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1. Stamp Bird
Stamp Bird
Description
Multicolored lines populate the bottom of this print that presents what appears to be the profile of a yellow bird's head on a blue background. The bird's beak is slightly open and a red arrow and a blue arrow point away from it, toward the left., C.T. Chew; Stamp Bird; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
2. Artozoic Scene
Artozoic Scene
Description
This bright and chaotic piece presents multicolored, squiggly lines amongst black sections on a mostly blue background. Depictions of at least three scissors and three painters' palettes emerge from the composition., C.T. Chew; Artozoic Scene; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
3. Stamp World Life Cycle
Stamp World Life Cycle
Description
This piece appears to mimic the framing of a postal stamp, and it states at the bottom of the piece, "Stamp World Chart." Six different icons are presented in a circle connected by arrows., C.T. Chew; Stamp World Life Cycle; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
4. Stamp World Plat
Stamp World Plat
Description
This pastel compostion appears to be the conglomeration of stamp parts, linear mapping, and numbering., C.T. Chew; Stamp World Flat; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
5. Camas
Camas
Description
Camassia Leichtlinii. Large Camas. The Indian name quamash or camass persists in this 1-2' tall perennial arising from deep-seated bulb. Flowers vary anywhere from white to deep blue or violet. Camassia Leichlinii, the larger of our two common species, is distinguished by the withering petals twisting together above the seed capsule rather than falling separately. It ranges west of the Cascades from southern British Columbia to southern Oregon and into Sierran California. The starchy bulb of the camas was a prized staple for the native tribes in the Northwest. Care was required to avoid poisonous bulbs of another lily, the so-called death camas. Gathering camas root was the incentive for annual festivities, migrations to harvest ground where women dug and prepared bulbs (while the men engaged in sport and games). Handles of their digging sticks, fashioned from bone or antler, can be seen in museum collections. The sticks themselves, made of fire-hardened wood crooked and fattened at the end, have not survived so well. To prepare the root it was first cooked, either roasted elaborately in covered pits lined with hot stones, or boiled. It was then crushed in mortars and the gummy mass pressed into slabs for keeping. Hungry fur trapper Alexander Henry, in the Willamette Valley in 1814, tells in is diary of trading blue beads with the Kalapuyans for slabs of the nutritious food. As if to remind us of more meager times, each April and May the stately camas colors moist meadows and prairies, roadside ditches, or the vacant lot behind a supermarket, with handsome blue-violet blossoms. (provided by Oregon Arts Commission), Camas; [no.] 5; 1993, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
6. Kincaids Lupine
Kincaids Lupine
Description
Lupinus sulphureus kincaidii. Our native lupines are a confusing lot, with nearly 600 distinct kinds described in the US. Within a given population bewildering variations occur, and rather free interbreeding compounds the confusion. One iridescent blue butterfly is not confused however. Known to prefer Kincaid's lupine as a larval food plant, the Fender's Blue butterfly, Icaricia icariodes fenderi, was last seen in 1931 and presumed extinct. But careful scrutiny of populations of Kincaid's lupine led to recent rediscovery of the rare insect. Now efforts are underway to protect both the butterfly and its host lupine. This variation of the sulphur lupines is confined to remnant bits of native prairie grasslands in western Oregon and Washington, primarily in the Willamette Valley. Lupines are broadly recognized by radiating leaflets and blossoms that resemble those of other members of the pea family. Kincaid's lupine may be distinguished by three characteristics: relatively low-growing basal leaves dominated by upbranched stems bearing uncrowded whorls of smallish flowers, blossoms a varied assortment of colors from yellow to blue to purple, and banner petals with a distinctly ruffled border. The name of Trevor Kincaid, as this lupine, has been ascribed to much of the flora and fauna of the Pacific Northwest. My first encounter was in the subject of my Master's thesis, a tiny aquatic fly that bears his name as original taxonomist (Maruina lanceolata Kincaid). Born in 1872, Kincaid grew up an avid student of nature, making prodigious collections of plant and animal specimens even before entering the fledgling University of Washington in 1894. Within seven years he was head of the Department of Zoology there and continued as inspired teacher, entomologist, and international science adviser until his death at 97, having shaped the early development of zoology at the university. (description provided by Oregon Arts Commission), Kincaid's Lupine; [no.] 8; 1994, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
7. Fig. 34
Fig. 34
Description
This piece appears to allude to the children's game, "Operation." A human skeleton is presented in pink over the top of a pinkish landscape scene, and various icons representing non-human entities are connected to areas of the skeleton., C.T. Chew; Fig. 34; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
8. All Roads Lead to…
All Roads Lead to…
Description
This print presents a mutlicolored, geometric pattern sandwiched in between a dark purple section bearing a yellow moon cyle on the top and a lighter purple section of the bottom that has diagonal, dark purple and white lines., C.T. Chew; All Roads Lead to….; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
9. At Home
At Home
Description
This brightly colored print utilizes a mainly primary color palette to depict a domed dwelling. A triangle border surrounds the piece., C.T. Chew;At Home; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
10. Flags
Flags
Description
Iris tenax. Tough-threaded Iris, Purple Iris, or Flag. This showy little wild iris, occurring in many shades of purple, is common in neglected fields and roadsides in the Willamette Valley in early spring. It was introduced into the formal world of botany by that intrepid Scot, David Douglas, the exploring naturalist whose name id commemorated in the Douglas-fir. Douglas made the harrowing voyage to northwest America in 1824 under protection of the Hudson's Bay Company, to collect specimens for the Horticultural Society of London. He found this iris "a common plant in North California, and along the coast of New Georgia, in dry soils or open parts of woods, flowering in April and May." From Material sent by Douglas, John Lindley, Professor of Botany in the University of London, wrote the original description in 1829: "A plant forming close tufts of rigid, erect, linear-ensiform, evergreen, tough leaves, which in wild specimens are rather shorter than the flowers. Stem erect, a foot or rather more high, angular, leafy, clothed at the base with remains of the leaves, as in Allium Victorialis. Ovarium on a long stalk, not enclosed within the floral leaves, somewhat 3-cornered. Flowers about the size of Iris virginica, sessile on the ovarium, dark purple, veiny; the outer petals obovate, acuminate, spreading, beardless; the inner obovate, rounded, erect, shorter than the others. Stigmas 2-lobed, short." Iris, the Greek word for rainbow, was applied to this genus for its variety of color. The Latin species name tenax (tenacious) derives from these observations made by Douglas on uses of the plant: "The native tribes about Aguilar (Umpqua) river...find this plant very serviceable for many purposes: from the veins of the leaves fine cord is made, which is converted into fishing nets; and from its buoyancy, great strength, and durability, it suits this purpose admirable. It is also made into snares for deer and bears; and a good idea may be formed of its strength, when a snare, not thicker than a 16-thread line, is sufficient to strangle Cervus Alces, the Great Stag of California, one of the most powerful animals of its tribe. The cordage is also manufactured into bags and other articles." Quotations are taken from Edward's Botanical Register of 1829. (provided by Oregon Arts Commission), Flags; [no.] 1; 1992, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
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