This quilted wall piece presents an interlocking square pattern with intricate geometric layers in blue, purple, yellow, pink, green, and red., Julie Berner; Twist and Shout; U of O Science Complex II, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A tapestry comprised of undulating segments of blue, white, brown, and purple that hangs on the wall., Pam Patrie; wool tapestry; state capital; s-4, http://revolution.3-cities.com/~abates/meanderings/Pam3.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
One in a series on three tapestries that depict changing clouds in white and gray on a blue sky over a dark, rolling landscape., Pam Patrie; wool tapestry; 1984; cloud changes; animated landscape; 44x80 inches; number three, pampatriestudios@yahoo.com, http://revolution.3-cities.com/~abates/meanderings/Pam3.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A tapestry featuring a female figure with short dark hair working on what looks to be a sewing machine. Below her are black words against a gray background of what looks like human hands. The piece is in all neutral colors., Crease; (3.5' x 7'); tapestry; 1997, http://www.americantapestryalliance.org/AP/ArtistBio/SocolofskyS.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A hanging wall piece that creates geometic shapes through the form of the weaving. The earthtone greens, browns, and blues evoke the title of this piece., Solange Kowert; Streams and Mountains; Revenue, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
All three tapestries depicting changing clouds in white and gray on a blue sky over a dark, rolling landscape together in context at the Veteran's Affairs Building., Pam Patrie; 1984; installation cloud changes; state capital, pampatriestudios@yahoo.com, http://revolution.3-cities.com/~abates/meanderings/Pam3.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This tapestry piece, rendered in blues, greens, and earthtones, depicts what appear to be architectural elevations in relationship to water., J. Poxson Fawkes; Temple Waterslide and Marina; 50 x 72 inches; 1989; linen tapestry, Judith Poxson Fawkes, a resident of Portland, Oregon, is a graduate of Cranbrook Academy of Art. She taught weaving at four institutions of higher education, most recently at Lewis and Clark College, Portland. Her fifty-six commissions hang in such diverse locations as a Federal courthouse, hospitals, university and school buildings, corporations and businesses, a Royal Caribbean Cruise ship, residences in Saudi Arabia and Paris, and in a jail lobby. Sixty-three tapestries are in public collections. She is a recipient of a WESTAF/NEA Regional Fellowship for Visual Artists, an Individual Artists' Fellowship from the Oregon Art Commission and a Crafts Fellowship from the National Endowment of the Arts. She has written a book entitled "Weaving a Chronicle," described as a visual and written catalog by a working tapestry weaver. Forty-six tapestries, pictured in color, are accompanied by adjacent text describing the reasons for each work's creation. Stories of the tapestries revisit commissions and exhibitions. Each tapestry represents seminal ideas in one of six series. The tapestries contribute to the chronicle of how ideas are conceived and executed-- adding to the history of American art and craft, and to the definition of contemporary tapestry. (details provided by artist, 2008), jpfawkes@earthlink.net, http://www.laurarusso.com/artists/fawkes_jp.html <br>For additional information about the artist, see http://www.lindahodgesgallery.com/artists/poxson_fawkes.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This tapestry presents a series of undulating shapes that resemble rolling hills., Glen Metolius Povey; anti chaos scholium; college of education; u of o 1980; 57.5x43.5 inches; tapestry weaving, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A large, textile wall piece presented in neutral tones and accented with a deep reddish-brown and black. The stylized human and animal forms as well as the linear and triangular patterning exhibit similarity with Neolithic art., Dana Boussard; totem of the willamette; psu prof. Schools, danaboussard@hotmail.com, http://www.danaboussard.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A succession of tapestry blocks hung from a common dowel on the wall. Each block presents a slightly varied rendition of a basic plaid pattern executed in blues, greens, and pinks with accents in yellow., Untitled Weaving; Judy Fawkes; State Capitol, Judith Poxson Fawkes, a resident of Portland, Oregon, is a graduate of Cranbrook Academy of Art. She taught weaving at four institutions of higher education, most recently at Lewis and Clark College, Portland. Her fifty-six commissions hang in such diverse locations as a Federal courthouse, hospitals, university and school buildings, corporations and businesses, a Royal Caribbean Cruise ship, residences in Saudi Arabia and Paris, and in a jail lobby. Sixty-three tapestries are in public collections. She is a recipient of a WESTAF/NEA Regional Fellowship for Visual Artists, an Individual Artists' Fellowship from the Oregon Art Commission and a Crafts Fellowship from the National Endowment of the Arts. She has written a book entitled "Weaving a Chronicle," described as a visual and written catalog by a working tapestry weaver. Forty-six tapestries, pictured in color, are accompanied by adjacent text describing the reasons for each work's creation. Stories of the tapestries revisit commissions and exhibitions. Each tapestry represents seminal ideas in one of six series. The tapestries contribute to the chronicle of how ideas are conceived and executed-- adding to the history of American art and craft, and to the definition of contemporary tapestry. (details provided by artist, 2008), jpfawkes@earthlink.net, http://www.laurarusso.com/artists/fawkes_jp.html <br>For additional information about the artist, see http://www.lindahodgesgallery.com/artists/poxson_fawkes.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html