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151. Oregon Beach #2
Oregon Beach #2
Description
A painting of the coastline in inclement weather. The viewer enters the picture plane from what appears to be a perspective from the brush line before reaching the sand or water., Mark Clarke, Oregon Beach #2, Oil/Canvas, 40 x 46 inches, http://www.karinclarkegallery.com/clarke.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
152. North Fork Green Water
North Fork Green Water
Description
This brightly colored rendering of moving water past an embankment of trees and other vegetation is presented large enough that it creates the illusion that the view is near life-size. Shown in context at the State Capitol., Douglas Campbell Smith; north fork green water; galleria - state capital vol III, http://www.campbellsmiths.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
153. Peggy Swimming
Peggy Swimming
Description
A scene of several people in a swimming pool. The main subject, a woman with short, dark hair, floats just beneath the surface with her arms at her sides. Another woman supports her from behind, evidenced by her pink arms surrounding the waist of the woman with the dark hair., Edward Wong; peggy swimming; 34x48 inches; oil on canvas, The works in this unusual exhibit are by California artist Ed Wong. He was chosen to be artist-in-residence at Eastern Oregon State Hospital in Pendleton out of 28 applicants who applied from all parts of the country. The 4-month residency was made possible through funds from Oregon's 1% for Art in Public Places program. Ed Wong proposed to do a series of figure studies of the residents. Over the 4 months that he lived and worked in the hospital, Ed became friends with many people; he painted them in everyday situations and came to know each one as an individual. Ed's work is compassionate, immediate, and powerful. It helps to celebrate the differences in people and reinforce each personality. (author unknown; Oregon Arts Commission, 1979), ed@edwong-ligda.com, http://www.edwong-ligda.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
154. Peonies & Iris 1990
Peonies & Iris 1990
Description
A still-life painting of two jars of pink and white blooms sitting on a table covered in a white cloth against a dark blue background., S. Gittelsohn; Peonies & Iris 1990; Jul 13 1990; 48x48 inches; oil on linen; ohsu movable, ShirlyGitt@aol.com, http://members.aol.com/shirlygitt/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
155. On the Bus with G-3
On the Bus with G-3
Description
A rendering of a black-bearded man wearing a yellow shirt and a dark cap pulled low over his eyes who is twisting backward over his seat on a bus., Edward Wong; oil on canvas; mental health; on the bus with g-3, The works in this unusual exhibit are by California artist Ed Wong. He was chosen to be artist-in-residence at Eastern Oregon State Hospital in Pendleton out of 28 applicants who applied from all parts of the country. The 4-month residency was made possible through funds from Oregon's 1% for Art in Public Places program. Ed Wong proposed to do a series of figure studies of the residents. Over the 4 months that he lived and worked in the hospital, Ed became friends with many people; he painted them in everyday situations and came to know each one as an individual. Ed's work is compassionate, immediate, and powerful. It helps to celebrate the differences in people and reinforce each personality. (author unknown; Oregon Arts Commission, 1979), ed@edwong-ligda.com, http://www.edwong-ligda.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
156. Cynthia on A-4
Cynthia on A-4
Description
A frontal portrait of a woman with short, dark hair sitting in front of what appears to be a laundry sorting area. The woman wears a red, yellow, blue, and white striped shirt and tan shorts., Edward Wong; oil on canvas; 48x34 inches; cynthia on a-4; mental health, The works in this unusual exhibit are by California artist Ed Wong. He was chosen to be artist-in-residence at Eastern Oregon State Hospital in Pendleton out of 28 applicants who applied from all parts of the country. The 4-month residency was made possible through funds from Oregon's 1% for Art in Public Places program. Ed Wong proposed to do a series of figure studies of the residents. Over the 4 months that he lived and worked in the hospital, Ed became friends with many people; he painted them in everyday situations and came to know each one as an individual. Ed's work is compassionate, immediate, and powerful. It helps to celebrate the differences in people and reinforce each personality. (author unknown; Oregon Arts Commission, 1979), ed@edwong-ligda.com, http://www.edwong-ligda.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
157. Oceanscape
Oceanscape
Description
(Detail) A realistic scene from the deck of a ship at sea amongst rough water. The crew of the ship is busy at work with the rigging under a colorful nighttime sky., OSU Mural, http://artistsregister.com/artists/OR9, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
158. View #2
View #2
Description
Monochromatic tonal variation in the warm color range define rectangular sections in this painting. The middle rectangle contains further tonal gradation through what appears to be a stippling technique. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., http://www.artcyclopedia.com/artists/bunce_louis.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
159. Bounty
Bounty
Description
(Right-Center Detail) A view from above of what appears to be a table scene with linens and various dishes and foods and flowers., Bounty; 4 feet x 28 inches; oil on canvas; detail, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
160. Bounty
Bounty
Description
(Left-Center Detail) A view from above of what appears to be a table scene with linens and various dishes and foods and flowers., Bounty; 4 feet x 28 inches; oil on canvas; detail, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
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