An impressionistic view of a fish in water, rendered in mostly browns and yellows with a few highlights in pastel blue and pink. Variations between duplicate images directly relate to original source materials., Pastel on Paper on Canvas, Christy Wyckoff grew up in Eastern Oregon. He received a BA from the University of Oregon in 1968 and an MFA from the University of Washington in 1971. In 1979, he received an Oregon Artists Fellowship. Wyckoff has taught at Pacific Northwest College of Ar, http://www.christywyckoff.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This pastel drawing presents the hybridization of a shovel and a tree on a yellow ground., Helen Lessick; 1988; Delve; pastel on paper; 50x38 inches; ohsu movable, director@lessick.net, http://www.lessick.net/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A mixed media art piece featuring a green and blue curvy river, reducing in size as it retreats to the background. Surrounding the green and blue river are planes of reds and a little bit of purple. There is a small black bird on the left side of the piece., Lee's Ferry; Ken Weeks; 1991; Mixed Media on Paper; 36 x 40 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A transformational image: color rendering of what appears to be a human with a buck's head., For Lillian/Frank; pastel and graphite on paper; 40 x 26, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
This drawing is comprised of geometric divisions of space and color that provide a blue and yellow atmosphere for two vases: a patterned, purple one that holds a collection of twigs and a fluted, white one that holds what appear to be seed pods., K.C. Joyce; Fall Bouquet; U of O Science Complex, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A portrait of a woman with red hair and blue eyes holding what appears to be a clump of grass or other green foliage., Laura Ross-Paul; Reap; 1988; watercolor pastel; 24x18 inches; ohsu movable, For more images by this artist, please visit: http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=221, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This black-and-white drawing depicts several gardening tools, including a watering can, a pitchfork, and a cart amongst outdoor furniture in a garden., Margaret V.J. Via; 1935 Sylvan St. Eugene, OR 97403; Garden Cart II; '87; india ink wash; 22.5 x 29 inches; U of O Science Complex; in '89 minor changes made in SE quadrant, Via's work... ranges from simple pencil or ink sketches to finished oil paintings and includes landscapes, cityscapes, human figures and pure abstraction. (Data provided by Bob Keefer at http://www.bkpix.com.), http://www.bkpix.com/writing/via.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This piece is one of four seasonally-related collagraph prints. Yellow and Orange textured paper with black dotted lines permeate the piece. One red triangle is on the left side along with a piece of pink on the left. In the middle on the left side is a black and white abstract image., Four Seasons Summer; # 1-5; 1991; 30x40 inches; collagraph print with mixed media; James B. Thompson, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This black-and-white drawing depicts a young woman with short hair walking away from the viewer on a street accented with yellow. She wears tattered clothing, a plaid flannel tied around her waist, and tall, black boots. Her bra strap is highlighted in red., http://www.markwoolley.com/Artist-Detail.cfm?ArtistsID=353, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Beyond what has been provided herein, we have no additional information regarding this artwork., The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/