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31. Cypressa Landscape
Cypressa Landscape
Description
Rough-cut shapes in neutral, yellow, green, and blue glass are fitted together to create this piece., Frederick Heidel; cypressa landscape; psu prof. Schools, Former chairman of the art & architecture department and professor of art at Portland State University for over 25 years, Frederick Heidel is well known and respected for his work in glass and acrylic paintings. Throughout his career, Heidel has exhibited widely including major shows at the San Francisco Museum of Art, Portland Art Museum, University of Oregon Art Museum, Smith/Anderson Gallery, Palo Alto, CA and Glasgalene Kuhler, Amsterdam, Holland. The artist has also been awarded numerous commissions and is included in many public and private collections. A painter, Heidel began working in glass in 1967 after receiving a Chapelbrook Foundation Grant to work in the glass factories in Holland. Since that time, the artist has traveled to the studios of Glassobjekte Van Tetterode to execute glass sculpture from drawings he has prepared in his Portland studio. The exploration of this medium has lead Heidel to create sculpture of painted light and the nuances of the colorful laminated glass harkens to the painterly and fluid surfaces of his paintings. Heidel's works on paper reflect the translucent quality of his glass sculpture. (Unknown, 1991), http://www.laurarusso.com/artists/heidel.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
32. At Water's Edge
At Water's Edge
Description
Sandcarved glass mounted on a wooden door that presents a black and silver design that implies concentric ripples in water., Lonnie Feather; ""At Water's Edge""; 1998; 12""x12""; Conf. Room Door; sandcarved glass; mixed media, Lonie Feather has worked and lived in Portland, Oregon, and has exhibited her art since 1982. She received her Baccalaureate from Portland State University with Honors in 1987 and was recognized with the 1983 Corning Award as outstanding student while studying at the internationally renowned Pilchuck Glass School. She has received significant awards including Outstanding Woman Artist of Solano County, in 1989 among others. Numerous public and private art commissions also span her career utilizing a variety of mediums and techniques which include painting on glass, glass sandcarving, cast glass, murals, mixed media with glass, wood carving and stone sculpture., lfeather@lonniefeather.com, http://www.lonniefeather.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
33. Watchers
Watchers
Description
Detail of two glass, human figures from the head down to the torso. Each of the two figures are in a curved, concaved frame., Watchers detail; Linda Ethier, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
34. At Water's Edge
At Water's Edge
Description
Six square glass pieces that present abstract designs mounted into a green wall., Lonnie Feather; ""At Water's Edge""; 1998; Each 12 inchesx12 inches; Coffee House-sandcarved glass; mixed media, Lonie Feather has worked and lived in Portland, Oregon, and has exhibited her art since 1982. She received her Baccalaureate from Portland State University with Honors in 1987 and was recognized with the 1983 Corning Award as outstanding student while studying at the internationally renowned Pilchuck Glass School. She has received significant awards including Outstanding Woman Artist of Solano County, in 1989 among others. Numerous public and private art commissions also span her career utilizing a variety of mediums and techniques which include painting on glass, glass sandcarving, cast glass, murals, mixed media with glass, wood carving and stone sculpture., lfeather@lonniefeather.com, http://www.lonniefeather.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
35. Luminous Glass Floor
Luminous Glass Floor
Description
The Casey Eye Institute building is situated on a steep, inclined site above the City of Portland. The main entrance of the building is inset below and behind a white, metal panel facade that appears to float in front of the primary building facade. The Glass Floor serves as the boundary separation between the main building and the extended portion of the two storey high entry atrium above the main entrance. The Glass Floor, in conjunction with vertical glass side windows and an overhead clear skylight, define a wrapping boundary of light and transparency. The floor panels consist of two fully tempered sheets of 1/2" glass, a chemically strengthened sheet of solar collecting glass and multiple colored interlayers which comprise a 1-3/8" thick panel of essentially bullet resistant glass to withstand the structural requirements of the site. In particular, the Glass Floor distinguishes itself by respecting the simplicity of the architecture and establishing a bold color to the otherwise monochromatic setting. The use of one color, a rich luminescent aquamarine blue, reflects and transmits its hue both into the atrium and down onto the. main entry. The floor changes at different times of the day and night depending upon the angle of the sum and upon the use of artificial lighting. This aspect of changing qualities of color and luminosity is further enhanced by seeing from below the movement of people across the translucent floor. As viewed and experienced from the interior, the floor provides a sense of depth with muted shadows and highlights of the ground below. A brightness and translucency of surface is enhanced by the use of a textured, light collecting glass. The Glass Floor is a plane that subtly mediates between the exterior and interior of the building. It is a surface which has a life on its own through ever changing levels of transparency, translucency and luminosity. The. Glass Floor is a work which brings life, animation and color to the Casey Eye Institute. Project Completion: 1991 Design Team: James Carpenter Janet Fink Neil Logan Modelmakers: Erika Hinrichs Richard Kress Structural Engineering: Guy Nordenson Ove Arup & Partners, NY Component Engineering: Tim Eliassen TriPyramid Structures, James Carpenter; 1989-91©; LUMINOUS GLASS JOIST FLOOR; Oregon Health Sciences U.; Arch: Richard meier & part; An image showing luminous quality of light filling the main entrance and movement of people above; Casey eye institute; OHSU-Portland, http://findarticles.com/p/articles/mi_m1571/is_n13_v11/ai_16720960, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
36. Tecotosh
Tecotosh
Description
This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
37. Tecotosh
Tecotosh
Description
This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
38. clay model, view 19
clay model, view 19
Description
Norman Courtney; clay molds; Len Casanova Athletic Center, U of O; 1991, norman@normancourtney.com, http://www.normancourtney.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
39. clay model, view 2
clay model, view 2
Description
Norman Courtney; clay molds; Len Casanova Athletic Center, U of O; 1991, norman@normancourtney.com, http://www.normancourtney.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
40. detail view no. 6
detail view no. 6
Description
This view presents a detailed section of the mural, A Legend of Multnomah Falls., Ruth Brockmann; Multnomah Falls detail; kiln-cast glass, fused glass, colored cement; 1992; Ptld. State Office Bldg.;, http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
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