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31. Crow VI
Crow VI
Description
A black and white lithograph exhibiting a large black crow/raven facing towards the left. There is a roman numeral number six at the upper right corner. In the background is a silhouette sketch of the crow. In addition to the raven are black ink marks, mostly dotted lines and curves that outline the main character., R.E. Bartow; 1991; lithograph; Crow VI; 22x30 inches; correction print project, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
32. Rain Water and Tusche Dried
Rain Water and Tusche Dried
Description
This print is divided into three main parts. In the center, a rectangular form contains a blue, purple, and white abstraction that appears to evoke clouds or water. The rectangular form is bordered on three sides by pink and white diagonal stripes. The top portion bordering the rectangular form contains movement depicted through the arrnagement of various blue and purple lines., Rain Water and Tusche Dried; Karen Blakely; Capitol, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
33. Gold Twist
Gold Twist
Description
According to the artist, Gold Twist represents the sun's reflection off of bright surfaces. Image shows handmade paper and goldleafing., Kati cassida; gold twist; handmade paper; woodcut; applied gold leaf, ddekalb@steelgallery.com, http://members.aol.com/kcasida/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
34. Dream Dancer
Dream Dancer
Description
A very abstract piece that is symmetrical on both sides. The middle of the piece has a faint light line with red and white zig-zags a few inches away from the middle. The extreme right and left side of the piece are light colored and have various thin lines going in different directions., Karen Guzak; dream dancer; lithograph; 40x50 inches; materials lab; 1985, karen@angelarmsworks.com, http://www.angelarmsworks.com/karen/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
35. Southern Cage Scape
Southern Cage Scape
Description
Lino-cut print that depicts several different animal forms and what appears to be a cage., George Johanson; southern cage scape; printing plant, George Johanson attended and taught at the Museum Art School in Portland, Oregon. He divides his time between painting and printmaking. In 1992, he received the Governor's Award for the Arts. (Data provided at http://www.kpchr.org/public/sawardart/apps/Johanson.htm. Reviewed on 04/07/07., http://www.kpchr.org/public/sawardart/apps/Johanson.htm; http://www.hareinthegate.com/portfolio_pages/equivalents.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
36. Gathering
Gathering
Description
The first in a run of thirty intaglio prints by the artist. Black and white image shows groups of men and women and animals., George Johanson; Gathering; printing plant, George Johanson attended and taught at the Museum Art School in Portland, Oregon. He divides his time between painting and printmaking. In 1992, he received the Governor's Award for the Arts. (Data provided at http://www.kpchr.org/public/sawardart/apps/Johanson.htm. Reviewed on 04/07/07., http://www.kpchr.org/public/sawardart/apps/Johanson.htm; http://www.hareinthegate.com/portfolio_pages/equivalents.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
37. Streamside
Streamside
Description
These two prints, when viewed side by side, present a panoramic view of calm waters among boulders with a densely vegetated bank in a slightly pastel color palette., Mike Pease; Streamside; litho; 1989; U of O Science Complex, http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
38. Made in Chinatown USA
Made in Chinatown USA
Description
A mixed media art piece featuring two black and white photographs, both of children, set against a square grid background. The square grid background is in brown with koi fish colored in blue and beige. Below the two photographs are six fortune cookies., Horatio Hung-yan Law; Made in Chinatown U.S.A.; 1994; Collagraph with Photolitho Chine Colle and Fortune Cookies; 22x30 inches, Born in Hong Kong, at age 16 Law immigrated with his family to New York City, where he stayed through high school. He then moved to Baltimore to study pre-med. “Molecular biology was the rage at Johns Hopkins, and I was just so bored,” he says with a laugh. “I could not connect with that at all, but I was obligated to finish it.” He returned to New York and got a research job at Columbia University, where he could take classes for free. “When I took my first painting class, it was like a light bulb turned on. I wasn't sure what was happening, I just knew it was important, so I kept taking art classes, and soon I was doing like three art classes at night and doing a full-time job, helping out my family business in Chinatown.” He quit the day job and went on to earn his BFA from the School of Visual Arts in New York, a printmaking diploma from Il Bisonte International School of Graphic Arts in Italy, and his MFA from Washington University in St. Louis. A residency brought Law to Portland in 1994; he then taught briefly at the University of Oregon and considered a move to the Bay Area, but found it a difficult place for artists. “I love Portland. I think it’s the kind of city that is very open to young artists, and a city that really cares about its citizens,“ he says. “It’s easier to survive here. It has the amenities of a big city but also it doesn’t have the grittiness…it’s a nice combination of things.” (see biography at http://www.pnca.edu/exposure/stories/21/horatio-hung-yan-law), horatiolaw@gmail.com, http://www.horatiolaw.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Regional Arts & Culture. You may view their website at http://www.racc.org/
39. Stream
Stream
Description
A monoprint of a stream surrounded by green plants, leaves, and orange, blue and white flowers., Cie Goulet; Stream (#574); monotype; 38x49 inches; 1994; GouC94082612, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
40. Stanza: Birches
Stanza: Birches
Description
Dark, rich colors compose what appears to be a living room scene with two people crouched on the floor atop a colorful rug. An overstuffed armchair sits in the background, and the people seem to sit amongst stacks of books. What appears to be a window on the right-hand side of the picture plane reveals a view of a stand of birch trees. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Lithograph; 22 x30 inches, http://www.redwingstanza.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
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