A large, textile wall piece presented in neutral tones and accented with a deep reddish-brown and black. The stylized human and animal forms as well as the linear and triangular patterning exhibit similarity with Neolithic art., Dana Boussard; totem of the willamette; professional schools building; psu, danaboussard@hotmail.com, http://www.danaboussard.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A tapestry in muted, pastel earthtones that depicts clouds over a ridgeline., Alice Van Leunen; Altocumulus; wool/rayon; Revenue, https://www.artistsregister.com/artists/OR15, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A green tapestry comprised of a grid of squares, bordered on the top and bottom by heavy fringe. A subtle color shift from pink to purple divides the overall space of the piece into four quadrants., Purple Textile; Heidi Fuhrmeister; State Capitol, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A large, textile wall piece presented in neutral tones and accented with a deep reddish-brown and black. The stylized human and animal forms as well as the linear and triangular patterning exhibit similarity with Neolithic art., Dana Boussard; totem of the williamette; professional schools building; psu, danaboussard@hotmail.com, http://www.danaboussard.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An orange, brown, and black tapestry comprised of three sections of alternating stripe pattern., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This quilted wall piece presents an interlocking square pattern with intricate geometric layers in blue, purple, yellow, pink, green, and red., Julie Berner; Twist and Shout; U of O Science Complex II, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A tapestry featuring a female figure with short dark hair working on what looks to be a sewing machine. Below her are black words against a gray background of what looks like human hands. The piece is in all neutral colors., Crease; (3.5' x 7'); tapestry; 1997, http://www.americantapestryalliance.org/AP/ArtistBio/SocolofskyS.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A hanging wall piece that creates geometic shapes through the form of the weaving. The earthtone greens, browns, and blues evoke the title of this piece., Solange Kowert; Streams and Mountains; Revenue, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This tapestry piece, rendered in blues, greens, and earthtones, depicts what appear to be architectural elevations in relationship to water., J. Poxson Fawkes; Temple Waterslide and Marina; 50 x 72 inches; 1989; linen tapestry, Judith Poxson Fawkes, a resident of Portland, Oregon, is a graduate of Cranbrook Academy of Art. She taught weaving at four institutions of higher education, most recently at Lewis and Clark College, Portland. Her fifty-six commissions hang in such diverse locations as a Federal courthouse, hospitals, university and school buildings, corporations and businesses, a Royal Caribbean Cruise ship, residences in Saudi Arabia and Paris, and in a jail lobby. Sixty-three tapestries are in public collections. She is a recipient of a WESTAF/NEA Regional Fellowship for Visual Artists, an Individual Artists' Fellowship from the Oregon Art Commission and a Crafts Fellowship from the National Endowment of the Arts. She has written a book entitled "Weaving a Chronicle," described as a visual and written catalog by a working tapestry weaver. Forty-six tapestries, pictured in color, are accompanied by adjacent text describing the reasons for each work's creation. Stories of the tapestries revisit commissions and exhibitions. Each tapestry represents seminal ideas in one of six series. The tapestries contribute to the chronicle of how ideas are conceived and executed-- adding to the history of American art and craft, and to the definition of contemporary tapestry. (details provided by artist, 2008), jpfawkes@earthlink.net, http://www.laurarusso.com/artists/fawkes_jp.html <br>For additional information about the artist, see http://www.lindahodgesgallery.com/artists/poxson_fawkes.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/