This black-and-white print depicts a wooden bridge that strectches over a body of water and leads to a forested area where a man stands with a plank in his hands. The scene is inset with three rectangles that present what appears to be black cat and fish-related imagery., Dennis Cunningham; Footbridge No. Two; linocut; 1990; 29 x 29 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This brightly colored print depicts a street scene where the street weaves in and out of the picture plane. The curves give way to a supporting cast of highly patterned retaining walls and groves of trees. A bright yellow family of ducks crosses the road from the bottom left hand corner of the piece. This piece is one of the Eugene series prints done in collaboration with Bill Bradish. Both McCorkle and Braddish intended to leave Eugene and decided to celebrate and commemorate their time in Eugene by doing an homage of those places in town which they had found representative of the essence of Eugene. Oregon in general seems to be about abrupt geological shifts. This particular intersection, with one street going dramatically up and the other dramatically down, was a visual symbol of that beauty and surprise one associates with Oregon landscape. The duck crossing was borrowed from Patterson near 13th Avenue and imposed upon the more mountainous scene, which was then modified with blue grass to give the ducks a place to go. Basically the artists' intention was to play with space--stretching and mocking the conventions of atmospheric and linear perspective--and to create a playful tribute to an area we both cared about. (author unknown, 1989), Fairmont and Columbia; M.L. McCorkle; reduction linoleum cut; (in collaboration with Bill Bradish); 1988; 16 x 21 inches, http://www.zerodegreesart.com/zeroArtists.php?artist=mmccorkle, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This print divides the main picture plane from the surrounding decorative border of images geometrically. The main picture plane, a vertical rectangle, occupies the center of the piece, and it depicts a man standing in water with a fishing pole. Beneath the surface of the water, a thick hand grabs a fish by the tail.Two horizontal rectangles flank the upper and lower sections of the piece, and the main picture plane is flanked by a series of squares and rectangles. The shapes that create the border around the main picture plane contain a conglomeration of fishing equipment, geometric shapes, and landscape elements., Wild Future/Wet Hands; linocut print; (46 x 22 inches(image)); edition of 20; 1996, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
Sauvie's Island uses simple black lines to capture man and nature. The silhouette of the solo male figure, with a hat and fishing lie, is placed next to a large tree by a pond. There is little movement in the image aside from the man's turned head. The bottom of the print exhibits fishing and plant symbols and a frying pan., Dennis Cunningham; Sauvie's Island; linocut; a/p; 17 1/4x17 1/4 inches; ohsc nurses unit remodel, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A black-and-white linocut rendering of six men with different symols floating above their heads. From left to right, the items above the men's heads include a fish, a light bulb, a linear graph, a crown, another fish, and some sort of curly-cue. Below the men, there are three distinct areas that present three different scenes that all relate to fishing. The left area depicts a lighthouse along the coast, along with two smaller areas that depict a woman and a cup of steaming beverage. The middle area depicts a fishing boat and a map. The right area depicts a pile of fish and an area that contains what appears to be a fishing lure with a circle and slash over the top of it., Fishing for the Halibut; 42 inches by 40 inches; linocut print, http://findarticles.com/p/articles/mi_m1248/is_11_88/ai_66888284, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This black-and-white print appears to convey a narrative about fishing by dividing the picture plane's main area of focus with five square insets that amplify certain characters., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This piece depicts two flower vases side by side. The one on the left is yellow with a black-and-white leaf pattern, and it holds red plant matter in front of a green background. The one on the right is blue with a black-and-red leaf pattern, and it has a handle and a pour spout. Blue blooms float around it on a yellow background. The entire piece is bordered by a linear pattern derived from the colors used in the piece., Kacey Joyce; Red Leaves and Pitcher; reduction linocut; 1994, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This piece uses simple black lines to capture man and nature. The silhouette of the solo male figure, with a hat and fishing line is set against a horizontally lined lake. There is little movement in the image aside from the man's turned head. Above the man is a winged being with large wings, which may represent an angel. The left bottom of the print exhibits a darkened square showing a man praying--perhaps to the angel of fishing? This image is an image about a special mood in a special place, Sauvie's Island. Cunningham has a marvelous command of black and white pattern and texture. His detailed linocuts (prints made from an image cut into linoleum which is rolled with ink and then printed) present a close and often whimsical look at slices of life. (Oregon Arts Commission, 1987), Dennis Cunningham; 1986; linocut print; the visitation, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A black and white print of the process of a salmon's life cycle. To the left of the print is a man fishing for salmon, with what looks like a net. Below the man is a salmon egg enclosed in a black rectangle. To the right of the egg is a salmon jumping upstream, and above that is an open-mouthed salmon's head., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
This piece presents a table setting brimming with food and spirits. The background is composed of various blocks of patterned color., Still Life with Red Chair; K.C. Joyce; linoleum cut; 17 x 22 inches, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html