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181. Predicting the Weather
Predicting the Weather
Description
An abstract rendering presented on a deep yellow background. A blue, horseshoe-shaped form encompasses a mysterious pink form. A white rectangle and a blue, bean-shaped form occupy space in the upper third of the composition. The piece presents various sections of black outlining as well. This is one of two view of this artwork. Variations between duplicate images relate directly to original source materials., Mixed media on paper, "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
182. Wheel of Fortune
Wheel of Fortune
Description
This mixed media painting presents tribal symbolism renedered in red, purple, blue, orange, black, and white., Wheel of Fortune; Mixed Media; 1996; 12 inches x 12 inches, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
183. full view
full view
Description
This view presents the mural, The Bridge of the Gods, in full in context at the Portland State Office Building. It presents a mythological narrative germane to the Northwest region., Ruth Brockmann; Bridge of the Gods; kiln-cast glass, fused glass, colored cement; 26 feet 5 inches x 6 feet 6 inches; 1992; Ptld. State Office Bldg.; Photo: Roger Schreiber, http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
184. detail view no. 5
detail view no. 5
Description
This view presents a detailed section of the mural, A Legend of Multnomah Falls., Ruth Brockmann; Multnomah Falls detail; kiln-cast glass, fused glass, colored cement; 1992; Ptld. State Office Bldg.;, http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
185. detail view no. 2
detail view no. 2
Description
This view presents a detailed section of the mural, A Legend of Multnomah Falls., Ruth Brockmann; Multnomah Falls detail; kiln-cast glass, fused glass, colored cement; 1992; Ptld. State Office Bldg.;, http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
186. The Flock
The Flock
Description
This abstract piece presents three, black feather-like shapes near the center of the picture plane on a variegated, light yellow background. A black band tops the piece. All three feather-like shapes sit on a diagonal toward the right, and they are surrounded by a pink glow. At least six other irregular shapes, rendered in black, white, and brown, occupy the space between the feather-like forms and the black band at the top., The Flock; (68 x 48 x 1.5); 12-95; mixed media, enamel, metal leaf, dry pigment, varnish on aluminum, Tom Anderson was born in 1951 in Salt Lake City, the son of a jazz musician. By the time the family settled in Vancouver, Washington, Anderson's formative years has been shaped by syncopated rhythm and life on the road (39 states by the age of four). He earned an Associate of Arts degree from Clark College in 1971. part of his education included three months of travel in Europe, where he studied firsthand the works of the great masters. In the autumn of 1971, he enrolled at The Evergreen State College in Olympia, Washington. There, in addition to his Asian art and Philosophy studies, Anderson made some meaningful contributions to the first years of the experimental college's development. He initiated the use of the 16mm animation facilities, helped to establish the FM Radio station KAOS, co-created the four-story library mural, and worked as an assistant graphic designer, developing the College's catalogs and visual identities. He graduated in 1973 with a Bachelor of Arts degree. That same year, Anderson co-founded Mansion Glass Studios in Olympia. This collaboration won recognition locally and nationally for their design and fabrication of Architectural Art Glass commissions, as well as for their restoration projects. Anderson first attended the highly esteemed Pilchuck Glass School in 1986, as a teaching assistant to Henry Halem. He returned in 1987, on a scholarship with Susan Stinsmuhlen-Amend, and again in 1988 and 1989 as a teaching assistant in the advanced graduate program, specializing on glass casting and enamel kiln firing. In 1990, Anderson established his own studio in Olympia. Over the past eight years he has continued his work painting, metal fabrication, mixed media constructions, and printmaking. He is represented by galleries in Oregon, Washington, Florida, New Mexico, and California. In addition to commissions, Anderson exhibits regularly and his work can be found in over 400 public and private collections including the Oregon Arts Commission, the Washington State Arts Commission, Delta Airlines, the city of Olympia, Hewlett Packard, and US Bank. (Uknown, 1995), artist402@comcast.net, http://www.thomasandersonart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
187. Vega
Vega
Description
A wooden sculpture with three legs, supporting a madrone burl, oval-shaped piece that extends downward into a cone shape. The top of the piece is a bluish metal, perhaps a patinaed copper, with a brass opening in the middle. This is one of two images of the same piece. Irregularities between the pieces may reflect a difference in the source material., Vega; William Moore; 1990; Copper, Brass, Maple, Madrone Burl; 19.5 x 11.5 x 10 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
188. Two Kiln Gates
Two Kiln Gates
Description
A red, metal gate that linearly defines a butterfly around a central axis point, which doubles as the fulcrum for the gate., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
189. Down Boy
Down Boy
Description
Beyond what has been provided herein, we have no additional information regarding this artwork., (1996 press release from Oregon Economic Development Department, Salem, OR)Allen's Cox's canvases are abstract allegoies. For this commission, Cox has created the parinting "Down Boy," painted with mixed media including oil, wax and marble dust. Cox has exhibited in solo and invitational exhibitions throughout Oregon, Washington, California and Pennsylvania... cox has been represented by the Patricia Williams Gallery (Gleneden Beach, OR)., http://bennettgalleriesnashville.com/allencox.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
190. Outrigger No. 2
Outrigger No. 2
Description
Outrigger No. 2 juxtaposes natural elements (quills) with man-made elements (sails, kites) that represent flight. This view is a detail of the larger piece., Susanna Kuo; outrigger no. 2; 1980; 1980; state printing plant, in 1962, Kuo graduated from Lewis and Clark College in Portland, Oregon. She holds an M.A. in English literature from Mount Holyoke College and a Ph.D. in English literature and folklore from indiana University. Kuo is one of the authors of "Carved Paper: The Art of the Japanese Stencil," published in 1998., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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