The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
Yuji Hiratsuka was born in Osaka, Japan. In 1985 he moved to the United States. He started teaching printmaking at Oregon State University in 1992. His graphic work has been exhibited in the United States, Europe and Asia and has received numerous awards in national and international competitions. Some of his works are exhibited in The British Museum, Tokyo Central Museum, Museum of Modern Art in New York, and the New York Public Library., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
This view depicts a detail of the right panel in the triptych, Constructing Layers of Time. It presents a group of stick figures on the top of a triangular form that bisects the rest of the picture plane in sections of red and yellow. Thin, black lines comprise several other peripheral forms., http://www.uoregon.edu/~prentice/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This triptych presents a series of human forms, rendered in black line and complimented with red, green, blue, and yellow., http://www.uoregon.edu/~prentice/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view depicts a detail of the left panel in the triptych, Constructing Layers of Time. It presents a minimalist human figure rendered in black line atop a wedge of red. Thin, vertical black lines define an amorphous form directly behind the human form, and additional thin, black lines define other peripheral forms in the red section., http://www.uoregon.edu/~prentice/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Figure 1 - empty courtyard with lumber. All of the lumber is FSC certified locally harvested Incence Cedar. The dimensions of each piece are identical - rough sawn 2 inches x 6 inches x 3 feet in length., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
Figure 2 - initial layout. Footprint was determined with help from study models, taking A.D.A. into account. Also refer to the Site Plan., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
Figure 3 - each end of each board is pinned to the brick below with approved masonry screws. Refer to Structural Engineer's report and guidelines. Note - Engineer called for 6 pins, 13 are used so that sculpture is fully pinned at each place it touches the ground., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org