A Native American woman, identified as Anna Kash-Kash of the Cayuse tribe, is standing outside in front of a backdrop. She is wearing a cornhusk hat, shell earrings, moccasins, a choker, a necklace, a beaded belt, and a beaded buckskin dress. In her right hand, she is holding a beaded bag with a geometric design. She is standing on a round floor mat. A Pendleton blanket is underneath the mat. A lattice-work fence is to the right.
A Native American woman, identified as Sally Chapman, in front of a backdrop on a mat with a geometric design. She wears Native American clothing, including a dress, hat, earrings, choker, and moccasins. She wears her hair in braids. In her hands she holds a bag or handbag with a geometric design. The identification of the woman is tentative and is being checked by tribal members. , [Sally Chapman, Indian, in regalia.]
A Native American man, identified as Tots-homa of the Cayuse tribe, is kneeling outside on one knee. He is wearing a single trail bonnet, earrings, a loop necklace, bracelets, and moccasins. He is holding a hatchet-style pipe in his right hand. He is kneeling on a coiled cedar root mat. A Pendleton blanket is underneath the mat. A studio backdrop is behind him.
An outdoor view of flat, rocky ground near the Columbia River. In the background of the image is the far side of the riverbank. The expanse of land on the other side of the river is flat and open, with some low bluffs near the bank, and with no sign of trees or vegetation. On the closest shore are three tipis, made of mats or canvas or both. In the center of the photo are two people in western garb, seated on horses. The figure on the left faces the camera, wears dark clothing or a suit, and is riding a white horse. The person appears to be holding a staff or pole in the right hand. The horse has a dark saddle blanket. The man and horse on the right are in profile to the camera. The horse is dark, and the man's lighter trousers and coat stand out. Both people wear broad-brimmed hats.
Seven men, three sitting, four standing, are grouped in a studio before a backdrop which has tipis painted on it. Two of the standing men are white men, identified as John McBain and Lee Moorhouse. Both wear suits and ties and McBain wears a felt hat while Moorhouse wears a high top hat. Both men have moustaches. Moorhouse holds a long pipe and flat geometrically beaded bag with fringe in his right hand, and his left hand is on the shoulder of the man seated in front of him, identified as Young Chief of the Cayuse. A Native American man, identified as Chief Sho-o-way of the Cayuse, stands in the back, also wearing a suit. He has a top-coat with furred lapels over it, and a conspicuous watch chain and medal. He wears no hat, and his gray or white hair hangs to his shoulders, where it is curled. The fourth man in the back row, identified as Chief Wolf, does not seem to be wearing headgear, but the middle section of his dark hair is pulled back from his forehead and puffed up above his head, and there seem to be feathers or other ornaments in it. The hair on the sides hangs at least to his shoulders. He wears a choker necklance and buckskin shirt, with a blanket across his left shoulder to the right side of his waist. He appears to be holding a large white feather or wing with dark spots in his right hand. The three Native American men seated in front are all wearing headgear. The man on the left, seated on a wooden chair, is identified as Chief Peo of the Umatilla. He wears a stand-up bonnet of feathers over his shoulder-length hair, and seven rows of necklaces, and his shirt is decorated with shells or teeth along its v-neck, with a stiff fringe below the shoulders. His hands are crossed on his lap, and the lower hand rests on a patterned blanket hanging between his legs. His upper, right, arm, is crossed over, and he has another blanket draped over it, and a ring on his hand. His pants have wide strips of beading down the outside of the legs. He seems to be wearing plain moccasins. The man in the center has been identifed as Chief Homily of the Walla Walla. He seems to be wearing a military cap, ornamented with beading, feathers, and fringe. His buckskin shirt has rectangular areas of beading on the sleeves and a row of ermine across the chest and shoulders.He seems to be wearing plain buckskin chaps over his pants, and beaded moccasins. His hands are in his lap and in his right hand he holds a pipe, from which a beaded bag dangles. The third seated man, Young Chief, wears a straw or felt hat with a hatband and an ornament standing up in the front, out of which emerge plumes of feathers which curve over the top of his hat. He has dark shoulder-length hair, and an earring is visible. He too wears loops of beads around his neck. He seems to be wearing a military jacket with chevrons at the wrist over a plaid shirt. The jacket is decorated with fringe at the shoulders which depends lower than his elbows. He has a patterned blanket over both legs and rolled in his lap, with patterned trousers underneath and floral beaded moccasins. His hands in his lap grasp a hatchet-style pipe, which has a flat beaded bag with streamers hanging from it. The area beneath the men is covered with a very hairy rug or mat, which is slightly rolled up at the right side of the photograph.
An outside photograph of two Native American women posing in front of a plain blanket backdrop. They are standing on a round flat coiled cedar root mat that is on a Pendleton blanket. To the right of the backdrop is a wooden walkway. In the background are deciduous trees and the hazy outlines of miscellaneous buildings. Both women have their hair in braids and are wearing cornhusk hats with a "v-shaped" geometric design. The woman on the pair's left has been identified as Ruth Coyote; she is dressed in a fringed, short-sleeve, beaded buckskin dress. Decorative beads are attached to the fringes on her shirtsleeves, knee and hem areas. She is wearing a necklace and a choker. She has bracelets on both arms and an armband on her left arm. She has a beaded belt and is holding a beaded bag in her left hand with the design of a deer. From under her dress can be seen leggings and beaded moccasins. The woman on the right is wearing circular earrings, and a cloth dress with decorative beads that extend below her waist. There are beads on her shoulders and bells at the end of her three-quarter length sleeves. She has a wide beaded belt. She has a bracelet on her right wrist and is holding a cornhusk bag in her right hand. She has beaded moccasins and may have bells at the hem of her dress., 'Umatilla Belles.' Billy Barnhart's camp on the Umatilla. [Lucy Luton and Ruth Coyote, Cayuse tribal women.]
An outside photograph of a Native American man identified as Charles Whirlwind Sr. He is standing on a round flat coiled cedar root mat in front of an unadorned blanket backdrop. On the left side of the photograph is a wooden walkway. In the background are deciduous trees and the hazy outlines of buildings. On his head he is wearing a porcupine roach and in the roach is an eagle feather. His hair is braided. There appear to be hair wraps of fur or leather woven into his braids. He is wearing a choker around his neck. He is also wearing four necklaces that are made from bear claws. He is dressed in a long-sleeve, fringed buckskin shirt. Over his right sleeve can be seen a beaded glove gauntlet with a floral design. He is wearing a blanket around his waist that covers down to his feet. The blanket has a geometric design. In his left hand, the man is holding a rifle barrel. The rifle stock is decorated. <<The blanket that is in this photograph that is wrapped around his waist is being reintroduce from this old Cayuse design is going to be a limited edition of 150 blankets for Dale Chihuly. The Eiteljore Museum which is in Indianapolis, Indiana is doing th>>, [Dr. Whirlwind, Cayuse Indian, in regalia including tooth necklace.]
A Native American man and two Native American girls are standing inside a tipi made of woven mats. The tipi has a pole hung horizontally across the diameter. The man is wearing a cloth shirt, a woven vest and woven belt, pants made from a Pendleton blanket, with a piece of blanket or cloth draped in front, earrings, necklace, and headdress. The two girls are wearing long cloth dresses, with striped blankets draped around them. The older girl has long braids, earrings, and her blanket is fringed on all four sides. The younger girl has on a hat or head scarf. The inside perimeter of the tipi contains blankets, a drum with drum sticks, a rifle, a kettle, a pail, a bowl, and a pile of sticks. There are several objects hanging from the wall, including a leather case with shoulder strap, and some ornamental items, some with fur tails. The pail is only visible in the right-hand photo.
A young Native American woman identified as Nellie Parr, a Walla Walla woman, sits in a room in front of a backdrop made of a plain blanket draped over a rack. On the walls behind and to the right hang a jumble of feathered headdresses, tomahawks, and other items; it appears she is in a photographer's studio. The woman wears beaded moccasins on her feet, which are resting on a small coiled cedar root mat. She wears leggings and a beaded buckskin dress, with beads in the fringe at calves, thighs, and arms. On her arms are metal bracelets, and around her neck are hung a number of necklaces including two that seem to be made of animal claws, long strings of beads, and a necklace with a medal. She wears a cornhusk basket hat with geometric designs and feathers on one side over her braided hair. She holds a bow and arrows with her right hand; the bottom of the bow rests on the mat. Her left hand is closed over the handle of a bag. Covering the object on which she sits is a blanket with bold geometric designs. A striped blanket can be seen tossed over something in the bottom right of the photograph., [Nellie Parr, Walla Walla woman, wearing beaded buckskin dress, leggings, moccasins, cornhusk hat, necklaces. She holds a bow and rests feet on cedar mat. In Moorhouse studio; curio collection visible on wall.]
A Native American woman identified as "Mrs. Black Hawk" of the Cayuse tribe stands in front of a tule reed mat tipi. There is snow on the ground and on parts of the tipi. Five poles are visible, and on the left side of the photograph is a wooden ladder made of poles and boards. The canvas entry of the tipi is tied back and the woman stands with her feet inside, slightly leaning out. Her long dark hair hangs below her waist in two braids; she wears a choker necklace, and a rounded earring is visible. She wears a long dark cloth wing dress with wide sections of lighter beading that run across the bodice and shoulders and onto the sleeves. A longer sleeve of floral material from a shirt or underdress is visible as she holds up her left hand. Around her waist is a wide beaded belt, and it looks like another beaded belt is hanging from it. In her left hand she holds a strip of material beaded in floral patterns and embellished with a strip of fur which has round medallions or shell discs sewn on at regular intervals. On her right side hangs a multicolored striped and fringed blanket; with her right hand she seems to be holding or pushing aside a dark bag or curtain trimmed with a light floral-patterned material. Propped against a low log or board at the entrance to the tipi are two flat bags beaded with geometric patterns. Under them, and taking up the left foreground of the photo, is a striped blanket.