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Description: Anna Coyote, a Cayuse Indian woman, sits outside before a backdrop wearing a hat, a beaded dress, leggings, plain moccasins, necklaces, a choker, earrings, belt, and a bracelet and holding a whip and an axe adorned with fur and beadwork.

Description: A young Native-American woman poses standing on an animal hide in a studio. She wears a basketwork hat, a decorated buckskin dress, a number of necklaces and arm bands, and carries a bag decorated with a deer pattern. On the wall behind her are bags, feathers, cradleboards, crossed swords, and furs.

Description: An interior photograph of a European-American man, identified as Lee Moorhouse, standing in a room filled with Native American ceremonial objects and general artifacts. The man is holding a rifle in his right hand with the rifle base leaning on the floor. He is attired in European-American clothing with a hat, necktie, vest, shirt, jacket, trousers and shoes. Two walls of the room can be discerned. The wall to the left of the man shows an open door to what appears to be a small storage cabinet. There is a book on the cabinet and a paper attached to the open door. Behind the cabinet are two chairs, one of which is a rocking chair. Behind the chairs is what appears to be a couch; there is a Native-American blanket laying on it. All along the left wall are various Native American artifacts, including a headdress and hand drums. There is a deer's head mounted on the wall with a painting or photograph under it. To the right of the man is a full size deer mount. Behind the man and mounted deer are various tables and a chair. On the rear wall are hung three American flags, two of which show 48 stars. Below the flags are various Native American artifacts, mounted antlers, and several swords. A single light bulb hangs from the ceiling., [Self-portrait of Lee Moorhouse in his office in Pendleton, among his curios. He poses with a rifle next to a stuffed buck, wearing a buckskin vest and jacket. c. 1915]

Description: A wood-framed structure, covered with a striped tent cloth, appears to have three wooden walls and a wooden floor. From the open side, one can see that the tent structure is filled with an assortment of Native American objects and artifacts, suspended from the walls and crossbeam, set on a table, and arranged on the floor in front of the back wall. There is a sign on the tent that says "Major Moorhouse's Indian Pictures." The inventory includes: blankets and other woven textiles; photographs, some framed; beaded bags; baskets; a cradleboard; a saddle and bridle; tomahawks; bow and arrows in a quiver; a buckskin dress with beaded fringe; a beaded buckskin shirt and pants, a pair of beaded moccasins, and a feathered cape, displayed together as an ensemble; a small statue of a Native American man, wearing a feathered robe and headdress, a shell necklace, a beaded breastplate, and beaded moccasins; more feathered headdresses and other feathered and beaded items; a pair of beaded gloves; a beaded necklace; a pile of fur (under the table).

Description: A Native American woman, dressed in Native American costume, is seated on a chair, in front of a wall filled with various Native American artifacts. The woman is wearing a headdress with horns and feathers, a beaded buckskin dress with beaded fringe, beaded leggings, and floral design moccasins. She has long braids, a beaded choker and beaded necklace, a shell necklace, copper bracelets, a ring, and is holding a beaded bag. A Pendleton blanket is draped over the chair. Hanging from the wall are assorted feathers and knives, decorative cords with tassels, posters, a photograph, swords with scabbards, floral design cradleboards, a horse bridle with reins, woven bags, a beaded floral design glove or gauntlet, leather goods, beadwork, a walking stick, and a tanned animal hide on which is painted a Native American man. There are several items on the floor, including another blanket, a bow and two empty quivers (one beaded, one plain), a tomahawk decorated with a fur tail, more loose feathers, and a woven basket.

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