Accessory panels of ivory tulle over taffeta edged with pleated satin and tulle; either for neckline or skirt; long with one curved end and one folded side with soft-V end.
Accessory set of gloves and scarf of iridescent henna taffeta with one side of black pinstripe henna: a,b) Gloves have palm of black knit jersey and top of hand of iridescent taffeta; cuffs fan out at ends and are of pinstriped taffeta; wrist length. c) Scarf has one iridescent side and one pinstriped side; thin through the middle and fans out to a wide crescent shaped ends.
Apron (to wear with a woman's best dress) of hand-spun and hand-woven goat's hair with laid-in pattern of a linear geometric motif (a traditional motif used for hundreds of years by the village women) in red, green, purple with white cotton on black ground; geometric band at bottom with colorful fringe; sides are trimmed in a blue braid ribbon; 5" band of yellow, red, white and black; striped satin at top to give a smoother fit under the jacket.
Apron of black kersey with rectangles and bands of heavy patterned metallic gold couched and appliqued braid separated by dark metallic gold feathered stripes; top panel of green velvet; cord loops at top corners; lined, backed with a red and white patterned cotton accented with olive green squares with a round eye within.
Apron of brown woven wool with all-over embroidery of patterned squares and geometric bands in red, off-white and blue; 3 1/2" top portion is plain brown; seam down center is concealed by embroidery; hand-stitched corners at top.
Apron of floral print cotton in shades of pinks, whites, and purples; skirt is pleated into a waistband of self-fabric that ties in back; floral print has a painterly effect.
Apron of hand-woven and hand-spun blue plaid wool with dark orange waistband and trimmed in Chinese knots with fringe; panel flap at front of black fabric with top panel of white cotton with colorful cross stitch framed between 2 small cone shaped panels with satin stitch embroidered butterfly and flowers; red embroidered band hangs from each cone at sides; apron is open at back and ties at waistband with ties of woven plaid wool; back opening is trimmed with black fabric with multi-colored embroidery of foliage and fruit in chain stitch; below-knee length.
Apron of natural linen with cross stitch and open-work embroidery in bright brown; square neckline is trimmed with brown cross-stitch accented with sequins; button closure at side; front panel skirt is gathered above the bust and trimmed at the bottom with geometric patterned open-work stitch.
Apron of off-white cotton with center panel of white cotton with a large floral print in chartreuse, orange, pink, and green with black outline; patch pockets and wide waistband are of same floral print cotton.
Apron of off-white organza with stitch-work embroidery in pink, green and blue flowers with vines; apron is trimmed in a floral white lace, backed with blue flower; shiny fabric except on top section.
Apron of pale pink cotton with front waistband and trim insertion of white embroidered, 2" band with two rows of zig-zag with diamond center pattern; plain pink cotton ties at back.
Apron of two textile panels sewn together at center of striped woven wool in deep red and natural white with multi-color patterned bands; some patterned bands are embroidered adding color and texture; main motifs of dashes, X, long connected ovals; center has a wide panel of natural white and bright colored patterned woven bands alternating with embroidered bands blocked by panels of mainly red bands.
Apron of two textile panels sewn together of striped wool in red, orange and purple with white in-between and white, violet, green and gold with black in-between; groupings of stripes alternate; panels are sewn together at center; cotton ties at top.
Apron of white cotton with 1 3/4" waistband with button closures at back; darts above and below waistband; rectangular bib at top with buttonhole tabs for securing the panel; skirt hits below knee.
Apron of white cotton with lace trim; fabric is gathered into 1" waistband of self-cotton; front waistband becomes ties that widen at ends and are trimmed in lace; patch pocket at right hip has a vertical lace band insertion and is trimmed at the top with same lace; ruffle trimmed in lace at hem; lower mid-length.
Apron of white cotton with needlework lace insertions trimming the bib and skirt; skirt is gathered at the sides of the waistband; ties at back of waistband; bib ties at top; skirt hits below knee; red stitching on waistband: Pacey.
Apron of white, light blue, green, and pinks floral print cotton with all-over trim of red rick-rack; top portion has a opening for the head and a panel that hangs behind the back neck distributing the weight; two slanted patch pockets at hips; two godets trimmed in rick-rack on skirt; long ties of self-fabric tie at back of waist; above-knee length.
Apron of yellow and red sateen embroidered with raised metallic cord embroidery in lively plant-like shapes throughout; drawstring casing at top with braided cord cotton tie; ends have metallic fringe finished with a silver sequin backed with red sateen. This is part of a traditional Thai dance costume worn at the center over two leg panels.
Apron textile panel (for a village woman's best costume) of black velvet ground with voided velvet pattern of peacocks alternating with floral sprays with curing vine tendrils in gold, red, green and purple native silk brocade; design is in bands across the fabric and the colors change in horizontal bands in an ombre fashion; apron has been pieced and patched and relined.
Attache briefcase of golden brown tooled leather in an Art Nouveau floral motif; 2 strap closures with Western-style silver buckles fold over the top; 2 rectangular handles at top recede into case; double zip closure with zippers meeting at the top center; interior pockets; zipper compartments; name tag holder within; trimmed in braided leather.
Beaded belt of fuchsia, black and green beads backed on tulle; center is oval shaped with beaded flowers trimmed in a zig-zag design; belt strap is in a castle block pattern; no closures.
Belt Buckle of rectangular silver metal with movable components with sharp teeth for holding belt in place; crescent shaped with open teardrop shapes at center;
Belt of black leather with leather covered buckle; belt is wide in back folded into an accent buckle on one end and clip with hooks on opposite end; hooks attach underneath the buckle.
Belt of deep dark blue edged in black taffeta with large descending bow trimmed in black knit lace at center-back; bow is composed of two loops and two long panels with rounded ends that hit just below hip; backed on peach silk taffeta; concealed hook and eye closures.
Belt of deep fuchsia with laid-in geometric diamond motifs created by using small squares and stepping them; fringe at ends; colors of motifs are white, blue, orange, green, and yellow.
Belt of ecru felt heavily embroidered with metallic gold threads couched in yellow yarns in a decorative paisley and circle designs; trimmed in woven metallic threads; center of belt dips to a point upward and downward and has a single tassel with baubles of woven metallic gold threads from center; baubles have a white lined red seed bead at end; backed with pale sea green satin; clasps at back.
Belt of hand-knotted, yarn dyed cotton in grey white with three black stripes framing a center wavy stripe of red yellow, and green; 14" self fringe at each end.
Belt of ivory silk satin with a rhinestone embellished silver metal buckle; soft rectangular buckle has two faceted oval cabochons, one on each side; satin is backed with self; snap closure at tip.
Belt of red cotton entirely covered with green and yellow mirror-work embroidery; design of flower-like circles in yellow dominant cotton surrounded by green embroidered circles; all circles contain a mirror; belt is backed on red satin; no closures.
Belt of twisted woven cotton cords in a chevron pattern in natural white and black at both edges with a center weaving in clay, green, red, and golden yellow; 17" fringe at both ends. This belt was worn and made by the Igorot mountain tribe, specifically the Bontocs. The Bontocs live on the banks of the Chico river in Central Mountain Province. They are an agriculture based people that have resisted colonization practices out of a preference for their was of life.
Belt of white woven cotton in a textured pattern of floral shapes on a diamond diaper ground; weft is thicker than warp creating a quilt effect; long belt with attached plain weave ties at ends.
Belt of woven violet wool with geometric designs composed of stepped squares in orange, blue, white, yellow, sea green and black; fringe at ends; tie belt.
Belt of yellow and red sateen embellished with embroidery of raised silver metallic cord tinsel in a lively plant-like, biomorphic shapes; attached braided cord tie of cotton with multi-colored threads woven in; three metal eyelets on each side.
Belt or Sash of hand-loom woven twisted red and black cotton twine and pale yellow, red, and white cotton; outer edges are red, pale yellow with black and red figured, raised band at each edge with center of raised red design in geometric shapes and human figures; tassel at end.
Belt or Sash of hand-woven red cotton in a ribbed weave with green and yellow edge fully embroidered with traditional motifs of birds, plants, figures, trees, and other motifs in bright colors of pink, blue, orange, yellow, and purple; ties at ends are braided.
Belt or Sash of plain weave fuchsia natural fiber with striped bands in white, green, and pale purple, and two broader bands with a geometric design that resembles the top of a building or temple.
Belt or Sash of plain weave hot pink natural fiber with striped bands in white, pale green, and pale purple, and one broader bands with a geometric design that resembles the top of a building or temple.
Belt or Sash of red twisted cotton or wool, and white, red, pale yellow, and green cotton loom woven with striped cotton edges and center band of raised braided red wool in geometric designs and human figures with tall hair; tassel of threads at one end.
Belt or band fragment from a band of bold pink woven wool with striped bands in greens, white and olive wool; hand-woven band from a Polish National costume.
Boa of white ostrich feathers with violet specks sewn to vertical strips ivory of chiffon and satin ribbon with bow accents; satin ribbon is overlaid with floral scalloped lace; feather and ribbon streamers trim the ends.
Chatelaine perfume flask of engraved metal; round shaped flask has a 6-petal flower in the center of a 6-pointed star (Star of David) with lines overlapping; metal filigree shapes at bottom and at top; top has attached metal chain with hook at top; bottle has a screw-on dip stick with a Hamsa hand with no eye in middle; Hand of Fatima; long stick goes to the bottom of the vessel.
Child's Stomacher of off-white woven silk with multi-color silk cross stitch embroidery; edges bound in black satin; two black Chinese frogs at top for buttoning the stomacher to the garment beneath; rounded body with attached band panel with snap closure to go around waist; the design features 2 peacocks (representing good) perched on flowering branches with other geometrical and floral designs; Chinese character in center means good fortune; pocket on seam at center; backed on white cotton.
Circlet (Agal) of black camel hair cord wound around a round padding; double looped type worn by Judea shepherds and laid on the top of the head to hold the head scarf in place; thick rope circlet; menswear.
Collar of black crocheted lace in an ornamental lattice design with scalloped edge; high standing band collar with stays; lace extends to the yoke area in front and back.
Collar of brown mink fur shaped to go around neckline with clamps at the ends; backed on brown velvet; brown velvet tabs on the back; hook and eye closure at ends.
Collar of ivory crocheted lace with high standing band collar; collar is held up with celluloid stays; attached rounded yoke section below collar; lace is in a decorative floral design; open at back with no closures.
Collar of ivory satin trimmed in a band of navy satin with cream fringe; neckline is trimmed in a band of white batiste; back is crescent shaped and dips to mid-back; front points meet below bust; backed on white batiste.
Collar of ivory silk chiffon with tiny floral eyelet embroidery; collar is trimmed in a ruffle of chiffon attached with a picot stitch; covers yoke area around neckline.
Detachable Collar of fine white tulle with fine white linen appliqué in stylized, biomorphic floral leaf design; edges are trimmed in appliquéd band of scalloped linen.
Detachable Collar of yellow sateen with pointed edges like a star shape; embellished with raised silver metallic cord embroidery in a biomorphic design of plant-like shapes; goes around the neckline over a blouse and lays over the shoulders; hook and eye closures at back; part of a traditional Thai dance costume.
Detachable Collar with yoke of ivory embroidered tulle lace in a clover and leaf design; high standing collar is supported with wire and stays; extends down the front and back yoke; hook and eye closures at center-back.
Detachable Cuff of tightly gathered off-white linen held by all-over tiny stitches in red creating a smocking effect; embroidered in geometric patterned lines in red, orange, yellow, green and black wool creating a heavy raised design; one edge has ruffles trimmed in buttonhole stitch of alternating colors; tiny mother-of-pearl buttons and fabric loop fasteners.
Detachable Cuffs (pair) of fine white cotton trimmed with eyelet scalloped embroidery with a leaf motif; widening cuff is gathered by stitching into a wristband with similar eyelet embroidery and open-work lace.
Detachable Cuffs of yellow sateen with figured bands of raised metallic embroidery; snap closures; overall shape is similar to the embroidered motifs. Part of a traditional Thai dance costume.
Detachable collar accessory of white lace; pleated along the top with pleats releasing at the end; fits a wide, scoop neckline and falls over shoulders; design at bottom looks like ocean waves.
Detachable collar of stiffened white cotton with eyelet embroidery; vined flower embroidery trim tips and center-back; scalloped edges; button holes at ends.
Dickey of white organza with lace trim; spread collar with single snap closure at back neckline; front panel has clear non-functional button accents; two bands of vertical lace trim the center buttons; front panel hits at hips.
Fan of a circular wooden frame with sheer pink silk embroidered with Chinese pine trees and cranes; wooden frame and handle is enameled in black; pink tassel with Chinese knot at base handle.
Fan of a circular wooden frame with white silk embroidered with flowers and branch; maybe peony flower; embroidered branch with leaves, flower and bud; frame and handle is enameled in black; off-white tassel with Chinese knot at base; flower is white with dark red accents.
Fan of blue, yellow, red, and black damask in a swirl design with black trim along the edge; fabric is very stiff with a pleated texture; reddish lacquered wood handle with floral gold metal embellishments over the nail closure; blue tassel at end.
Fan of white silk hand-painted with a scene of a small village with figures and trees and a snow capped mountain volcano in background; irregularly shaped fan is trimmed in a thin olive green band; small handle of enameled black wood with tiny ecru silk tassel at base.
Fan of white tulle with accents of fine threads of silver foil throughout; ivory ribbon accent; constructed on a coated wire base; hand-made to go with wedding dress.
Fingerless Gloves of ecru silk knit in an open-weave tulle patterned design; both gloves are for the left hand and have embroidered lines in top of hand; below-elbow length.
Fingerless Gloves of open-work ecru silk knit in a diamond pattern blocked by striped design on hand and upper arm; thumb hole and one larger opening for fingers; hits above elbow.
Fingerless gloves of hand-knit lace net with raised baubles and bands of wide tulle knit; below-elbow length; individual hole for thumb and opening for fingers; both designed for left hand.
Folding fan of black carved wood with gold-green mesh trimmed with black silk; black silk is embellished with gold and green paillettes and trimmed at the edge with gold leaf paint.
Folding fan of black wood carved with open-work circular floral designs; mounted with black satin with hand-painted floral designs in pink, white and blue flowers with green leaves and vines.
Folding fan of black wood with open-work designs mounted with black paper with hand-painted floral design of white roses with grey leaves surrounded on each side with purple flowers.
Folding fan of blond wood mounted with beige paper painted with blue and white flowers and green leaves; gold painted outline of flowers on sticks and paper; trimmed at the edge with gold leaf paint.
a) Folding fan of bone with carved, open-work abstract designs mounted with long peacock feathers; mid-portion of feathers is white and hand-painted in red, green, blue and metallic floral design with exotic pheasants; Chinese flowers; handle has hand-knotted tassel with bead. b) Folding case of purple silk velvet backed with ecru silk damask in a leaf pattern; ribbon ties to close; 23" x 4 1/2" folded.
Folding fan of carved and painted ivory sticks mounted with elaborately painted white sheer silk; floral scene with woman carrying a basket of flowers in pinks, greens and golds; flowers are accented with tiny gold paillettes; gold leaf painting on ivory sticks.
Folding fan of carved and punched ivory mounted with white woven cotton trimmed at the top with white ostrich feathers (plumes); attached ivory grosgrain ribbon with bow.
Folding fan of carved and punched ivory sticks mounted with black silk satin with pink and green hand-painted floral design; tassel of Chinese knot at bottom.