"A black-and-white photograph identified as Moorhouse home, Pendleton, with family group in front. Eleven people sit or stand around the entrance to a light-colored wooden house. The house has gingerbread-style trim, with a lacy crest interrupted by finials running around the top of its small flat porch roof and the edge of the roof line, and delicate crenelation along the roof ridge with a finial at the gable above the porch. More gingerbread ornaments the gable. A leafy vine obscures the right side of the house and climbs up the porch past a birdcage; other leafy plants are near the porch and in the foreground of the photo, and a strip of netting has been strung on both sides of the porch front as guides for more vines. A boardwalk has been laid through the lawn to the porch. Two women sit on chairs on the porch. One wears a white shirt and darker long skirt and has some light-colored ornament in her hair. The other woman is all in white and sits in a rocking chair. There is no balustrade to the porch, and along its edge sit a man and woman. The man wears a three-piece suit and bow tie, and the woman is in a white shirt and dark skirt. Like the other women, she wears her hair in a pompadour. She sits with her feet on the boardwalk. Left of her a man with a moustache, wearing a suit, sits in a rocking chair on the grass, holding a young girl on his lap. The girl wears a white dress and stockings and dark shoes. Near their feet, sitting on the boardwalk, are two boys. The boy closest to the house wears dark shorts with suspenders and a white shirt; his legs and feet are bare. The boy next to him is in a dark sailor-suit-style polka-dotted shirt and dark shorts, with dark stockings and shoes. At the right side of the photograph is a group of three people. Major Moorhouse and his wife sit in wooden rocking chairs, while another man in a three-piece suit and bowler hat stands between them in the background. The Major also wears a suit; his wife is in a long dark dress with ruffles at the hem, and has a long chain ornamenting her ensemble. Only two people are not looking directly at the camera; the man sitting on the porch edge, and the woman in white on the porch. Behind her gleam glass windows, with lacy curtains and light blinds behind them; above the screen door is the house number 601."
A man identified as Homer Wilson wrestles a steer in a rodeo arena at the Pendlton Roundup. He lies on the ground with both hands raised in the air as he bites the lip of the steer. He is dressed in a striped long-sleeved shirt, pants, and cowboy boots. Attached to the back of his shirt is a piece of paper with the an unidentifiable number next to the number "9". Spectators watch the cowboy behind a wooden fence on the right side of the image. Visible in the arena with Wilson is a man on horseback wearing a cowboy hat. In the background are out of focus grandstands and spectators.
A man identified as John Thomas wrestles a steer in a rodeo arena at the Pendleton Roundup. Both of his arms are wrapped around the steer's horns as he struggles to pull the animal to the ground. In the background a wooden grandstand, spectators, deciduous trees, and two American flags are visible.
A woman identified as Bonnie McCarroll is thrown off a bucking horse at the Pendleton Round Up. The saddled horse rears as Bonnie's body is twisting in mid-air. She wears boots with spurs, a skirt with fringe on the hemline, and a long-sleeved shirt. In the background a man in a jacket and cowboy hat sits on a horse. Spectators are out of focus in the distance. Published Title of the image was located in the book "Let 'Er Buck" by Charles W. Furlong; text accompanied the photograph.
A parade procession of Native Americans on horseback being led by Major Moorhouse in Pendleton, Oregon. Moorhouse rides on horseback wearing buckskin pants and jacket with fringes and beadwork. Next to Moorhouse on horseback is a Native American wearing a wide brimmed hat with feathers, long-sleeved shirt, and a necklace. The Native Americans in the background are riding horses and are wearing Native American clothing with feather headdresses. They travel down a street lined with brick buildings. Signs on the buildings read "Bakery", "Grocery" and "Umatilla Implement". Also visible in the background are spectators on the sidewalk, electrical poles, and a flag with an Indian riding a horse on its surface.
Cowboys compete in a roman style horse race at the Roundup in Pendleton, Oregon. Three cowboys, each rider standing on two horses, race around a dirt track. Spectators are in grandstands around the perimeter of the track. Objects in the background include teepees, American flags on flag poles,and a banner that reads, "The Round-Up". The man winning the race is identified as Ben Corbett.
A man identified as Joe Roub rides a bucking horse in a rodeo arena at the Pendleton Roundup. He holds his hat in his right hand and a rope attached to his horse in his left hand. He wears leather chaps, cowboy boots, and a long-sleeved shirt with collar. In the background are empty grandstands.
A woman, identified as Tillie Baldwin, performs a stunt on horseback in a rodeo arena at the Pendleton Roundup. Her horse gallops as she stands, balancing on its saddle, with her arms stretched out to her sides. She wears a dark, short-sleeved shirt with a tied scarf, belt, pants, and knee-high boots. Trees and some spectators are visible in the background.
A man with a camera on a tripod flees a cowboy riding a bucking horse in a rodeo arena at the Pendleton Roundup. The man on the horse is identified as Bud Ogilvy. A piece of paper that reads "79" is attached to the back of his long-sleeved shirt. As he rides, his right hand is raised holding his cowboy hat. He wears wooly chaps and cowboy boots with metal spurs.
A man identified as Dan Clarke stands in a rodeo arena with his hands raised and a hog-tied steer at his feet. He is dressed in a cowboy hat, long-sleeved shirt, scarf, striped wool pants, belt, gloves, and cowboy boots. A rope hangs from his pants pocket. In the background is a saddled horse, and spectators are in grandstands.