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161. Untitled (Cruson)
Untitled (Cruson)
Description
A series of five panel paintings depicting variations upon the theme of migratory waterfowl combined with cloud shapes and sweeping, arching lines., Untitled; John Jay Cruson; mixed media on wood; 5 x 5 feet; 1979; Pendelton Cafeteria State Office Building, Jon Jay Cruson is a N.W. artist who grinds, draws, etches, and pulls his own prints from the lithographic stone - on a hand cranked late 1800's press. He is one of the few lithographic printmakers that has his own studio - and does the complete printing process by himself. He is also noted on the West Coast for his paintings. (Unknown, 1987), http://www.wlotus.com/JonJayCruson/default.htm, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
162. Same Old Forest Blues
Same Old Forest Blues
Description
This view presents context for George Green's painted construction that employs paint to dimensionally break the confines of a rectangular frame. Thick swirls of blue, white, and pink define an interior, geometric space rendered in gold, dark blue, red, and yellow as well as thin, black lines., George Green; Some Old Forest Blues; U. of OR Sci. Complex II, http://www.bernarduccimeisel.com/artistImages.php?id_artist=8, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
163. detail view no. 3
detail view no. 3
Description
This view presents a detailed section of the mural, The Bridge of the Gods., Ruth Brockmann; Bridge of the Gods detail; kiln-cast glass, fused glass, colored cement; 1992; Ptld. State Office Bldg., http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
164. detail view no. 2
detail view no. 2
Description
This view presents a detailed section of the mural, The Bridge of the Gods., Ruth Brockmann and Hal Bond; Bridge of the Gods; detail; PSOB, http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
165. Untitled (Cruson)
Untitled (Cruson)
Description
A series of five panel paintings depicting variations upon the theme of migratory waterfowl combined with cloud shapes and sweeping, arching lines., Untitled; John Jay Cruson; mixed media on wood; 5 x 5 feet; 1979; Pendelton Cafeteria State Office Building, Jon Jay Cruson is a N.W. artist who grinds, draws, etches, and pulls his own prints from the lithographic stone - on a hand cranked late 1800's press. He is one of the few lithographic printmakers that has his own studio - and does the complete printing process by himself. He is also noted on the West Coast for his paintings. (Unknown, 1987), http://www.wlotus.com/JonJayCruson/default.htm, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
166. Out for a Ride
Out for a Ride
Description
An enameled steel piece based upon the theme of transportation. The view shown is of a pink car with a blue interior. A human, gender unknown, is driving, wearing a dark blue long sleeve shirt and a black beret. There is a Dalmatian-type of dog wearing a seatbelt in the backseat. The background is blue with a round, blue, pink, red, and yellow object in front of the human's face, just in front of the vehicle., Most of Edwards' work takes a humorous and delighted look at life. Edwards works in many media- glass, enamel on steel, iron- and has produced many private and public commissions. He was a National Endowment for the Arts Fellowship winner in 1981 (OAC documentation, 1990)., http://www.palmdesertartistregistry.com/garth_edwards.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
167. Colter's Hell
Colter's Hell
Description
This piece is divided into four main sections. First, the piece is bordered on three sides by a series of rectangles that alternate between plain color blocks and blocks containing stylized silhouettes of animal forms. The remainder of the picture plain is divided into three zones. The foreground contains more stylized silhouettes of animal forms as well as what appears to be spaceship forms that emit a white beam across the remaining two zones. The middle-ground is comprised of green fish forms on a greenish background. Finally, the background is comprised of a range of volcanoes that emit glittery lava and a series of red, black, brown, and yellow teepee forms., Ken Weeks; Colter's Hell; Revenue, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
168. Aspen Stand II
Aspen Stand II
Description
A combination of drawn aspen trees and photographed aspen trees., Aspen Stand II, mixed media collage; fragments; 42 x 24 inches, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., tlw@uoregon.edu, http://www.terriwarpinski.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
169. Strivings
Strivings
Description
According to the artist, "Strivings" represents the desire to achieve success. This view adds presentation and context to the image., N. Cushwa-Blake; strivings; st print pl; 33x25 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
170. Untitled #151
Untitled #151
Description
An assemblage of geometric shapes in neutral tones, broken up by a green vessel shape in the middle., #151 Untitled; 3 7/8 x 3 inches; 1989, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
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