinity around the city. The period of significance is 1890-1919, beginning with the year of construction of the original portion of the house and ending with the construction of the garage, the last building of the farmstead., This content is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., National Register of Historic Places (Listed, 2018)
- Description
- The Charles 0. and Carie C. Blakely House located at 2203 SE Pine Street is a two-story wood frame Queen Anne-style residence located in the northeast corner of the Buckman neighborhood of inner southeast Portland. The ground area of the Blakely House is 1234 square feet, with approximately 2000 square feet of living area above grade, and 300 square feet of finished basement. The setting is a turn-of_the-twentieth century residential neighborhood with hard surface streets, concrete curb and gutter, and concrete sidewalks. The tree canopy and landscaping with shrubs and flowers are typical of an older Portland neighborhood. The Blakely House was built c.1893 and displays many of the typical massing and decorative elements of the late Victorian-era Queen Anne style, including windows with colored multi_pane borders. There are several vertical and horizontal details that are representative of the Stick style as well, such as the vertical and horizontal trim boards and decorative panels surrounding the windows and doors. However, an outstanding aspect of the Blakely House is the angular butterfly design on the prominent facade facing the southwest. A butterfly plan is a type of architectural plan in which two or more wings of a house are constructed at an angle to the core, usually at approximately ninety degrees to the wall of the core building. It was used primarily in late Victorian architecture and during the early Arts and Crafts movement. The L-shaped butterfly massing creates a symmetrical appearance that is accentuated by the nearly cubic form of the footprint. The two-story hip roof mass is intersected by three gables oriented to the west, southwest, and south. The placement of the three gables adds to the symmetry of the structure. The butterfly footprint, cubic massing, and symmetrically placed gables all create a distinctive appearance that is unusual for Queen Anne-style houses. These elements clearly distinguish the Blakely House from all other Queen Anne-style houses in the area. Numerous alterations to the interior of the residence were made when the house was converted to a duplex in 1927, a seven-unit apartment in 1984, and a triplex in 1994. Despite these major alterations, the Blakely House retains its character defining features such as the windows with colored multi-pane borders, bargeboard, and the butterfly design and remains an outstanding and unique example of Queen Anne architecture.
- Description
- The Charles 0. and Carie C. Blakely House located at 2203 SE Pine Street is a two-story wood frame Queen Anne-style residence located in the northeast corner of the Buckman neighborhood of inner southeast Portland. The ground area of the Blakely House is 1234 square feet, with approximately 2000 square feet of living area above grade, and 300 square feet of finished basement. The setting is a turn-of_the-twentieth century residential neighborhood with hard surface streets, concrete curb and gutter, and concrete sidewalks. The tree canopy and landscaping with shrubs and flowers are typical of an older Portland neighborhood. The Blakely House was built c.1893 and displays many of the typical massing and decorative elements of the late Victorian-era Queen Anne style, including windows with colored multi_pane borders. There are several vertical and horizontal details that are representative of the Stick style as well, such as the vertical and horizontal trim boards and decorative panels surrounding the windows and doors. However, an outstanding aspect of the Blakely House is the angular butterfly design on the prominent facade facing the southwest. A butterfly plan is a type of architectural plan in which two or more wings of a house are constructed at an angle to the core, usually at approximately ninety degrees to the wall of the core building. It was used primarily in late Victorian architecture and during the early Arts and Crafts movement. The L-shaped butterfly massing creates a symmetrical appearance that is accentuated by the nearly cubic form of the footprint. The two-story hip roof mass is intersected by three gables oriented to the west, southwest, and south. The placement of the three gables adds to the symmetry of the structure. The butterfly footprint, cubic massing, and symmetrically placed gables all create a distinctive appearance that is unusual for Queen Anne-style houses. These elements clearly distinguish the Blakely House from all other Queen Anne-style houses in the area. Numerous alterations to the interior of the residence were made when the house was converted to a duplex in 1927, a seven-unit apartment in 1984, and a triplex in 1994. Despite these major alterations, the Blakely House retains its character defining features such as the windows with colored multi-pane borders, bargeboard, and the butterfly design and remains an outstanding and unique example of Queen Anne architecture.
- Description
- The Charles 0. and Carie C. Blakely House located at 2203 SE Pine Street is a two-story wood frame Queen Anne-style residence located in the northeast corner of the Buckman neighborhood of inner southeast Portland. The ground area of the Blakely House is 1234 square feet, with approximately 2000 square feet of living area above grade, and 300 square feet of finished basement. The setting is a turn-of_the-twentieth century residential neighborhood with hard surface streets, concrete curb and gutter, and concrete sidewalks. The tree canopy and landscaping with shrubs and flowers are typical of an older Portland neighborhood. The Blakely House was built c.1893 and displays many of the typical massing and decorative elements of the late Victorian-era Queen Anne style, including windows with colored multi_pane borders. There are several vertical and horizontal details that are representative of the Stick style as well, such as the vertical and horizontal trim boards and decorative panels surrounding the windows and doors. However, an outstanding aspect of the Blakely House is the angular butterfly design on the prominent facade facing the southwest. A butterfly plan is a type of architectural plan in which two or more wings of a house are constructed at an angle to the core, usually at approximately ninety degrees to the wall of the core building. It was used primarily in late Victorian architecture and during the early Arts and Crafts movement. The L-shaped butterfly massing creates a symmetrical appearance that is accentuated by the nearly cubic form of the footprint. The two-story hip roof mass is intersected by three gables oriented to the west, southwest, and south. The placement of the three gables adds to the symmetry of the structure. The butterfly footprint, cubic massing, and symmetrically placed gables all create a distinctive appearance that is unusual for Queen Anne-style houses. These elements clearly distinguish the Blakely House from all other Queen Anne-style houses in the area. Numerous alterations to the interior of the residence were made when the house was converted to a duplex in 1927, a seven-unit apartment in 1984, and a triplex in 1994. Despite these major alterations, the Blakely House retains its character defining features such as the windows with colored multi-pane borders, bargeboard, and the butterfly design and remains an outstanding and unique example of Queen Anne architecture.
- Description
- The Goldsmith house at 1507 NW 24th Avenue, Portland, Multnomah County, Oregon , was built in 1892 as the primary residence for Bernard and Emma Goldsmith. Designed by architect Edgar Marks Lazarus, it exemplifies the distinctive characteristics of the Shingle Style in Portland, as well as the evolution of Lazarus' residential work. The house is on a topographic rise on the corner of an urban block, with the primary elevation and entry facing NW 24th Avenue and the secondary street-facing elevation fronting NW Quimby. As is common in the neighborhood, streets were cut below grade, leaving the house site elevated above the street. The house contains approximately 4,800 finished square feet excluding the exterior porches, with living spaces on the first floor, sleeping rooms on the second floor, a finished attic, and a partially below-grade full basement. The house is sided primarily with four-inch, lap siding, with shingle patterns used to accentuate the street-facing front and side facades above the porch roof level. The lancet window, belcast hip roof, and decorative round-headed front porch gable vents are all signature architectural details used by Lazarus in the stately homes he designed in the 1890s. Overall the house retains a high degree of integrity, despite an effort to demolish it that resulted in the loss of some interior finishes. The current owner has restored the exterior and rehabilitated the interior, preserving key spaces on the first floor and restoring and replicating interior detailing where known.
- Description
- The Goldsmith house at 1507 NW 24th Avenue, Portland, Multnomah County, Oregon , was built in 1892 as the primary residence for Bernard and Emma Goldsmith. Designed by architect Edgar Marks Lazarus, it exemplifies the distinctive characteristics of the Shingle Style in Portland, as well as the evolution of Lazarus' residential work. The house is on a topographic rise on the corner of an urban block, with the primary elevation and entry facing NW 24th Avenue and the secondary street-facing elevation fronting NW Quimby. As is common in the neighborhood, streets were cut below grade, leaving the house site elevated above the street. The house contains approximately 4,800 finished square feet excluding the exterior porches, with living spaces on the first floor , sleeping rooms on the second floor, a finished attic, and a partially below-grade full basement. The house is sided primarily with four-inch, lap siding, with shingle patterns used to accentuate the street-facing front and side facades above the porch roof level. The lancet window, belcast hip roof, and decorative round-headed front porch gable vents are all signature architectural details used by Lazarus in the stately homes he designed in the 1890s. Overall the house retains a high degree of integrity, despite an effort to demolish it that resulted in the loss of some interior finishes. The current owner has restored the exterior and rehabilitated the interior, preserving key spaces on the first floor and restoring and replicating interior detailing where known.
- Description
- The Goldsmith house at 1507 NW 24th Avenue, Portland, Multnomah County, Oregon , was built in 1892 as the primary residence for Bernard and Emma Goldsmith. Designed by architect Edgar Marks Lazarus, it exemplifies the distinctive characteristics of the Shingle Style in Portland, as well as the evolution of Lazarus' residential work. The house is on a topographic rise on the corner of an urban block, with the primary elevation and entry facing NW 24th Avenue and the secondary street-facing elevation fronting NW Quimby. As is common in the neighborhood, streets were cut below grade, leaving the house site elevated above the street. The house contains approximately 4,800 finished square feet excluding the exterior porches, with living spaces on the first floor , sleeping rooms on the second floor, a finished attic, and a partially below-grade full basement. The house is sided primarily with four-inch, lap siding, with shingle patterns used to accentuate the street-facing front and side facades above the porch roof level. The lancet window, belcast hip roof, and decorative round-headed front porch gable vents are all signature architectural details used by Lazarus in the stately homes he designed in the 1890s. Overall the house retains a high degree of integrity, despite an effort to demolish it that resulted in the loss of some interior finishes. The current owner has restored the exterior and rehabilitated the interior, preserving key spaces on the first floor and restoring and replicating interior detailing where known.
- Description
- The Charles 0. and Carie C. Blakely House located at 2203 SE Pine Street is a two-story wood frame Queen Anne-style residence located in the northeast corner of the Buckman neighborhood of inner southeast Portland. The ground area of the Blakely House is 1234 square feet, with approximately 2000 square feet of living area above grade, and 300 square feet of finished basement. The setting is a turn-of_the-twentieth century residential neighborhood with hard surface streets, concrete curb and gutter, and concrete sidewalks. The tree canopy and landscaping with shrubs and flowers are typical of an older Portland neighborhood. The Blakely House was built c.1893 and displays many of the typical massing and decorative elements of the late Victorian-era Queen Anne style, including windows with colored multi_pane borders. There are several vertical and horizontal details that are representative of the Stick style as well, such as the vertical and horizontal trim boards and decorative panels surrounding the windows and doors. However, an outstanding aspect of the Blakely House is the angular butterfly design on the prominent facade facing the southwest. A butterfly plan is a type of architectural plan in which two or more wings of a house are constructed at an angle to the core, usually at approximately ninety degrees to the wall of the core building. It was used primarily in late Victorian architecture and during the early Arts and Crafts movement. The L-shaped butterfly massing creates a symmetrical appearance that is accentuated by the nearly cubic form of the footprint. The two-story hip roof mass is intersected by three gables oriented to the west, southwest, and south. The placement of the three gables adds to the symmetry of the structure. The butterfly footprint, cubic massing, and symmetrically placed gables all create a distinctive appearance that is unusual for Queen Anne-style houses. These elements clearly distinguish the Blakely House from all other Queen Anne-style houses in the area. Numerous alterations to the interior of the residence were made when the house was converted to a duplex in 1927, a seven-unit apartment in 1984, and a triplex in 1994. Despite these major alterations, the Blakely House retains its character defining features such as the windows with colored multi-pane borders, bargeboard, and the butterfly design and remains an outstanding and unique example of Queen Anne architecture.
- Description
- The Charles 0. and Carie C. Blakely House located at 2203 SE Pine Street is a two-story wood frame Queen Anne-style residence located in the northeast corner of the Buckman neighborhood of inner southeast Portland. The ground area of the Blakely House is 1234 square feet, with approximately 2000 square feet of living area above grade, and 300 square feet of finished basement. The setting is a turn-of_the-twentieth century residential neighborhood with hard surface streets, concrete curb and gutter, and concrete sidewalks. The tree canopy and landscaping with shrubs and flowers are typical of an older Portland neighborhood. The Blakely House was built c.1893 and displays many of the typical massing and decorative elements of the late Victorian-era Queen Anne style, including windows with colored multi_pane borders. There are several vertical and horizontal details that are representative of the Stick style as well, such as the vertical and horizontal trim boards and decorative panels surrounding the windows and doors. However, an outstanding aspect of the Blakely House is the angular butterfly design on the prominent facade facing the southwest. A butterfly plan is a type of architectural plan in which two or more wings of a house are constructed at an angle to the core, usually at approximately ninety degrees to the wall of the core building. It was used primarily in late Victorian architecture and during the early Arts and Crafts movement. The L-shaped butterfly massing creates a symmetrical appearance that is accentuated by the nearly cubic form of the footprint. The two-story hip roof mass is intersected by three gables oriented to the west, southwest, and south. The placement of the three gables adds to the symmetry of the structure. The butterfly footprint, cubic massing, and symmetrically placed gables all create a distinctive appearance that is unusual for Queen Anne-style houses. These elements clearly distinguish the Blakely House from all other Queen Anne-style houses in the area. Numerous alterations to the interior of the residence were made when the house was converted to a duplex in 1927, a seven-unit apartment in 1984, and a triplex in 1994. Despite these major alterations, the Blakely House retains its character defining features such as the windows with colored multi-pane borders, bargeboard, and the butterfly design and remains an outstanding and unique example of Queen Anne architecture.
- Description
- The Charles 0. and Carie C. Blakely House located at 2203 SE Pine Street is a two-story wood frame Queen Anne-style residence located in the northeast corner of the Buckman neighborhood of inner southeast Portland. The ground area of the Blakely House is 1234 square feet, with approximately 2000 square feet of living area above grade, and 300 square feet of finished basement. The setting is a turn-of_the-twentieth century residential neighborhood with hard surface streets, concrete curb and gutter, and concrete sidewalks. The tree canopy and landscaping with shrubs and flowers are typical of an older Portland neighborhood. The Blakely House was built c.1893 and displays many of the typical massing and decorative elements of the late Victorian-era Queen Anne style, including windows with colored multi_pane borders. There are several vertical and horizontal details that are representative of the Stick style as well, such as the vertical and horizontal trim boards and decorative panels surrounding the windows and doors. However, an outstanding aspect of the Blakely House is the angular butterfly design on the prominent facade facing the southwest. A butterfly plan is a type of architectural plan in which two or more wings of a house are constructed at an angle to the core, usually at approximately ninety degrees to the wall of the core building. It was used primarily in late Victorian architecture and during the early Arts and Crafts movement. The L-shaped butterfly massing creates a symmetrical appearance that is accentuated by the nearly cubic form of the footprint. The two-story hip roof mass is intersected by three gables oriented to the west, southwest, and south. The placement of the three gables adds to the symmetry of the structure. The butterfly footprint, cubic massing, and symmetrically placed gables all create a distinctive appearance that is unusual for Queen Anne-style houses. These elements clearly distinguish the Blakely House from all other Queen Anne-style houses in the area. Numerous alterations to the interior of the residence were made when the house was converted to a duplex in 1927, a seven-unit apartment in 1984, and a triplex in 1994. Despite these major alterations, the Blakely House retains its character defining features such as the windows with colored multi-pane borders, bargeboard, and the butterfly design and remains an outstanding and unique example of Queen Anne architecture.
- Description
- The Charles 0. and Carie C. Blakely House located at 2203 SE Pine Street is a two-story wood frame Queen Anne-style residence located in the northeast corner of the Buckman neighborhood of inner southeast Portland. The ground area of the Blakely House is 1234 square feet, with approximately 2000 square feet of living area above grade, and 300 square feet of finished basement. The setting is a turn-of_the-twentieth century residential neighborhood with hard surface streets, concrete curb and gutter, and concrete sidewalks. The tree canopy and landscaping with shrubs and flowers are typical of an older Portland neighborhood. The Blakely House was built c.1893 and displays many of the typical massing and decorative elements of the late Victorian-era Queen Anne style, including windows with colored multi_pane borders. There are several vertical and horizontal details that are representative of the Stick style as well, such as the vertical and horizontal trim boards and decorative panels surrounding the windows and doors. However, an outstanding aspect of the Blakely House is the angular butterfly design on the prominent facade facing the southwest. A butterfly plan is a type of architectural plan in which two or more wings of a house are constructed at an angle to the core, usually at approximately ninety degrees to the wall of the core building. It was used primarily in late Victorian architecture and during the early Arts and Crafts movement. The L-shaped butterfly massing creates a symmetrical appearance that is accentuated by the nearly cubic form of the footprint. The two-story hip roof mass is intersected by three gables oriented to the west, southwest, and south. The placement of the three gables adds to the symmetry of the structure. The butterfly footprint, cubic massing, and symmetrically placed gables all create a distinctive appearance that is unusual for Queen Anne-style houses. These elements clearly distinguish the Blakely House from all other Queen Anne-style houses in the area. Numerous alterations to the interior of the residence were made when the house was converted to a duplex in 1927, a seven-unit apartment in 1984, and a triplex in 1994. Despite these major alterations, the Blakely House retains its character defining features such as the windows with colored multi-pane borders, bargeboard, and the butterfly design and remains an outstanding and unique example of Queen Anne architecture.
- Description
- The Charles 0. and Carie C. Blakely House located at 2203 SE Pine Street is a two-story wood frame Queen Anne-style residence located in the northeast corner of the Buckman neighborhood of inner southeast Portland. The ground area of the Blakely House is 1234 square feet, with approximately 2000 square feet of living area above grade, and 300 square feet of finished basement. The setting is a turn-of_the-twentieth century residential neighborhood with hard surface streets, concrete curb and gutter, and concrete sidewalks. The tree canopy and landscaping with shrubs and flowers are typical of an older Portland neighborhood. The Blakely House was built c.1893 and displays many of the typical massing and decorative elements of the late Victorian-era Queen Anne style, including windows with colored multi_pane borders. There are several vertical and horizontal details that are representative of the Stick style as well, such as the vertical and horizontal trim boards and decorative panels surrounding the windows and doors. However, an outstanding aspect of the Blakely House is the angular butterfly design on the prominent facade facing the southwest. A butterfly plan is a type of architectural plan in which two or more wings of a house are constructed at an angle to the core, usually at approximately ninety degrees to the wall of the core building. It was used primarily in late Victorian architecture and during the early Arts and Crafts movement. The L-shaped butterfly massing creates a symmetrical appearance that is accentuated by the nearly cubic form of the footprint. The two-story hip roof mass is intersected by three gables oriented to the west, southwest, and south. The placement of the three gables adds to the symmetry of the structure. The butterfly footprint, cubic massing, and symmetrically placed gables all create a distinctive appearance that is unusual for Queen Anne-style houses. These elements clearly distinguish the Blakely House from all other Queen Anne-style houses in the area. Numerous alterations to the interior of the residence were made when the house was converted to a duplex in 1927, a seven-unit apartment in 1984, and a triplex in 1994. Despite these major alterations, the Blakely House retains its character defining features such as the windows with colored multi-pane borders, bargeboard, and the butterfly design and remains an outstanding and unique example of Queen Anne architecture.
- Description
- The Charles 0. and Carie C. Blakely House located at 2203 SE Pine Street is a two-story wood frame Queen Anne-style residence located in the northeast corner of the Buckman neighborhood of inner southeast Portland. The ground area of the Blakely House is 1234 square feet, with approximately 2000 square feet of living area above grade, and 300 square feet of finished basement. The setting is a turn-of_the-twentieth century residential neighborhood with hard surface streets, concrete curb and gutter, and concrete sidewalks. The tree canopy and landscaping with shrubs and flowers are typical of an older Portland neighborhood. The Blakely House was built c.1893 and displays many of the typical massing and decorative elements of the late Victorian-era Queen Anne style, including windows with colored multi_pane borders. There are several vertical and horizontal details that are representative of the Stick style as well, such as the vertical and horizontal trim boards and decorative panels surrounding the windows and doors. However, an outstanding aspect of the Blakely House is the angular butterfly design on the prominent facade facing the southwest. A butterfly plan is a type of architectural plan in which two or more wings of a house are constructed at an angle to the core, usually at approximately ninety degrees to the wall of the core building. It was used primarily in late Victorian architecture and during the early Arts and Crafts movement. The L-shaped butterfly massing creates a symmetrical appearance that is accentuated by the nearly cubic form of the footprint. The two-story hip roof mass is intersected by three gables oriented to the west, southwest, and south. The placement of the three gables adds to the symmetry of the structure. The butterfly footprint, cubic massing, and symmetrically placed gables all create a distinctive appearance that is unusual for Queen Anne-style houses. These elements clearly distinguish the Blakely House from all other Queen Anne-style houses in the area. Numerous alterations to the interior of the residence were made when the house was converted to a duplex in 1927, a seven-unit apartment in 1984, and a triplex in 1994. Despite these major alterations, the Blakely House retains its character defining features such as the windows with colored multi-pane borders, bargeboard, and the butterfly design and remains an outstanding and unique example of Queen Anne architecture.
- Description
- Constructed in 1908, the Charles 0. Sigglin Flats is a fourplex located at the corner of SE 16th Avenue and Alder Street in Portland's Buckman Neighborhood. The surrounding buildings are single-family homes, duplexes, and fourplexes of a similar scale and character. The building is designed in a hybrid style that blends the Craftsman, Shingle, and Colonial Revival styles. At two-and-one-half stories tall, the wood-frame building sits on a concrete foundation, filling almost the entirety of its 50' by 70' lot. It is 7,790 square feet including the basement and attic. The building features a hipped roof with double front-facing gables. The body of the building is clad in lap siding while the gables are clad in shingles. It features a variety of wood window types. The character-defining features of the exterior of the resource include the double gable roof extensions and dormer, the deep front porch and a second-story balcony with Colonial Revival details, the use of lap siding and shingles, the oak front doors, and the wood windows. On the interior, the character-defining features include the floor plan with a longitudinally _oriented living room, dining room, and kitchen with bedrooms at the rear of the use; wood floors, trim, and doors; bannisters with turned pickets and square newel posts; radiators; and a center lightwell. While several alterations have occurred, including in 2013 when the interior was gutted, leaving stud walls as well as piles of trim, some doors, fireplace mantels, and radiators, recent rehabilitation of the building restored and maintained the character-defining features and thus, the building retains a high level of integrity.
- Description
- The Goldsmith house at 1507 NW 24th Avenue, Portland, Multnomah County, Oregon , was built in 1892 as the primary residence for Bernard and Emma Goldsmith. Designed by architect Edgar Marks Lazarus, it exemplifies the distinctive characteristics of the Shingle Style in Portland, as well as the evolution of Lazarus' residential work. The house is on a topographic rise on the corner of an urban block, with the primary elevation and entry facing NW 24th Avenue and the secondary street-facing elevation fronting NW Quimby. As is common in the neighborhood, streets were cut below grade, leaving the house site elevated above the street. The house contains approximately 4,800 finished square feet excluding the exterior porches, with living spaces on the first floor , sleeping rooms on the second floor, a finished attic, and a partially below-grade full basement. The house is sided primarily with four-inch, lap siding, with shingle patterns used to accentuate the street-facing front and side facades above the porch roof level. The lancet window, belcast hip roof, and decorative round-headed front porch gable vents are all signature architectural details used by Lazarus in the stately homes he designed in the 1890s. Overall the house retains a high degree of integrity, despite an effort to demolish it that resulted in the loss of some interior finishes. The current owner has restored the exterior and rehabilitated the interior, preserving key spaces on the first floor and restoring and replicating interior detailing where known.
- Description
- Constructed in 1908, the Charles 0. Sigglin Flats is a fourplex located at the corner of SE 16th Avenue and Alder Street in Portland's Buckman Neighborhood. The surrounding buildings are single-family homes, duplexes, and fourplexes of a similar scale and character. The building is designed in a hybrid style that blends the Craftsman, Shingle, and Colonial Revival styles. At two-and-one-half stories tall, the wood-frame building sits on a concrete foundation, filling almost the entirety of its 50' by 70' lot. It is 7,790 square feet including the basement and attic. The building features a hipped roof with double front-facing gables. The body of the building is clad in lap siding while the gables are clad in shingles. It features a variety of wood window types. The character-defining features of the exterior of the resource include the double gable roof extensions and dormer, the deep front porch and a second-story balcony with Colonial Revival details, the use of lap siding and shingles, the oak front doors, and the wood windows. On the interior, the character-defining features include the floor plan with a longitudinally _oriented living room, dining room, and kitchen with bedrooms at the rear of the use; wood floors, trim, and doors; bannisters with turned pickets and square newel posts; radiators; and a center lightwell. While several alterations have occurred, including in 2013 when the interior was gutted, leaving stud walls as well as piles of trim, some doors, fireplace mantels, and radiators, recent rehabilitation of the building restored and maintained the character-defining features and thus, the building retains a high level of integrity.
- Description
- Constructed in 1908, the Charles 0. Sigglin Flats is a fourplex located at the corner of SE 16th Avenue and Alder Street in Portland's Buckman Neighborhood. The surrounding buildings are single-family homes, duplexes, and fourplexes of a similar scale and character. The building is designed in a hybrid style that blends the Craftsman, Shingle, and Colonial Revival styles. At two-and-one-half stories tall, the wood-frame building sits on a concrete foundation, filling almost the entirety of its 50' by 70' lot. It is 7,790 square feet including the basement and attic. The building features a hipped roof with double front-facing gables. The body of the building is clad in lap siding while the gables are clad in shingles. It features a variety of wood window types. The character-defining features of the exterior of the resource include the double gable roof extensions and dormer, the deep front porch and a second-story balcony with Colonial Revival details, the use of lap siding and shingles, the oak front doors, and the wood windows. On the interior, the character-defining features include the floor plan with a longitudinally _oriented living room, dining room, and kitchen with bedrooms at the rear of the use; wood floors, trim, and doors; bannisters with turned pickets and square newel posts; radiators; and a center lightwell. While several alterations have occurred, including in 2013 when the interior was gutted, leaving stud walls as well as piles of trim, some doors, fireplace mantels, and radiators, recent rehabilitation of the building restored and maintained the character-defining features and thus, the building retains a high level of integrity.
- Description
- Constructed in 1908, the Charles 0. Sigglin Flats is a fourplex located at the corner of SE 16th Avenue and Alder Street in Portland's Buckman Neighborhood. The surrounding buildings are single-family homes, duplexes, and fourplexes of a similar scale and character. The building is designed in a hybrid style that blends the Craftsman, Shingle, and Colonial Revival styles. At two-and-one-half stories tall, the wood-frame building sits on a concrete foundation, filling almost the entirety of its 50' by 70' lot. It is 7,790 square feet including the basement and attic. The building features a hipped roof with double front-facing gables. The body of the building is clad in lap siding while the gables are clad in shingles. It features a variety of wood window types. The character-defining features of the exterior of the resource include the double gable roof extensions and dormer, the deep front porch and a second-story balcony with Colonial Revival details, the use of lap siding and shingles, the oak front doors, and the wood windows. On the interior, the character-defining features include the floor plan with a longitudinally _oriented living room, dining room, and kitchen with bedrooms at the rear of the use; wood floors, trim, and doors; bannisters with turned pickets and square newel posts; radiators; and a center lightwell. While several alterations have occurred, including in 2013 when the interior was gutted, leaving stud walls as well as piles of trim, some doors, fireplace mantels, and radiators, recent rehabilitation of the building restored and maintained the character-defining features and thus, the building retains a high level of integrity.
- Description
- Constructed in 1908, the Charles 0. Sigglin Flats is a fourplex located at the corner of SE 16th Avenue and Alder Street in Portland's Buckman Neighborhood. The surrounding buildings are single-family homes, duplexes, and fourplexes of a similar scale and character. The building is designed in a hybrid style that blends the Craftsman, Shingle, and Colonial Revival styles. At two-and-one-half stories tall, the wood-frame building sits on a concrete foundation, filling almost the entirety of its 50' by 70' lot. It is 7,790 square feet including the basement and attic. The building features a hipped roof with double front-facing gables. The body of the building is clad in lap siding while the gables are clad in shingles. It features a variety of wood window types. The character-defining features of the exterior of the resource include the double gable roof extensions and dormer, the deep front porch and a second-story balcony with Colonial Revival details, the use of lap siding and shingles, the oak front doors, and the wood windows. On the interior, the character-defining features include the floor plan with a longitudinally _oriented living room, dining room, and kitchen with bedrooms at the rear of the use; wood floors, trim, and doors; bannisters with turned pickets and square newel posts; radiators; and a center lightwell. While several alterations have occurred, including in 2013 when the interior was gutted, leaving stud walls as well as piles of trim, some doors, fireplace mantels, and radiators, recent rehabilitation of the building restored and maintained the character-defining features and thus, the building retains a high level of integrity.
- Description
- Constructed in 1908, the Charles 0. Sigglin Flats is a fourplex located at the corner of SE 16th Avenue and Alder Street in Portland's Buckman Neighborhood. The surrounding buildings are single-family homes, duplexes, and fourplexes of a similar scale and character. The building is designed in a hybrid style that blends the Craftsman, Shingle, and Colonial Revival styles. At two-and-one-half stories tall, the wood-frame building sits on a concrete foundation, filling almost the entirety of its 50' by 70' lot. It is 7,790 square feet including the basement and attic. The building features a hipped roof with double front-facing gables. The body of the building is clad in lap siding while the gables are clad in shingles. It features a variety of wood window types. The character-defining features of the exterior of the resource include the double gable roof extensions and dormer, the deep front porch and a second-story balcony with Colonial Revival details, the use of lap siding and shingles, the oak front doors, and the wood windows. On the interior, the character-defining features include the floor plan with a longitudinally _oriented living room, dining room, and kitchen with bedrooms at the rear of the use; wood floors, trim, and doors; bannisters with turned pickets and square newel posts; radiators; and a center lightwell. While several alterations have occurred, including in 2013 when the interior was gutted, leaving stud walls as well as piles of trim, some doors, fireplace mantels, and radiators, recent rehabilitation of the building restored and maintained the character-defining features and thus, the building retains a high level of integrity.
- Description
- The Goldsmith house at 1507 NW 24th Avenue, Portland, Multnomah County, Oregon , was built in 1892 as the primary residence for Bernard and Emma Goldsmith. Designed by architect Edgar Marks Lazarus, it exemplifies the distinctive characteristics of the Shingle Style in Portland, as well as the evolution of Lazarus' residential work. The house is on a topographic rise on the corner of an urban block, with the primary elevation and entry facing NW 24th Avenue and the secondary street-facing elevation fronting NW Quimby. As is common in the neighborhood, streets were cut below grade, leaving the house site elevated above the street. The house contains approximately 4,800 finished square feet excluding the exterior porches, with living spaces on the first floor , sleeping rooms on the second floor, a finished attic, and a partially below-grade full basement. The house is sided primarily with four-inch, lap siding, with shingle patterns used to accentuate the street-facing front and side facades above the porch roof level. The lancet window, belcast hip roof, and decorative round-headed front porch gable vents are all signature architectural details used by Lazarus in the stately homes he designed in the 1890s. Overall the house retains a high degree of integrity, despite an effort to demolish it that resulted in the loss of some interior finishes. The current owner has restored the exterior and rehabilitated the interior, preserving key spaces on the first floor and restoring and replicating interior detailing where known.
- Description
- Constructed in 1908, the Charles 0. Sigglin Flats is a fourplex located at the corner of SE 16th Avenue and Alder Street in Portland's Buckman Neighborhood. The surrounding buildings are single-family homes, duplexes, and fourplexes of a similar scale and character. The building is designed in a hybrid style that blends the Craftsman, Shingle, and Colonial Revival styles. At two-and-one-half stories tall, the wood-frame building sits on a concrete foundation, filling almost the entirety of its 50' by 70' lot. It is 7,790 square feet including the basement and attic. The building features a hipped roof with double front-facing gables. The body of the building is clad in lap siding while the gables are clad in shingles. It features a variety of wood window types. The character-defining features of the exterior of the resource include the double gable roof extensions and dormer, the deep front porch and a second-story balcony with Colonial Revival details, the use of lap siding and shingles, the oak front doors, and the wood windows. On the interior, the character-defining features include the floor plan with a longitudinally _oriented living room, dining room, and kitchen with bedrooms at the rear of the use; wood floors, trim, and doors; bannisters with turned pickets and square newel posts; radiators; and a center lightwell. While several alterations have occurred, including in 2013 when the interior was gutted, leaving stud walls as well as piles of trim, some doors, fireplace mantels, and radiators, recent rehabilitation of the building restored and maintained the character-defining features and thus, the building retains a high level of integrity.
- Description
- Constructed in 1908, the Charles 0. Sigglin Flats is a fourplex located at the corner of SE 16th Avenue and Alder Street in Portland's Buckman Neighborhood. The surrounding buildings are single-family homes, duplexes, and fourplexes of a similar scale and character. The building is designed in a hybrid style that blends the Craftsman, Shingle, and Colonial Revival styles. At two-and-one-half stories tall, the wood-frame building sits on a concrete foundation, filling almost the entirety of its 50' by 70' lot. It is 7,790 square feet including the basement and attic. The building features a hipped roof with double front-facing gables. The body of the building is clad in lap siding while the gables are clad in shingles. It features a variety of wood window types. The character-defining features of the exterior of the resource include the double gable roof extensions and dormer, the deep front porch and a second-story balcony with Colonial Revival details, the use of lap siding and shingles, the oak front doors, and the wood windows. On the interior, the character-defining features include the floor plan with a longitudinally _oriented living room, dining room, and kitchen with bedrooms at the rear of the use; wood floors, trim, and doors; bannisters with turned pickets and square newel posts; radiators; and a center lightwell. While several alterations have occurred, including in 2013 when the interior was gutted, leaving stud walls as well as piles of trim, some doors, fireplace mantels, and radiators, recent rehabilitation of the building restored and maintained the character-defining features and thus, the building retains a high level of integrity.
- Description
- Constructed in 1908, the Charles 0. Sigglin Flats is a fourplex located at the corner of SE 16th Avenue and Alder Street in Portland's Buckman Neighborhood. The surrounding buildings are single-family homes, duplexes, and fourplexes of a similar scale and character. The building is designed in a hybrid style that blends the Craftsman, Shingle, and Colonial Revival styles. At two-and-one-half stories tall, the wood-frame building sits on a concrete foundation, filling almost the entirety of its 50' by 70' lot. It is 7,790 square feet including the basement and attic. The building features a hipped roof with double front-facing gables. The body of the building is clad in lap siding while the gables are clad in shingles. It features a variety of wood window types. The character-defining features of the exterior of the resource include the double gable roof extensions and dormer, the deep front porch and a second-story balcony with Colonial Revival details, the use of lap siding and shingles, the oak front doors, and the wood windows. On the interior, the character-defining features include the floor plan with a longitudinally _oriented living room, dining room, and kitchen with bedrooms at the rear of the use; wood floors, trim, and doors; bannisters with turned pickets and square newel posts; radiators; and a center lightwell. While several alterations have occurred, including in 2013 when the interior was gutted, leaving stud walls as well as piles of trim, some doors, fireplace mantels, and radiators, recent rehabilitation of the building restored and maintained the character-defining features and thus, the building retains a high level of integrity.
- Description
- Constructed in 1908, the Charles 0. Sigglin Flats is a fourplex located at the corner of SE 16th Avenue and Alder Street in Portland's Buckman Neighborhood. The surrounding buildings are single-family homes, duplexes, and fourplexes of a similar scale and character. The building is designed in a hybrid style that blends the Craftsman, Shingle, and Colonial Revival styles. At two-and-one-half stories tall, the wood-frame building sits on a concrete foundation, filling almost the entirety of its 50' by 70' lot. It is 7,790 square feet including the basement and attic. The building features a hipped roof with double front-facing gables. The body of the building is clad in lap siding while the gables are clad in shingles. It features a variety of wood window types. The character-defining features of the exterior of the resource include the double gable roof extensions and dormer, the deep front porch and a second-story balcony with Colonial Revival details, the use of lap siding and shingles, the oak front doors, and the wood windows. On the interior, the character-defining features include the floor plan with a longitudinally _oriented living room, dining room, and kitchen with bedrooms at the rear of the use; wood floors, trim, and doors; bannisters with turned pickets and square newel posts; radiators; and a center lightwell. While several alterations have occurred, including in 2013 when the interior was gutted, leaving stud walls as well as piles of trim, some doors, fireplace mantels, and radiators, recent rehabilitation of the building restored and maintained the character-defining features and thus, the building retains a high level of integrity.