A close-up view of a kite sculpture with a wavy tail. The kite is red and orange with a blue and yellow shape layered on top. The kite is held up by a long pole., Cook received a B.S. (Liberal Arts, 1979) and B.F.A. (1980) degrees from the University of Oregon. (resource obtained 2007-08-22 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html)., The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A close-up view of a kite sculpture with a wavy tail. The kite is black, green, and yellow with blue, red, white, and gold shapes. The kite is held up by a long pole., Cook received a B.S. (Liberal Arts, 1979) and B.F.A. (1980) degrees from the University of Oregon. (resource obtained 2007-08-22 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html)., The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This view presents a detail of one of seven whimsical metal sculptures whose forms imply abstractions of cloven animals. Bright colors and bold shapes adorn the pieces., Barry Gunderson; pendleton critters; sculpture painted aluminum; eastern or training center, Barry Gunderson has been a Professor of Studio Art at Kenyon College, Ohio. He joined the department in 1974 after receiving his MFA from the University of Colorado-Boulder. He has taught all the sculpture courses in the Department from the intro level "Three Dimensional Design" to the more unusual courses such as "Art with a Function" and "Art with Four Legs." His work also deals with the third dimension from outdoor public commissions to smaller studio pieces. "Learning to be an artist is a very complex process. Learning to enjoy Art by trying to make it is also complex. Once it is started the process has to be practiced and explored - perhaps for a lifetime. As an Artist/Teacher I think it is important to share my studio trials and tribulations for art-making is always fun but rarely easy. It is also important to share the joys of this activity - those times when an idea in combination with carefully selected and worked materials yields a product I am proud to exhibit. It is also a joy to help students dig deeply into themselves, then to use all their energies and resourcefulness to create a work they never thought possible." (http://art.kenyon.edu/studioart/academicprogram/studenthandbook.htm), gunderson@kenyon.edu, http://art.kenyon.edu/studioart/facultypages/gunderson/gundersonart.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at: http://www.artseast.org/
"Wind Fence," the sculpture, consists of seven sections of wind-animated panels, approximately 10 feet square. The panels are composed of thousands of small anodized aluminum elements that are hinged to move freely in the wind. The panels are mounted onto a series of 8-inch diameter stainless steel poles that are connected by a framework of 2 1/2 inch stainless square tubing. The poles are embedded into concrete footings that are 2 feet in diameter and about 8 feet deep. The overall shape of the fence traces out a gentle arc that sweeps towards the north entrance to the building and extends back into the grove of trees to the east. The intent of the artwork is to reveal the invisible passage of wind through the fence. The curve of the fence echoes the curved facade of the architecture. ((Kahn, 2003), nedkahn@earthlink.net, www.nedkahn.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A large, metal wall relief sculpture comprised of several different sections of fastened metal sheets. Textured markings on the surface of the metal offer visual interest, while the overall form resembles an open-mouthed Pac Man character. Variations between duplicate images directly relate to original source materials., Aluminum, ivanmorrison@earthlink.net, http://home.earthlink.net/~seraphonic/Ivan.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
This bronze wall relief depicts sports fans with their arms raised in the act of cheering on their team. The figures emerge from the wall in varying degrees of completeness, starting with the most present figures in the foreground and the least present in the background., Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989., tmorandi@comcast.net; tmorandi@oregonstate.edu, http://www.tommorandi.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
Dennis Oppenheim lives in New York, N. Y. He was born in Electric City, Washington, and attended California College of Arts and Crafts, where he received a BFA degree in 1965. He moved to new York in 1966, where he taught preschool and later high school art while working towards his first single exhibition, which was held in 1968. Oppenheim creates conceptual art, performance art, earth works and mechanical pieces, producing a wide range of sculpture. (information from Oregon Arts Commission materials), http://www.home.earthlink.net/~dennisoppenheim, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
Dennis Oppenheim lives in New York, N. Y. He was born in Electric City, Washington, and attended California College of Arts and Crafts, where he received a BFA degree in 1965. He moved to new York in 1966, where he taught preschool and later high school art while working towards his first single exhibition, which was held in 1968. Oppenheim creates conceptual art, performance art, earth works and mechanical pieces, producing a wide range of sculpture. (information from Oregon Arts Commission materials), http://www.home.earthlink.net/~dennisoppenheim, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This life-size relief sculpture is in cast stone with metal reinforcing. The inscription on the front of the piece is from "The Unnamable" by Samuel Beckett. This contained figure is relaxed, not repressed. She represents the heroism of continuing the journey, of going on. (information from OAC documentation) "The Unnamable," a 1953 novel by Samuel Beckett, is the third and final entry in Beckett's "Trilogy" of novels, which also includes "Molloy" and "Malone Dies." It was originally published in French as "L'Innomable.", Lee Hunt; 1991; Cast stone; Unnamed (female heroic figure); archives; life size, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html