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- Description
- Built in 1936-1937, the Cameo Theatre is located at 304 E First Street in the historic City Center/Downtown neighborhood of Newberg, Yamhill County, Oregon. The building is located within a commercial setting surrounded by restaurants, retail stores, and other small businesses. The Cameo Theatre is a two-and-onehalf-story building designed by Day W. Hilborn and Margaret Goodin Fritsch with prominent Art Deco and Streamline Moderne architecture features, such as its smooth concrete exterior walls, asymmetrical facade,geometric lines, grouped windows, and slight vertical projection above the roof line. Other typical Art Deco and Streamline Moderne features displayed on the Cameo Theatre include low-relief decorative panels, horizontal grooves, pigmented structural glass (Carrara glass), and stainless steel trim. The building was constructed by Peter Johnson and the Johnson Construction Company of Vancouver, Washington, out of board-formed reinforced concrete, which extended below grade creating a full-height partial basement. Theprimary (north) facade consists of a recessed entry under a project ing marquee to the west and a recessed storefront bay to the east at the ground floor. The second floor consists of the projecting bay above the primary entrance and a set of vertical windows to the west. Although the primary facade displays two separate entrances, the theatre building is one volume. The remaining elevations, where exposed, are unfinished and lack architectural detail. Although the theatre retains its original exterior configuration and form, alterations have been made to the main entrance, marquee, and storefront. However, much of its original Art Deco and Streamline Moderne architectural details remain present. The interior of the Cameo Theatre is planned around the 350-seat , two-story-volume, German-inspired auditorium with its sloping floor, two-aisle seating arrangement, and interior decorations. In plan, the interior of the theatre consists of the foyer, snack bar, and stairs to the north, the centrally located auditorium, and the proscenium stage and fly tower to the south at the ground floor. The second floor includes the lounge, current projection room (modified from original lounge corridor and usherette room), toilet rooms, and office to the north, and the second-story volume of the auditorium and fly tower to the south. The original projection room and attic are located above the current projection room on the second floor. The basement is below the proscenium stage and fly tower. The interior walls are constructed out of board-formed reinforced concrete and are primarily finished with plaster and stucco by H. G. Gosney of Portland, Oregon. The theatre retains its original paint scheme of light greens, pinks, and reds displayed in the acoustical fabrics, curtains by Charles Ammon Co. of Portland, Oregon, and replaced period-style interior carpet.8 Interior Art Deco and Streamline Moderne stylistic details include curved walls, geometric Art Deco lighting fixtures and signage, low-relief decorative panels , vertical and horizontal semi-cylindrical reeded moulding, and decorative castmetal chair side panels. Although the theatre retains much of its original details and aesthetic, there have been alterations to its interior configuration and seating. Overall, the Cameo Theatre retains integrity of location, setting, design , materials, workmanship, feeling, and association. The building remains in its originall location within the downtown Newberg setting, which includes a streetscape and buildings that represent the city's early 20th century infrastructure and business development. The theatre conveys its overall design and retains character-defining materials and features that display the building's construction and workmanship. The theatre's operation under long-term owner Ted Francis and continued use since 1937 convey the building's integrity of feeling and association. Several minor and few moderate alterations to exterior and interior features are noted in the nomination, but these do not inhibit the building's overall integrity or its ability to convey the theatre's historic significance .
- Description
- Built in 1936-1937, the Cameo Theatre is located at 304 E First Street in the historic City Center/Downtown neighborhood of Newberg, Yamhill County, Oregon. The building is located within a commercial setting surrounded by restaurants, retail stores, and other small businesses. The Cameo Theatre is a two-and-onehalf-story building designed by Day W. Hilborn and Margaret Goodin Fritsch with prominent Art Deco and Streamline Moderne architecture features, such as its smooth concrete exterior walls, asymmetrical facade,geometric lines, grouped windows, and slight vertical projection above the roof line. Other typical Art Deco and Streamline Moderne features displayed on the Cameo Theatre include low-relief decorative panels, horizontal grooves, pigmented structural glass (Carrara glass), and stainless steel trim. The building was constructed by Peter Johnson and the Johnson Construction Company of Vancouver, Washington, out of board-formed reinforced concrete, which extended below grade creating a full-height partial basement. Theprimary (north) facade consists of a recessed entry under a project ing marquee to the west and a recessed storefront bay to the east at the ground floor. The second floor consists of the projecting bay above the primary entrance and a set of vertical windows to the west. Although the primary facade displays two separate entrances, the theatre building is one volume. The remaining elevations, where exposed, are unfinished and lack architectural detail. Although the theatre retains its original exterior configuration and form, alterations have been made to the main entrance, marquee, and storefront. However, much of its original Art Deco and Streamline Moderne architectural details remain present. The interior of the Cameo Theatre is planned around the 350-seat , two-story-volume, German-inspired auditorium with its sloping floor, two-aisle seating arrangement, and interior decorations. In plan, the interior of the theatre consists of the foyer, snack bar, and stairs to the north, the centrally located auditorium, and the proscenium stage and fly tower to the south at the ground floor. The second floor includes the lounge, current projection room (modified from original lounge corridor and usherette room), toilet rooms, and office to the north, and the second-story volume of the auditorium and fly tower to the south. The original projection room and attic are located above the current projection room on the second floor. The basement is below the proscenium stage and fly tower. The interior walls are constructed out of board-formed reinforced concrete and are primarily finished with plaster and stucco by H. G. Gosney of Portland, Oregon. The theatre retains its original paint scheme of light greens, pinks, and reds displayed in the acoustical fabrics, curtains by Charles Ammon Co. of Portland, Oregon, and replaced period-style interior carpet.8 Interior Art Deco and Streamline Moderne stylistic details include curved walls, geometric Art Deco lighting fixtures and signage, low-relief decorative panels , vertical and horizontal semi-cylindrical reeded moulding, and decorative castmetal chair side panels. Although the theatre retains much of its original details and aesthetic, there have been alterations to its interior configuration and seating. Overall, the Cameo Theatre retains integrity of location, setting, design , materials, workmanship, feeling, and association. The building remains in its originall location within the downtown Newberg setting, which includes a streetscape and buildings that represent the city's early 20th century infrastructure and business development. The theatre conveys its overall design and retains character-defining materials and features that display the building's construction and workmanship. The theatre's operation under long-term owner Ted Francis and continued use since 1937 convey the building's integrity of feeling and association. Several minor and few moderate alterations to exterior and interior features are noted in the nomination, but these do not inhibit the building's overall integrity or its ability to convey the theatre's historic significance .
- Description
- The Goldsmith house at 1507 NW 24th Avenue, Portland, Multnomah County, Oregon , was built in 1892 as the primary residence for Bernard and Emma Goldsmith. Designed by architect Edgar Marks Lazarus, it exemplifies the distinctive characteristics of the Shingle Style in Portland, as well as the evolution of Lazarus' residential work. The house is on a topographic rise on the corner of an urban block, with the primary elevation and entry facing NW 24th Avenue and the secondary street-facing elevation fronting NW Quimby. As is common in the neighborhood, streets were cut below grade, leaving the house site elevated above the street. The house contains approximately 4,800 finished square feet excluding the exterior porches, with living spaces on the first floor , sleeping rooms on the second floor, a finished attic, and a partially below-grade full basement. The house is sided primarily with four-inch, lap siding, with shingle patterns used to accentuate the street-facing front and side facades above the porch roof level. The lancet window, belcast hip roof, and decorative round-headed front porch gable vents are all signature architectural details used by Lazarus in the stately homes he designed in the 1890s. Overall the house retains a high degree of integrity, despite an effort to demolish it that resulted in the loss of some interior finishes. The current owner has restored the exterior and rehabilitated the interior, preserving key spaces on the first floor and restoring and replicating interior detailing where known.
- Description
- The John A. Keating residence is located at 2531 S.W. St. Helens Court, in the West Hills (Portland Heights) in Portland, Oregon, a residential neighborhood in the hills west of downtown Portland. The neighborhood consists of many excellent examples of early 20th Century period architecture built for prominent Portlanders between the turn of the century and the 1930s. The plans are dated 1912, and construction began and was completed in 1913. The Keating Residence was designed by prominent architect Ellis F. Lawrence of the firm Lawrence and Holford. It has a concrete foundation, a nailed wood frame and the exterior walls are clad in wood shingles and there are two massive chimneys. The house is approximately four-thousand square feet, with a full basement and three floors above. It is actually sufficient to call it a one-room deep house, in the English tradition of medieval vernacular houses. It is a very tall, horizontally-spread structure, reflecting the Shingle Style and Arts & Crafts styles. In addition, there are subtle Classical Revival details on all four sides of the structure. It is an asymmetrical, eclectic amalgam of architectural details. The hipped roof structure with jerkinhead gables is set above and back from street level, only partially visible from the street. Character_ defining features include its asymmetry and broad horizontality, the mock thatch roof with rolled eaves, a prominent polygonal two-story bay projection, two eyelid dormers, a painted wood string course across each side, and a large wrap-around terrace offering views to the east and Mt. St. Helens to the north. The house has casement, Simplex, double hung, and awning windows. In the living room, dining room and solarium are tall casement windows, and interior glass-paned flexible doors between the solarium and the hallway. The interior ceilings and walls were always painted. The plain walls with crown molding, open first-floor plan with rooms flowing into one another, and the curved shapes of the solarium and dining rooms, contribute to the unique character of the house. Lawrence showed hints, on the first-floor interior, of early modernism in residential architecture. While several alterations have occurred throughout the years, the only major alteration on the exterior facade is the removal of the two-sided glass-paned entrance porch, for which there is no recorded date. A separate, unattached garage structure on the south side was built in 1952, and removed in the 1970s. There is no recorded date for the removal of the kitchen chimney. The concrete wrap-around porch was resurfaced in 1959. The removal of straight metal supports for the railings of the porch with replacement classical balustrades was in 1999. The house was designed with an internal 1913 vacuum system throughout, which is not utilized now. A kitchen remodel in the 1970s updated the kitchen space but did not change the internal arrangement of any rooms. In 1999 mid-wall height windows to the terrace on the north side of the living room were replaced by full_height glass windows and a glass door. There is no date for the restoration of the lone exterior Doric column of the porch, which is in place where it was originally built. The plan shows a straight west wall (solarium), but no dates exist for the construction of the wall as a curved bay. It could have been a decision made during construction. Despite all of these alterations, the house retains its historic integrity as the house is in its original location and remains of the same design, the setting still relates to the historic period, the character defining features remain intact and reflect the residence's original construction and design of Lawrence's work.
- Description
- The John A. Keating residence is located at 2531 S.W. St. Helens Court, in the West Hills (Portland Heights) in Portland, Oregon, a residential neighborhood in the hills west of downtown Portland. The neighborhood consists of many excellent examples of early 20th Century period architecture built for prominent Portlanders between the turn of the century and the 1930s. The plans are dated 1912, and construction began and was completed in 1913. The Keating Residence was designed by prominent architect Ellis F. Lawrence of the firm Lawrence and Holford. It has a concrete foundation, a nailed wood frame and the exterior walls are clad in wood shingles and there are two massive chimneys. The house is approximately four-thousand square feet, with a full basement and three floors above. It is actually sufficient to call it a one-room deep house, in the English tradition of medieval vernacular houses. It is a very tall, horizontally-spread structure, reflecting the Shingle Style and Arts & Crafts styles. In addition, there are subtle Classical Revival details on all four sides of the structure. It is an asymmetrical, eclectic amalgam of architectural details. The hipped roof structure with jerkinhead gables is set above and back from street level, only partially visible from the street. Character_ defining features include its asymmetry and broad horizontality, the mock thatch roof with rolled eaves, a prominent polygonal two-story bay projection, two eyelid dormers, a painted wood string course across each side, and a large wrap-around terrace offering views to the east and Mt. St. Helens to the north. The house has casement, Simplex, double hung, and awning windows. In the living room, dining room and solarium are tall casement windows, and interior glass-paned flexible doors between the solarium and the hallway. The interior ceilings and walls were always painted. The plain walls with crown molding, open first-floor plan with rooms flowing into one another, and the curved shapes of the solarium and dining rooms, contribute to the unique character of the house. Lawrence showed hints, on the first-floor interior, of early modernism in residential architecture. While several alterations have occurred throughout the years, the only major alteration on the exterior facade is the removal of the two-sided glass-paned entrance porch, for which there is no recorded date. A separate, unattached garage structure on the south side was built in 1952, and removed in the 1970s. There is no recorded date for the removal of the kitchen chimney. The concrete wrap-around porch was resurfaced in 1959. The removal of straight metal supports for the railings of the porch with replacement classical balustrades was in 1999. The house was designed with an internal 1913 vacuum system throughout, which is not utilized now. A kitchen remodel in the 1970s updated the kitchen space but did not change the internal arrangement of any rooms. In 1999 mid-wall height windows to the terrace on the north side of the living room were replaced by full_height glass windows and a glass door. There is no date for the restoration of the lone exterior Doric column of the porch, which is in place where it was originally built. The plan shows a straight west wall (solarium), but no dates exist for the construction of the wall as a curved bay. It could have been a decision made during construction. Despite all of these alterations, the house retains its historic integrity as the house is in its original location and remains of the same design, the setting still relates to the historic period, the character defining features remain intact and reflect the residence's original construction and design of Lawrence's work.
- Description
- The John A. Keating residence is located at 2531 S.W. St. Helens Court, in the West Hills (Portland Heights) in Portland, Oregon, a residential neighborhood in the hills west of downtown Portland. The neighborhood consists of many excellent examples of early 20th Century period architecture built for prominent Portlanders between the turn of the century and the 1930s. The plans are dated 1912, and construction began and was completed in 1913. The Keating Residence was designed by prominent architect Ellis F. Lawrence of the firm Lawrence and Holford. It has a concrete foundation, a nailed wood frame and the exterior walls are clad in wood shingles and there are two massive chimneys. The house is approximately four-thousand square feet, with a full basement and three floors above. It is actually sufficient to call it a one-room deep house, in the English tradition of medieval vernacular houses. It is a very tall, horizontally-spread structure, reflecting the Shingle Style and Arts & Crafts styles. In addition, there are subtle Classical Revival details on all four sides of the structure. It is an asymmetrical, eclectic amalgam of architectural details. The hipped roof structure with jerkinhead gables is set above and back from street level, only partially visible from the street. Character_ defining features include its asymmetry and broad horizontality, the mock thatch roof with rolled eaves, a prominent polygonal two-story bay projection, two eyelid dormers, a painted wood string course across each side, and a large wrap-around terrace offering views to the east and Mt. St. Helens to the north. The house has casement, Simplex, double hung, and awning windows. In the living room, dining room and solarium are tall casement windows, and interior glass-paned flexible doors between the solarium and the hallway. The interior ceilings and walls were always painted. The plain walls with crown molding, open first-floor plan with rooms flowing into one another, and the curved shapes of the solarium and dining rooms, contribute to the unique character of the house. Lawrence showed hints, on the first-floor interior, of early modernism in residential architecture. While several alterations have occurred throughout the years, the only major alteration on the exterior facade is the removal of the two-sided glass-paned entrance porch, for which there is no recorded date. A separate, unattached garage structure on the south side was built in 1952, and removed in the 1970s. There is no recorded date for the removal of the kitchen chimney. The concrete wrap-around porch was resurfaced in 1959. The removal of straight metal supports for the railings of the porch with replacement classical balustrades was in 1999. The house was designed with an internal 1913 vacuum system throughout, which is not utilized now. A kitchen remodel in the 1970s updated the kitchen space but did not change the internal arrangement of any rooms. In 1999 mid-wall height windows to the terrace on the north side of the living room were replaced by full_height glass windows and a glass door. There is no date for the restoration of the lone exterior Doric column of the porch, which is in place where it was originally built. The plan shows a straight west wall (solarium), but no dates exist for the construction of the wall as a curved bay. It could have been a decision made during construction. Despite all of these alterations, the house retains its historic integrity as the house is in its original location and remains of the same design, the setting still relates to the historic period, the character defining features remain intact and reflect the residence's original construction and design of Lawrence's work.
- Description
- The John A. Keating residence is located at 2531 S.W. St. Helens Court, in the West Hills (Portland Heights) in Portland, Oregon, a residential neighborhood in the hills west of downtown Portland. The neighborhood consists of many excellent examples of early 20th Century period architecture built for prominent Portlanders between the turn of the century and the 1930s. The plans are dated 1912, and construction began and was completed in 1913. The Keating Residence was designed by prominent architect Ellis F. Lawrence of the firm Lawrence and Holford. It has a concrete foundation, a nailed wood frame and the exterior walls are clad in wood shingles and there are two massive chimneys. The house is approximately four-thousand square feet, with a full basement and three floors above. It is actually sufficient to call it a one-room deep house, in the English tradition of medieval vernacular houses. It is a very tall, horizontally-spread structure, reflecting the Shingle Style and Arts & Crafts styles. In addition, there are subtle Classical Revival details on all four sides of the structure. It is an asymmetrical, eclectic amalgam of architectural details. The hipped roof structure with jerkinhead gables is set above and back from street level, only partially visible from the street. Character_ defining features include its asymmetry and broad horizontality, the mock thatch roof with rolled eaves, a prominent polygonal two-story bay projection, two eyelid dormers, a painted wood string course across each side, and a large wrap-around terrace offering views to the east and Mt. St. Helens to the north. The house has casement, Simplex, double hung, and awning windows. In the living room, dining room and solarium are tall casement windows, and interior glass-paned flexible doors between the solarium and the hallway. The interior ceilings and walls were always painted. The plain walls with crown molding, open first-floor plan with rooms flowing into one another, and the curved shapes of the solarium and dining rooms, contribute to the unique character of the house. Lawrence showed hints, on the first-floor interior, of early modernism in residential architecture. While several alterations have occurred throughout the years, the only major alteration on the exterior facade is the removal of the two-sided glass-paned entrance porch, for which there is no recorded date. A separate, unattached garage structure on the south side was built in 1952, and removed in the 1970s. There is no recorded date for the removal of the kitchen chimney. The concrete wrap-around porch was resurfaced in 1959. The removal of straight metal supports for the railings of the porch with replacement classical balustrades was in 1999. The house was designed with an internal 1913 vacuum system throughout, which is not utilized now. A kitchen remodel in the 1970s updated the kitchen space but did not change the internal arrangement of any rooms. In 1999 mid-wall height windows to the terrace on the north side of the living room were replaced by full_height glass windows and a glass door. There is no date for the restoration of the lone exterior Doric column of the porch, which is in place where it was originally built. The plan shows a straight west wall (solarium), but no dates exist for the construction of the wall as a curved bay. It could have been a decision made during construction. Despite all of these alterations, the house retains its historic integrity as the house is in its original location and remains of the same design, the setting still relates to the historic period, the character defining features remain intact and reflect the residence's original construction and design of Lawrence's work.
- Description
- The John A. Keating residence is located at 2531 S.W. St. Helens Court, in the West Hills (Portland Heights) in Portland, Oregon, a residential neighborhood in the hills west of downtown Portland. The neighborhood consists of many excellent examples of early 20th Century period architecture built for prominent Portlanders between the turn of the century and the 1930s. The plans are dated 1912, and construction began and was completed in 1913. The Keating Residence was designed by prominent architect Ellis F. Lawrence of the firm Lawrence and Holford. It has a concrete foundation, a nailed wood frame and the exterior walls are clad in wood shingles and there are two massive chimneys. The house is approximately four-thousand square feet, with a full basement and three floors above. It is actually sufficient to call it a one-room deep house, in the English tradition of medieval vernacular houses. It is a very tall, horizontally-spread structure, reflecting the Shingle Style and Arts & Crafts styles. In addition, there are subtle Classical Revival details on all four sides of the structure. It is an asymmetrical, eclectic amalgam of architectural details. The hipped roof structure with jerkinhead gables is set above and back from street level, only partially visible from the street. Character_ defining features include its asymmetry and broad horizontality, the mock thatch roof with rolled eaves, a prominent polygonal two-story bay projection, two eyelid dormers, a painted wood string course across each side, and a large wrap-around terrace offering views to the east and Mt. St. Helens to the north. The house has casement, Simplex, double hung, and awning windows. In the living room, dining room and solarium are tall casement windows, and interior glass-paned flexible doors between the solarium and the hallway. The interior ceilings and walls were always painted. The plain walls with crown molding, open first-floor plan with rooms flowing into one another, and the curved shapes of the solarium and dining rooms, contribute to the unique character of the house. Lawrence showed hints, on the first-floor interior, of early modernism in residential architecture. While several alterations have occurred throughout the years, the only major alteration on the exterior facade is the removal of the two-sided glass-paned entrance porch, for which there is no recorded date. A separate, unattached garage structure on the south side was built in 1952, and removed in the 1970s. There is no recorded date for the removal of the kitchen chimney. The concrete wrap-around porch was resurfaced in 1959. The removal of straight metal supports for the railings of the porch with replacement classical balustrades was in 1999. The house was designed with an internal 1913 vacuum system throughout, which is not utilized now. A kitchen remodel in the 1970s updated the kitchen space but did not change the internal arrangement of any rooms. In 1999 mid-wall height windows to the terrace on the north side of the living room were replaced by full_height glass windows and a glass door. There is no date for the restoration of the lone exterior Doric column of the porch, which is in place where it was originally built. The plan shows a straight west wall (solarium), but no dates exist for the construction of the wall as a curved bay. It could have been a decision made during construction. Despite all of these alterations, the house retains its historic integrity as the house is in its original location and remains of the same design, the setting still relates to the historic period, the character defining features remain intact and reflect the residence's original construction and design of Lawrence's work.
- Description
- The John A. Keating residence is located at 2531 S.W. St. Helens Court, in the West Hills (Portland Heights) in Portland, Oregon, a residential neighborhood in the hills west of downtown Portland. The neighborhood consists of many excellent examples of early 20th Century period architecture built for prominent Portlanders between the turn of the century and the 1930s. The plans are dated 1912, and construction began and was completed in 1913. The Keating Residence was designed by prominent architect Ellis F. Lawrence of the firm Lawrence and Holford. It has a concrete foundation, a nailed wood frame and the exterior walls are clad in wood shingles and there are two massive chimneys. The house is approximately four-thousand square feet, with a full basement and three floors above. It is actually sufficient to call it a one-room deep house, in the English tradition of medieval vernacular houses. It is a very tall, horizontally-spread structure, reflecting the Shingle Style and Arts & Crafts styles. In addition, there are subtle Classical Revival details on all four sides of the structure. It is an asymmetrical, eclectic amalgam of architectural details. The hipped roof structure with jerkinhead gables is set above and back from street level, only partially visible from the street. Character_ defining features include its asymmetry and broad horizontality, the mock thatch roof with rolled eaves, a prominent polygonal two-story bay projection, two eyelid dormers, a painted wood string course across each side, and a large wrap-around terrace offering views to the east and Mt. St. Helens to the north. The house has casement, Simplex, double hung, and awning windows. In the living room, dining room and solarium are tall casement windows, and interior glass-paned flexible doors between the solarium and the hallway. The interior ceilings and walls were always painted. The plain walls with crown molding, open first-floor plan with rooms flowing into one another, and the curved shapes of the solarium and dining rooms, contribute to the unique character of the house. Lawrence showed hints, on the first-floor interior, of early modernism in residential architecture. While several alterations have occurred throughout the years, the only major alteration on the exterior facade is the removal of the two-sided glass-paned entrance porch, for which there is no recorded date. A separate, unattached garage structure on the south side was built in 1952, and removed in the 1970s. There is no recorded date for the removal of the kitchen chimney. The concrete wrap-around porch was resurfaced in 1959. The removal of straight metal supports for the railings of the porch with replacement classical balustrades was in 1999. The house was designed with an internal 1913 vacuum system throughout, which is not utilized now. A kitchen remodel in the 1970s updated the kitchen space but did not change the internal arrangement of any rooms. In 1999 mid-wall height windows to the terrace on the north side of the living room were replaced by full_height glass windows and a glass door. There is no date for the restoration of the lone exterior Doric column of the porch, which is in place where it was originally built. The plan shows a straight west wall (solarium), but no dates exist for the construction of the wall as a curved bay. It could have been a decision made during construction. Despite all of these alterations, the house retains its historic integrity as the house is in its original location and remains of the same design, the setting still relates to the historic period, the character defining features remain intact and reflect the residence's original construction and design of Lawrence's work.
- Description
- The John A. Keating residence is located at 2531 S.W. St. Helens Court, in the West Hills (Portland Heights) in Portland, Oregon, a residential neighborhood in the hills west of downtown Portland. The neighborhood consists of many excellent examples of early 20th Century period architecture built for prominent Portlanders between the turn of the century and the 1930s. The plans are dated 1912, and construction began and was completed in 1913. The Keating Residence was designed by prominent architect Ellis F. Lawrence of the firm Lawrence and Holford. It has a concrete foundation, a nailed wood frame and the exterior walls are clad in wood shingles and there are two massive chimneys. The house is approximately four-thousand square feet, with a full basement and three floors above. It is actually sufficient to call it a one-room deep house, in the English tradition of medieval vernacular houses. It is a very tall, horizontally-spread structure, reflecting the Shingle Style and Arts & Crafts styles. In addition, there are subtle Classical Revival details on all four sides of the structure. It is an asymmetrical, eclectic amalgam of architectural details. The hipped roof structure with jerkinhead gables is set above and back from street level, only partially visible from the street. Character_ defining features include its asymmetry and broad horizontality, the mock thatch roof with rolled eaves, a prominent polygonal two-story bay projection, two eyelid dormers, a painted wood string course across each side, and a large wrap-around terrace offering views to the east and Mt. St. Helens to the north. The house has casement, Simplex, double hung, and awning windows. In the living room, dining room and solarium are tall casement windows, and interior glass-paned flexible doors between the solarium and the hallway. The interior ceilings and walls were always painted. The plain walls with crown molding, open first-floor plan with rooms flowing into one another, and the curved shapes of the solarium and dining rooms, contribute to the unique character of the house. Lawrence showed hints, on the first-floor interior, of early modernism in residential architecture. While several alterations have occurred throughout the years, the only major alteration on the exterior facade is the removal of the two-sided glass-paned entrance porch, for which there is no recorded date. A separate, unattached garage structure on the south side was built in 1952, and removed in the 1970s. There is no recorded date for the removal of the kitchen chimney. The concrete wrap-around porch was resurfaced in 1959. The removal of straight metal supports for the railings of the porch with replacement classical balustrades was in 1999. The house was designed with an internal 1913 vacuum system throughout, which is not utilized now. A kitchen remodel in the 1970s updated the kitchen space but did not change the internal arrangement of any rooms. In 1999 mid-wall height windows to the terrace on the north side of the living room were replaced by full_height glass windows and a glass door. There is no date for the restoration of the lone exterior Doric column of the porch, which is in place where it was originally built. The plan shows a straight west wall (solarium), but no dates exist for the construction of the wall as a curved bay. It could have been a decision made during construction. Despite all of these alterations, the house retains its historic integrity as the house is in its original location and remains of the same design, the setting still relates to the historic period, the character defining features remain intact and reflect the residence's original construction and design of Lawrence's work.