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131. Future Lives
Future Lives
Description
This mural is composed of at least five distinct sections. When read from left to right, the piece repeats a circular motif whose form oscillates between the representation of natural settings and abstract, possibly psychological spaces., detail; central mural; future lives; © 1990 Don Gray, http://www.dongraystudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
132. Yellow Basket with Lemons
Yellow Basket with Lemons
Description
An acrylic painting of a yellow wicker basket accompanied by three yellow lemons on a tan background., Sally Haley; Yellow Basket with Lemons; Revenue, The paintings of Sally Haley are much loved in the Northwest, partly at least because she often (but not always) has painted familiar domestic objects-bread, eggs, bottles, fruit, dishes, the simple, reassuring, eternal things. And she paints them with mastery so admirable that our response is a combination of delight and awe. They appear in a variety of settings and con-formations: a loaf of bread may almost fill its small canvas; a stemmed glass containing, quite surprisingly, five eggs, and standing alone, with mysterious iconic overtones, in a vast dark space; or a group assembled on a table in Haley's own subtle version of the still life. But there is a great deal more to her art than the masterly rendition of familiar objects. Many of her canvases, entirely bare of objects, are seen from, as one might say, a much wider angle; they are interiors divided into austere geometric shapes which suggest corridors, walls, windows, doors. This artist is certainly drawn by the basic architectural features of interiors, and to their meanings: the universal vertical and horizontal planes of wall and floor, the advance of corridors, the promise of doorways, the rectangles of sky disclosed by windows. She makes her own perspective, often puzzling, sometimes disquieting. In most of her painting there is…a sense of something, withheld or barely suggested, of questions unanswered, though: everything in the painting exists under the most unequivocally revealing light. Yet the surreal hovers near, is waiting in the wings, so to speak, and is sometimes evoked. At any rate, on feels , http://www.laurarusso.com/artists/haley.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts
133. Wallowa Farm
Wallowa Farm
Description
An acrylic painting of red barns surrounded by green grass, with a river flowing through on the right side of the piece. In the background are mountains below a blue sky., Patricia Gerlach; Wallowa Farm; 24x30; acrylic, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
134. Butterfly World and Gates
Butterfly World and Gates
Description
Flourescent pink, blue, green, yellow, and orange create a backdrop for five large butterfly forms whose wings display geometric patterning and mosaic inlay., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
135. Two Kiln Gates
Two Kiln Gates
Description
A red, metal gate inlaid with ceramic mosaic pieces that combines the image of a caterillar and a butterfly., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
136. Butterfly World and Gates
Butterfly World and Gates
Description
This view details one of the inlaid butterflies on the courtyard wall., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
137. Red Cabin
Red Cabin
Description
This painting presents what appears to be an abstracted seascape. Two different shades of blue are separated by thick brush strokes rendered in yellow, green, pink, red, and black. This is one of two images of the same piece. Irregularities between the pieces may reflect a difference in the source material., Red Cabin, Acrylic on paper, 15x21 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
138. Red Cabin
Red Cabin
Description
This painting presents what appears to be an abstracted seascape. Two different shades of blue are separated by thick brush strokes rendered in yellow, green, pink, red, and black. This is one of two images of the same piece. Irregularities between the pieces may reflect a difference in the source material., Red Cabin, Acrylic on paper, 15x21 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
139. Union Hill #4
Union Hill #4
Description
A view of a road that extends back into the horizon line of an agricultural landscape., Shull 1981; acrylic on linen; union hill 4; 50x50 inches; $700; revenue bldg., http://ghc.ctc.edu/library/archives/2007Winter/shullstatement.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
140. Reflex Action
Reflex Action
Description
In this piece, orange human forms with white, linear body art and black halos occupy a red background. Additional red, white, and blue geomtric shapes as well as white hand prints are overlaid on top of the human figures., Angelita Surmon; Relex Action; 30 x 44 inches; acrylic on handmade paper, Angelita Surmon is an Oregon artist who received her B.S. in 1972 and her BFA in 1977, from Oregon State University. She has continued her education at Vermont Studio School, the Sitka Center, and in Papua, New Guinea. (Oregon Arts Commission, 1995), http://www.angelitasurmon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
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