Search

You searched for: Start Over Topic acrylic paintings (visual works) Remove constraint Topic: acrylic paintings (visual works) Collection Oregon Percent for Art Remove constraint Collection: Oregon Percent for Art

Search Results

61. Untitled (Yes)
Untitled (Yes)
Description
This painting is comprised of lace patterning presented in three sections of alternating colors. The top and bottom sections are rendered in white with yellow accenting, while the middle section is rendered in green and dark blue., Phyllis Yes; professional schools building; psu; acrylic; detail, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
62. A Mystery Desired and Sought I-X (III)
A Mystery Desired and Sought I-X (III)
Description
A geometric composition that utilizes thick brush stokes to create wavy lines and texture in the surface of the paint. This piece is rendered in pink, red, orange, yellow, blue, and purple. Predominant shapes include rectangles and irregularly shaped triangles., James B Thompson; 1992; A mystery desired and sought III, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
63. Working Out
Working Out
Description
A visual design consisting of eleven separate six-by-six foot panels--each reflecting different sporting activities, and all created with acrylic paint, charcoal and color conte. Each panel is constructed of ¼ inch birch plywood backed and supported by a one-by-two-inch fir framework., Clint Brown; Working Out; Installation: OSU Dixon Rec. Center; 2007, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
64. Contemplation
Contemplation
Description
An impressionistic rendering in pastel tones of three women leisurely standing. The two women on the right appear to be interacting with one another while the woman of the right interacts with a dog., Contemplation; Bonnie Allen; Portland, http://www.askart.com/askart/a/bonnie_allen/bonnie_allen.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
65. Camellias
Camellias
Description
A still life of two white flowers in a white vase with a red stripe around the middle of it. The background is comprised of dark reds., Camellias; Sally Haley; State Capitol, The paintings of Sally Haley are much loved in the Northwest, partly at least because she often (but not always) has painted familiar domestic objects-bread, eggs, bottles, fruit, dishes, the simple, reassuring, eternal things. And she paints them with mastery so admirable that our response is a combination of delight and awe. They appear in a variety of settings and con-formations: a loaf of bread may almost fill its small canvas; a stemmed glass containing, quite surprisingly, five eggs, and standing alone, with mysterious iconic overtones, in a vast dark space; or a group assembled on a table in Haley's own subtle version of the still life. But there is a great deal more to her art than the masterly rendition of familiar objects. Many of her canvases, entirely bare of objects, are seen from, as one might say, a much wider angle; they are interiors divided into austere geometric shapes which suggest corridors, walls, windows, doors. This artist is certainly drawn by the basic architectural features of interiors, and to their meanings: the universal vertical and horizontal planes of wall and floor, the advance of corridors, the promise of doorways, the rectangles of sky disclosed by windows. She makes her own perspective, often puzzling, sometimes disquieting. In most of her painting there is…a sense of something, withheld or barely suggested, of questions unanswered, though: everything in the painting exists under the most unequivocally revealing light. Yet the surreal hovers near, is waiting in the wings, so to speak, and is sometimes evoked. At any rate, on feels , http://www.laurarusso.com/artists/haley.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts
66. Fernridge Lake
Fernridge Lake
Description
An acrylic painting of Fernridge Lake, located at the outskirts of Eugene, Oregon, showing a white lake with bits of light blue surrounded by green landscape. There are surrounding hills in the background, and trees and other plant life in the foreground., Markley C Clarke; Fernridge Lake; 30x40 inches; acrylic; dot materials lab, Clarke has been recording his gentle impressions of Willamette Valley vistas for several years. This work was painted the summer of 1987 at Fernridge Lake about eight miles west of Eugene. It was painted from a park at the west end of the lake looking across the lake toward the hills around the city of Eugene. (Oregon Arts Commission, 1987), http://zeekgallery.com/exhibits/clarke.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
67. Same Old Forest Blues
Same Old Forest Blues
Description
This painted construction employs paint to dimensionally break the confines of a rectangular frame. Thick swirls of blue, white, and pink define an interior, geometric space rendered in gold, dark blue, red, and yellow as well as thin, black lines., George D. Green; Same Old Forest Blues; U of O Science Complex, (1996 press release from Oregon Economic Development Department, Salem, OR) George Green has, for the past twenty years, been a leader in the development of new forms of tromp l'oeil illusionism (painting with photographically realistic detail). Green has had over 50 national and international solo exhibitions and is represented in 44 museum collections including the Guggenheim Museum, the Chicago Art Institute, The Denver Art Museum, the Los Angeles County Museum, and the Detroit Institute of the Arts. He has been represented by the Meyerson Nowinski Gallery in Seattle, and the Louis K. Meisel Gallery in New York City. George Green was born in Portland, Oregon in 1943., http://www.bernarduccimeisel.com/artistImages.php?id_artist=8, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
68. Nataki
Nataki
Description
An acrylic painting of a dark female human figure, who looks to be nude. She is sitting on an abstract platform, leaning over with her left hand on her right knee and her right elbow leaning on that same knee with that hand resting against her right cheek. The rest of the piece is abstract in brush strokes of white, orange, and browns., Fig. #255-Nataki; acrylic on paper; (6.5 x 6.5 inches); Inv. #71, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=243, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
69. Untitled (Yes)
Untitled (Yes)
Description
This painting is comprised of lace patterning presented in three sections of alternating colors. The top and bottom portions are rendered in white with yellow accenting, while the middle section is rendered in green and dark blue., Phyllis Yes; professional schools building; psu; acrylic, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
70. Big Bucks in Art
Big Bucks in Art
Description
A busy, colorful rendition that relies on figurative and literal layering to convey meaning to the viewer., Jack Portland; big bucks in art; 1979; oil and acrylic on canvas, Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Oregon State University Libraries University of Oregon Libraries