A Native American man, identified as Abraham Lyman of the Walla Walla tribe, is standing outside in front of a backdrop. He is wearing a single trail bonnet, a geometrically beaded vest, brass arm bands, moccasins, and wool legging. A blanket strip is tied around his waist. His hair is tied into braids. A hatchet style pipe is in his right hand. Another pipe is in his left hand. He is standing on a mat with a blanket underneath it. There is snow on the ground.
A Native American man, identified as Long Hair of the Cayuse Tribe, is seated. He is wearing a Capote coat, necklaces, bandoleers, a fur, a shirt, and a feather in his hair. In his lap, he is holding a hatchet-style pipe.
Two pipe hatchets displayed on cloth background. Hatchet on left has heart-shaped cutout on diamond-shaped blade with two curved decorations near handle. Incised decorations on blade and handle. Hatchet on right is plain, with wooden, pointed stake handle.
A Native American man, identified as Tots-homa of the Cayuse tribe, is kneeling outside on one knee. He is wearing a single trail bonnet, earrings, a loop necklace, bracelets, and moccasins. He is holding a hatchet-style pipe in his right hand. He is kneeling on a coiled cedar root mat. A Pendleton blanket is underneath the mat. A studio backdrop is behind him.
Seven men, three sitting, four standing, are grouped in a studio before a backdrop which has tipis painted on it. Two of the standing men are white men, identified as John McBain and Lee Moorhouse. Both wear suits and ties and McBain wears a felt hat while Moorhouse wears a high top hat. Both men have moustaches. Moorhouse holds a long pipe and flat geometrically beaded bag with fringe in his right hand, and his left hand is on the shoulder of the man seated in front of him, identified as Young Chief of the Cayuse. A Native American man, identified as Chief Sho-o-way of the Cayuse, stands in the back, also wearing a suit. He has a top-coat with furred lapels over it, and a conspicuous watch chain and medal. He wears no hat, and his gray or white hair hangs to his shoulders, where it is curled. The fourth man in the back row, identified as Chief Wolf, does not seem to be wearing headgear, but the middle section of his dark hair is pulled back from his forehead and puffed up above his head, and there seem to be feathers or other ornaments in it. The hair on the sides hangs at least to his shoulders. He wears a choker necklance and buckskin shirt, with a blanket across his left shoulder to the right side of his waist. He appears to be holding a large white feather or wing with dark spots in his right hand. The three Native American men seated in front are all wearing headgear. The man on the left, seated on a wooden chair, is identified as Chief Peo of the Umatilla. He wears a stand-up bonnet of feathers over his shoulder-length hair, and seven rows of necklaces, and his shirt is decorated with shells or teeth along its v-neck, with a stiff fringe below the shoulders. His hands are crossed on his lap, and the lower hand rests on a patterned blanket hanging between his legs. His upper, right, arm, is crossed over, and he has another blanket draped over it, and a ring on his hand. His pants have wide strips of beading down the outside of the legs. He seems to be wearing plain moccasins. The man in the center has been identifed as Chief Homily of the Walla Walla. He seems to be wearing a military cap, ornamented with beading, feathers, and fringe. His buckskin shirt has rectangular areas of beading on the sleeves and a row of ermine across the chest and shoulders.He seems to be wearing plain buckskin chaps over his pants, and beaded moccasins. His hands are in his lap and in his right hand he holds a pipe, from which a beaded bag dangles. The third seated man, Young Chief, wears a straw or felt hat with a hatband and an ornament standing up in the front, out of which emerge plumes of feathers which curve over the top of his hat. He has dark shoulder-length hair, and an earring is visible. He too wears loops of beads around his neck. He seems to be wearing a military jacket with chevrons at the wrist over a plaid shirt. The jacket is decorated with fringe at the shoulders which depends lower than his elbows. He has a patterned blanket over both legs and rolled in his lap, with patterned trousers underneath and floral beaded moccasins. His hands in his lap grasp a hatchet-style pipe, which has a flat beaded bag with streamers hanging from it. The area beneath the men is covered with a very hairy rug or mat, which is slightly rolled up at the right side of the photograph.
An outside photograph of a Native American man posing in regalia in front of a tule mat tipi. The man has been identified as Joe Bennett. His hair is braided and he is wearing a headband of bear claws with a single eagle feather on the right side of his head. He wears a choker around his neck and a loop necklace that hangs over his shirt. He is dressed in a buckskin coat with decorative fringe around his shoulders, collar and side seams. He is carrying two coyote pelts over his right arm, and in his left hand is a hatchet-style pipe that has feathers attached to the stem. At his waist is a belt that may be made of fur or animal hide; on the belt is a beaded scabbard with a square, wooden knife handle visible from the scabbard opening. Under his jacket is a Pendleton blanket that covers his legs down to his moccasins. In the background is a tule mat tipi; there is a cloth or canvas doorway behind the man. There are two poles--one on each side of the doorway--leaning against the tipi to hold down the mats. A large pole or wood log is lying on the ground against the tipi.
A group of Native American men and women are gathered on a grassy plain. Some of the men are seated around a hide-covered drum. Headdresses, hats, and necklaces are worn by some of the men; they are also carrying various weapons and pipes. Two of the women are wearing shawls wrapped around their shoulders. A line of trees, a mountain, and a house are visible in the distance behind the people., Yakima's Nes-Perces and Umatilla's Preparing for War Dance. [Yakama, Nez Perce and Umatillas, posed in field. Drum circle at left; men in regalia at right. Signed Moorhouse and Rutter.]
An outside photograph of a Native American man posing in front of a plain blanket backdrop. He is kneeling on his right knee, with a round flat coiled cedar root mat just behind him. To the right of the backdrop is a wooden walkway. In the background are hazy outlines of buildings. He is holding a hand drum in his left hand and a drumstick in his right hand. The drum is decorated with a zigzag pattern around its circumference, surrounding a single moon and star. He is wearing a headdress that extends fully to the ground, a bonnet with a single trail of eagle feathers and plumes. He has a deep scar on his right cheek and is wearing a necklace of animal claws. He is wearing a beaded buckskin shirt with decorative, beaded hangings across the front. The bottom of his shirt is fringed and overlays a garment of striped cloth. He is also wearing buckskin leggings and beaded moccasins. A hatchet-style pipe is leaning on his left leg. A beaded bag with geometric design is hanging from his right wrist., Cultus George [George Marshall, "Cultus George," Umatilla Indian, in Moorhouse yard. Wears regalia with eagle bonnet, drum, tomahawk.]
An interior photograph of a Native American man identified as Ti-Car-Nee. He is sitting against a backdrop on a seat covered by a Pendleton blanket. On the left side of the photograph are miscellaneous leggings mixed with other unidentifiable objects. The man is wearing a beaded vest, a neck choker and loop necklace, and has fur wrapped in his hair which hangs down over his vest front. He has beads braided into his hair on his right side. He is wearing what appears to be a metal arm band on each arm. At his waist is a leather garment with beads extending towards the blanket floor. He is wearing beaded moccassins. In his right hand he is holding a hatchet style pipe that has a fur pelt hanging from it., 'Ti-Car-Nee' Walla Walla Tribe [Ti-Car-Nee, Walla Walla Indian, in regalia. In Moorhouse studio]