Outside photograph of a man dressed in clerical garb, standing in front of two tipis. He is wearing a long skirt overlaid with a lace skirt and a cape. He is also wearing a crucifix and a round hat with a tassle on top. In the background can be seen a gently rising hillside, some trees and a structure that is not clearly visible., [Bishop Charles J. O'Reilly, in ecclesiastical garb, visiting Umatilla Indian Reservation; tipis in background.]
A sweat house on the Umatilla Indian Reservation is located in the middle of the photograph. A Native American man and a Native American woman, dressed in tribal garments, are standing in front of a tipi located behind and to the left of the sweat house. A river is in the background., Umatilla Reservation [Man and woman standing by canvas tipi on river bank. Sweat lodge at center. Maybe Ed Chapman.]
Three Native American men, identified as members of the Cayuse tribe, are seated on horses alongside an unidentified body of water. The man on the left side of the photograph is wearing a vest and a headdress; he is holding an unidentified item in his left hand. The man in the middle is riding bare-legged. The man on the far right is wearing a headdress and holding a hatchet in his left hand.
A Native American man identified as Phillip Jones of the Cayuse tribe stands outdoors on a dark blanket with light geometric patterns. He is standing close to bushes and under some trees. His moccasins appear to have both fur and beading or embroidery on them. He wears a long feathered headdress, a round disk earring, a dark cloth shirt and dark cloth plaid pants, a light-colored cloth cape, and a belt. He is holding a scarf of cloth and fur in front of him. A striped blanket or piece of cloth hangs from a low branch behind him., Phillip Jones—Cayuse Tribe [in regalia with eagle feather bonnet. On reservation.]
A black-and-white photograph of a Native American man, identified as Alexander, Yakima Indian. He is sitting on a blanket-covered object on a carpet strewn with straw. Behind him on the left is a light-colored broad-brimmed felt hat with a feather in the hatband. His hair is pulled back from his face on the top of his head, and hangs down in two pigtails on his chest which are wrapped with dark fur hairwraps. A small amount of hair on each side is threaded through quills and beads and hangs separately. He wears disk earrings and a beaded choker. His heavy dark cloth shirt has two buttons on the placket, which only extends halfway down the shirt. There is a button on each cuff as well. Above his elbows he wears wide beaded armbands with geometric designs. His light-colored leggings have designs in brass tacks below the knees, and insets of woven material with geometric designs which run the length of the front. Fringes, ermines, and braids hang off them. His moccasins are beaded with a floral pattern. His hands on his lap hold a hatchet-style pipe which has a triangular woven and fringed decoration on the end. Small bells hang amongst the fringe, which is so long that a half of it rests on the floor. Around his waist he wears a woven or beaded belt with squares of color. From it hangs a split leather belt with brass tacks, which forms two loops.
A black and white half-length studio portrait of a Native American man identified as "Fish Hawk". He gazes off to the left of the photograph, his shoulder-length dark hair swept back from his face in loose waves. He has a geometrically-patterned wool blanket wrapped around his arms and torso; his chest is bare and he wears no visible ornaments.
An outside photograph of a Native American man who has been identified as Uma-Som-Kin. He is standing with a horse and dog to his left, and a tipi behind him. His hair is in braids with hair ornaments or ties attached to their ends and he is wearing a cowboy hat. He is dressed in a shirt, and over that a coat made out of a Pendleton Blanket. In his right hand he is holding a rifle, and in his left hand both a hand drum and horse reins. He is wearing either calf-high boots or moccasins. The horse or pony has a spotted coat; it is bareback with what appears to be a leather halter. The dog is between the horse and man. It also has a mottled or spotted coat, with uncropped ears and unknown breed heritage. The tipi is made of canvas layers. There is a cloth or canvas doorway directly behind the man; on the back of the tipi leans a broken tule mat. There are small wooden poles and various pieces of wood also leaning against the tipi's exterior. In the background are bushes and deciduous trees, perhaps cottonwood trees, leading to the hillside.
An outside photograph of a Native American man identified as Yee-ye. He is standing in front of an unadorned blanket backdrop hanging from a wooden frame. He is wearing moccasins and standing upon a round flat coil mat that is lying on another blanket on the ground. To the left of the man there is a pipe on the blanket. He is wearing a porcupine roach with one eagle feather on his head. His hair is braided, with fur strips braided into or extending the natural length of his braids. He is wearing a neck choker and a multi-layered loop necklace. He is dressed in a buckskin shirt that has a beaded strip down both sides of his shoulders. The ends of his sleeves and shirt are fringed. He is holding an eagle tail fan, wrapped in leather, in his left hand. The eagle feather has long leather strips decorated in beads. He is wearing a woven plaid cloth strip around his waist, which hangs over buckskin leggings., Yee-ye [Umatilla Indian, with various regalias and implements, and pipe. In Moorhouse yard.]
An outside photograph of a Native American man, who has been identified as Uma-Som-Kin. He is dressed in full native regalia, and sitting on a horse that is standing next to a river's edge. For his headdress, the man is wearing a bonnet with a single trail of eagle feathers. He is wearing a coat made out of a Pendleton blanket. He is wearing leggings that exhibit a geometrical design on the cuff--perhaps beaded--and beaded moccasins. Because no stirrups can be seen, it would appear that he is riding either bareback or using a blanket for his saddle. He is holding the horse's bridle in his left hand. The horse or pony has a spotted coat. The river disappears around a bend, blending into the hillside in the background. The terrain around the river shows rocks, grass, dirt and brush. On the river's opposite bank is a fence line that runs along the river's path. In the far background is an expanse of rolling hills.
An outside photograph of a large group of children -- boys and girls -- standing outside of a three-storey building. The structure has been identified as St. Andrews Roman Catholic mission school, and the children are, most likely, pupils of the school. To the far left of the photograph is a uniformed boy's band. Brass instruments and several drums can be seen. Standing behind the band are several men dressed in Euro-American clothing. Clustered in the middle are the girls. They appear to be grouped by age, with the youngest on the left and the older girl novices, many dressed in white and wearing a veil, on the right. Sitting on the ground in front of the girls are young boys. On the far right are the older boys, dressed in Euro-American clothing, and a priest wearing clerical garb. There are some women standing behind the girls and older boys. The school building exhibits 17 double-hung windows, one half-round window and three gable roof type dormers. There are two chimneys and a cross on the top. To the rear of the building is a smaller structure that may be attached. There is fencing behind the entire assemblage and in the background are rolling hills. The foreground shows patches of grass and dirt., [Pupils of St. Andrew's Roman Catholic mission school including uniformed novices and boys' band; Umatilla reservation]