This composition is split into two distinct sections. The top fifth or so portion of the picture plane comprises the first section, which has a deep blue background and an irregularly shaped object that resembles a potato in form and color. The remainder of the picture plane comprises the second section, and it contains what appears to be a bundle of straw or a swatch of blonde hair over a dark brown background. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 20 x 32 inches; 1980, http://www.beppugallery.com/showartists.php?ArtistID=37, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A black-and-white rendering of sand dunes and beach grass. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 17 3/4 x 23 1/2 inches; Lithograph; BW; 1979, http://www.delavanartgallery.com/Baldwin.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A still-life rendering of a square, glass vase containing at least eight red tulips, which rests on a table covered with two different cloths. A black cloth with a red and green floral pattern is gathered around the vase that sits on the table, and it gives way to reveal a gray-and-white striped cloth underneath. What appears to be a photography or a postcard of woman also rests on the table, slightly obscured between the two cloths., S. Wolf; Tulips in Vase; etch; 40x32 inches; 1990; ohsu movable, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A black-and-white linocut rendering of six men with different symols floating above their heads. From left to right, the items above the men's heads include a fish, a light bulb, a linear graph, a crown, another fish, and some sort of curly-cue. Below the men, there are three distinct areas that present three different scenes that all relate to fishing. The left area depicts a lighthouse along the coast, along with two smaller areas that depict a woman and a cup of steaming beverage. The middle area depicts a fishing boat and a map. The right area depicts a pile of fish and an area that contains what appears to be a fishing lure with a circle and slash over the top of it., Fishing for the Halibut; 42 inches by 40 inches; linocut print, http://findarticles.com/p/articles/mi_m1248/is_11_88/ai_66888284, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This black-and-white print appears to convey a narrative about fishing by dividing the picture plane's main area of focus with five square insets that amplify certain characters., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A still-life scene that depicts three glass inkwells holding a hodge podge of blooms, including a rose, a daffodil, several purple buds, and a white one with an orange center. They sit on a striped lilac tablecloth against a black background., Glass Garden; Carol Riley; lithograph with handcoloring; 17 x 17 inches; 1988, http://www.carolriley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A black and white print featuring hideously whimsical creatures. There is a dog with a pig-snout nose howling at a moon with large eyes and missing teeth--all set against a stary sky. Around the dog is a sad flower, a flying insect, and a cat wearing some sort of checked shirt with a mouse sitting on it. Behind the dog, on the left side of the piece is some weird monster-type figure with big eyes and perhaps a flower in its hair. Your imagination is the best description of this piece., By Jim Parrot's; woodblock print; 11.25 x 17.5; 1981-85, A welder by trade with a master's degree in printmaking from the San Francisco Art Institute, Bulwinkle tickles us with his outrageous characters. Dogs and cats, suns and moons, birds, boats, worms, fish, people come to life in the most zany of situations. (OAC documentation, 1990), markbul@sonic.net, http://www.markbulwinkle.com/Welcome.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
This impressionistic landscape print depicts several trees in the foreground in front of blue, rocky cliffs., Cie Goulet; Yellow Light #575; 41 x 53 inches, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This piece depicts two flower vases side by side. The one on the left is yellow with a black-and-white leaf pattern, and it holds red plant matter in front of a green background. The one on the right is blue with a black-and-red leaf pattern, and it has a handle and a pour spout. Blue blooms float around it on a yellow background. The entire piece is bordered by a linear pattern derived from the colors used in the piece., Kacey Joyce; Red Leaves and Pitcher; reduction linocut; 1994, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
A black and white print featuring hideously whimsical creatures. In this print, there is a boat sailing in wavy water in front of a sharply forested hill. A fish bites the front of the boat. There is some sort of shirtless male figure with glasses atop his bulbous, large nose sitting in the back of the boat holding onto what may be the boat motor. One of his hairy legs hangs over the side. In the front of the boat is a seemingly petrified dog with his mouth widely opened and tongue sticking out. Your imagination is the best description of this piece., Bob Smith; woodblock print; 11.25 x 17.5 inches; 1981-85, A welder by trade with a master's degree in printmaking from the San Francisco Art Institute, Bulwinkle tickles us with his outrageous characters. Dogs and cats, suns and moons, birds, boats, worms, fish, people come to life in the most zany of situations. (OAC documentation, 1990), markbul@sonic.net, http://www.markbulwinkle.com/Welcome.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html